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What is the argument in the poem love and death by sarojini naidu?
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∙ 6y ago
The poem "Love and Death" by Sarojini Naidu explores the eternal struggle between love and death. It presents love as a force that can defy death and conquer it through its enduring power. The argument of the poem is that love transcends mortality and is a force that can never truly be extinguished by death.
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what is the argument in the poem love and death by sarojini naidu?
The Sonnet Love and death contains a kind debate. Its between a certain idea of love which would conquer everything including death but that usually never happens even though a lover loves his/her beloved from heart and soul.
Explanatory notes on Sarojini Naidu's the temple pilgrimage of love?
"The Temple Pilgrimage of Love" by Sarojini Naidu is a poem that explores the metaphor of love as a sacred pilgrimage. The poem describes the journey of two lovers as they navigate the trials and tribulations of life, seeking solace and strength in their bond. Through vivid imagery and lyrical language, Naidu conveys the power of love to transcend barriers and unite souls in a spiritual connection.
Can i get the summary of sarojini naidu's poem alabaster?
"Alabaster" by Sarojini Naidu is a poem that celebrates the beauty and purity of love. The poem describes love as precious and fragile, using the imagery of alabaster, a fine-grained stone. It conveys the idea that love is enduring and eternal, transcending all worldly boundaries and challenges.
Summary of all poems broken wings of Sarojini Naidu?
"Sarojini Naidu's collection of poems titled 'The Broken Wing' reflects themes of love, loss, longing, and personal introspection. The poems capture the complexities of human emotions through evocative imagery and lyrical language. Naidu's work delves into the fragility of relationships, the resilience of the human spirit, and the beauty of nature."
What type of poem is An Indian Love Song?
"An Indian Love Song" by Sarojini Naidu is a lyric poem that expresses deep emotions of love and longing. It is rich in vivid imagery and captures the essence of romantic love through nature and cultural imagery.
Who called sarojini naidu nigtingale of India?
Naidu's poetry is lyrical and musical, using many types of meter and rhyme and filled with rich imagery. It deals with love and death, separation and longing, and the mystery of life, all important themes for poetry. There is much rhetorical gesturing, much longing for an ideal past or an ideal love. In the end the poetry tends to become monotonous and repetitive. For this reason she is called the nightingale of india. she received serious recognition and much acclaim and was spoken of as the "nightingale of India" long after she had ceased to sing.[I THINK] The liquidity of her diction and the rich musical content and lyrical beauty of her poems gained her the sobriquet The Nightingale of India, or Bharat Kokila in Hindi. The three phases of Sarojini Naidu's poetry are first, the themes of the home, its surroundings and nature, second, fellow human beings and fellow-creations and third, the entirety and vision of the world.The observation that in the end her poetry tends to become monotonous and repetitive is not correct or justified. Arthur Symons described Sarojini Naidu's poems as Un-English and Oriental for their eastern magic.
What was the first poem of Sarojini Naidu?
Sarojini Naidu is also well acclaimed for her contribution to poetry. Her poetry had beautiful words that could also be sung. In 1905, the first volume of her collection of poems was published as The Golden Threshold. Two more volumes were published: The Bird of Time (1912) and The Broken Wing in (1917). Later, her The Wizard Mask and A Treasury of Poems were published. In 1961 her daughter, Padmaja published a collection of her previously unpublished poems under the title, The Feather of the Dawn.The Golden Threshold (1905)The Bird of Time: Songs of Life, Death & the Spring (1912)The Broken Wing: Songs of Love, Death and the Spring (1917)The Sceptred Flute: Songs of India (1928)The Feather of the Dawn (1961)The Gift of IndiaNaidu writes: :Shall hope prevail where clamorous hate is rife,Shall sweet love prosper or high dreams have placeAmid the tumult of reverberant strife'Twixt ancient creeds, 'twixt race and ancient race,That mars the grave, glad purposes of life,Leaving no refuge save thy succoring face?Naidu said, '"When there is oppression, the only self-respecting thing is to rise and say this shall cease today, because my right is justice."Naidu adds, "If you are stronger, you have to help the weaker boy or girl both in play and in the work."Without offending, would like to add the following:Her sweet name before marriage was Sarojini Devi, which many prefer. She was the real Nightingale of India. She is aptly called so, for almost all her songs are born from exquisite tunes. Their rich musical content has not yet been appreciated enough. Queen Gulnar's Daughter, Coromandel Fishers and The Indian Weavers are just three of her exquisite musical pieces. Imagine a thirteen year old girl sitting on a cattamaran in the Bay of Bengal playing and enjoying the rhythm of the tides and waves! That is how Coromandel Fishers happened. She is equalled in tunes, only by Rabindranadha Tagore, another Bengali and the National Poet of India.
