conceits
imagery that avoided cliches
Ideas which proclaim the dominance and superiority of mind over material and physical objects and passions are characteristic of metaphysical poetry. Metaphysical poems do not strictly conform to the physical laws and realities and often are not rooted on the earth.
James I Gave Donne a job T. S. Eliot Rediscovered Metaphysical poets Metaphysical poetry Was intense Cavalier poetry Was lighthearted
Use of conceits
John Donne
The use of conceits.
Audible pauses, like caesuras and enjambment, are not typically found in metaphysical poetry. Metaphysical poetry tends to focus on a harmonious flow of ideas and intricate metaphors, with a more regular rhythm and structure. The use of abrupt pauses or enjambment can disrupt the meditative and contemplative tone often associated with metaphysical poetry.
lacks the characteristic use of elaborate conceits and paradoxes found in other Metaphysical poetry. Instead, the poem focuses on intimate emotions and displays a more subdued and gentle tone. The theme of spiritual love and unbreakable connection between souls is central to the poem, setting it apart from other Metaphysical works.
Unlike other metaphysical poetry, "A Valediction Forbidding Morning" has a regular rhyme scheme. a conceit
One example of a cliché in Elizabethan poetry that the metaphysical poets might have wanted to avoid is comparing love to a red rose. Metaphysical poets sought to use wit, elaborate conceits, and unconventional comparisons in their work, moving away from the conventional and overused imagery found in earlier poetry.
Metaphysical
Metaphysical poetry is often described as intellectual, complex, and characterized by elaborate conceits that explore deeper meanings and connections between the physical and spiritual worlds.