Critical appreciation of the poem if youcall me by sarojini naidu?
Sarojini Naidu's treatment of love is excellent. Her concept of love is true and sublime. It is spiritual. For example, Song of Radha, the Milkmaid is a folk-song based on Radha's love for her lover Govinda. Radha is a milkmaid. She remains lost in the thought of Govinda. Her mind is over-filled with the name of Govinda. Govinda is a cowboy and flute player. She visits the Mathura tide to take water from the Yamuna. She carries pots there. She is delighted to see the sailors rowing the boat joyfully. Her friends are dancing and they ask her to join them to dance and sing wearing saffron garments in order to welcome the spring. Friends ask her to come with them and pluck the new buds that were blowing. But, Radha does not take interest in such activities for her heart is filled with the music of Govinda's flute. Her friends laugh at her when she shouts unknowingly 'Govinda'! 'Govinda'! 'Govinda'! Govinda'! She takes delight in seeing the river flowing happily. It proves her love for Govinda is true and sublime. It is spiritual.
Where can you find an explanation of the palanquin bearers?
Sarojini Naidu's The Palanquin Bearers is a very straightforward poem.A palanquin - or palkhi - is a covered chair-type litter (something like a sedan-chair) which a person of high-caste rides in, and is carried by people of low-caste.Sarojini Naidu's The Palanquin Bearers is a song sung by the low-caste people who carry the palanquin, where they say how happy they are to have the privilege of being able to carry such a noble lady.Lightly, O lightly we bear her along,She sways like a flower in the wind of our song;She skims like a bird on the foam of a stream,She floats like a laugh from the lips of a dream.Gaily, O gaily we glide and we sing,We bear her along like a pearl on a stringThe poem says that lower-caste people are very lucky to have upper-caste people to serve, and that it makes them very happy to do so.....If Sarojini Naidu had ever spoken to any real palanquin bearers, she would have discovered that this is not how they feel. Lower-caste people do not serve upper-caste people because we love them, or because it makes us happy: we do it for money.Later in her life Sarojini Naidu would write:When there is oppression, the only self-respecting thing is to rise and say this shall cease today, because my right is justice.But in this poem she seemingly ignores the oppression of the palanquin bearers.
If you have your first argument with your best friend and you walk away feeling closer to him or even in love then ARE you in love and if yes then why has it taken that argument to realize that?
Maybe you are in love with your best friend, it's possible. You need to find why you had the argument in the first place.
What is death as a test of love?
love as test of death and death as test of love
What is the explanation of coromandel fishers by Sarojini Naidu?
Sarojini Naidu says that the sun has risen and it looks as if the sky is praying to the sun,there is no wind and the second line is a simile.the poet says that the narrator is calling out to his colleagues who catch fish,to start their day.they call themselves the king of the sea.The seagull is an animal that knows where the fish are,so the fishermen follow them.the poet also describes the scenery as close friends and family.The sea god is the controller of the sea (Poseidon in Greek mythology)the sea god will protect them.In the next para Sarojini Naidu describes that the fishermen like the land as well,but the waves and the foam of the sea is more calling to them.The poet,in the last line says that the sun is setting and it is time to go back to land.
