0
Want this question answered?
Be notified when an answer is posted
Add your answer:
Earn +20 pts
How old maddona?
53 yrs.
Where could Aaron Coplands music be heard?
Just about everywhere in the U.S. Aaron Copland is one of America's most popular classical composers, judging by the continued popularity of his music.His Fanfare for the Common Man has been played at sporting events and in sports broadcasting for decades (especially in the 1970s Emerson, Lake & Palmer art-rock version), and figures prominently at political events on both sides of the aisle (Obama's 2009 Inaugural Concert at the Lincoln Memorial, Glenn Beck's "Restoring Honor" rally at the Capitol mall). It was also featured in the soundtrack of Saving Private Ryan. The final variation on the Shaker hymn tune "Simple gifts," from Appalachian Spring, seems to be especially emblematic of U.S. national pride, and used to be played behind a visual of a waving U.S. flag as the sign-off for some TV stations.Copland's music has also been used in commercials: the "Hoedown" section of his Rodeo is archetypical Western/cowboy music, used in the background of the 1990s ad campaign, "Beef. It's what's for dinner," and the cut from Appalachian Spring mentioned previously accompanied the 1996 TV ad campaign introducing Oldsmobile's Aurora, which was heralded as the return of the unabashedly big American car.Copland himself was known to branch out into non-traditional venues for classical music. He wrote on commission for radio orchestras during the live-studio era, and was a film composer as well. His scores for Our Town (1939) and Of Mice and Men (1940) are particularly notable, and he won an Oscar for his score of The Heiress (1949). Two of his popular ballets, Billy the Kid and Rodeo, were even adapted for TV on the 1952-53 Omnibus program.Finally, you might also consider the impact of Copland on other composers. His "Western" sound in Billy the Kid and Rodeo turns up in classic Western-movie scores such as The Magnificent Seven and TV themes such as The Big Valley. The "wide open spaces" sound of Fanfare for the Common Man can be heard in the trumpet fanfare intros of such space-themed fare as the original Star Trek series, Superman (1978), and especially Apollo 13, which also references the "national pride" trope that grew out of Appalachian Spring.
Why music is haram?
Hazrath Anas (R.A.) reports that Rasulullah (Sallallahu Alaihi Wasallam) said: "There will certainly be people from my Ummah who will attempt to legalize fornication, the wearing of silk (for males), the consuming of wine and the use of musical instruments" (Al-Jaamius Sagheer - Pg. 139 Ruling on music, singing and dancingI have always heard that music, singing and dancing are haram in Islam. I went to this other site for the first time,XXX, and typed in music and all of these articles appeared which said music,dancing, and singing in Islam is halal??? They said "as long as the 2 sexes are not close together and their is no drinking going on" etc. and they even have hadiths that try to prove our Prophet Muhammed s.a.w was ok with this??? I am very confused now... Could you PLEASE give a full, detailed explanation about the Islamic ruling on music, singing and dancing and when it is allowed, if it is even allowed at all.Praise be to Allaah. Ma'aazif is the plural of mi'zafah, and refers to musical instruments (Fath al-Baari, 10/55), instruments which are played (al-Majmoo', 11/577). Al-Qurtubi (may Allaah have mercy on him) narrated from al-Jawhari (may Allaah have mercy on him) that ma'aazif means singing. In his Sihaah it says that it means musical instruments. It was also said that it refers to the sound of the instruments. In al-Hawaashi by al-Dimyaati (may Allaah have mercy on him) it says: ma'aazif means drums (dufoof, sing. daff) and other instruments which are struck or beaten (Fath al-Baari, 10/55). Evidence of prohibition in the Qur'aan and Sunnah: Allaah says in Soorat Luqmaan (interpretation of the meaning): "And of mankind is he who purchases idle talks (i.e. music, singing) to mislead (men) from the path of Allaah…" [Luqmaan 31:6] The scholar of the ummah, Ibn 'Abbaas (may Allaah be pleased with him) said: this means singing. Mujaahid (may Allaah have mercy on him) said: this means playing the drum (tabl). (Tafseer al-Tabari, 21/40). Al-Hasan al-Basri (may Allaah have mercy on him) said: this aayah was revealed concerning singing and musical instruments (lit. woodwind instruments). (Tafseer Ibn Katheer, 3/451). Al-Sa'di (may Allaah have mercy on him) said: this includes all manner of haraam speech, all idle talk and falsehood, and all nonsense that encourages kufr and disobedience; the words of those who say things to refute the truth and argue in support of falsehood to defeat the truth; and backbiting, slander, lies, insults and curses; the singing and musical instruments of the Shaytaan; and musical instruments which are of no spiritual or worldly benefit. (Tafseer al-Sa'di, 6/150) Ibn al-Qayyim (may Allaah have mercy on him) said: The interpretation of the Sahaabah and Taabi'in, that 'idle talk' refers to singing, is sufficient. This was reported with saheeh isnaads from Ibn 'Abbaas and Ibn Mas'ood. Abu'l-Sahbaa' said: I asked Ibn Mas'ood about the aayah (interpretation of the meaning), '"And of mankind is he who purchases idle talks' [Luqmaan 31:6]. He said: By Allaah, besides Whom there is no other god, this means singing - and he repeated it three times. It was also reported with a saheeh isnaad from Ibn 'Umar (may Allaah be pleased with them both) that this means singing. There is no contradiction between the interpretation of "idle talk" as meaning singing and the interpretation of it as meaning stories of the Persians and their kings, and the kings of the Romans, and so on, such as al-Nadr ibn al-Haarith used to tell to the people of Makkah to distract them from the Qur'aan. Both of them are idle talk. Hence Ibn 'Abbaas said: "Idle talk" is falsehood and singing. Some of the Sahaabah said one and some said the other, and some said both. Singing is worse and more harmful than stories of kings, because it leads to zinaa and makes hypocrisy grow (in the heart); it is the trap of the Shaytaan, and it clouds the mind. The way in which it blocks people from the Qur'aan is worse than the way in which other kinds of false talk block them, because people are naturally inclined towards it and tend to want to listen to it. The aayaat condemn replacing the Qur'aan with idle talk in order to mislead (men) from the path of Allaah without knowledge and taking it as a joke, because when an aayah of the Qur'aan is recited to such a person, he turns his back as if he heard them not, as if there were deafness in his ear. If he hears anything of it, he makes fun of it. All of this happens only in the case of the people who are most stubbornly kaafirs and if some of it happens to singers and those who listen to them, they both have a share of this blame. (Ighaathat al-Lahfaan, 1/258-259). Allaah says (interpretation of the meaning): "[Allaah said to Iblees:] And befool them gradually those whom you can among them with your voice (i.e. songs, music, and any other call for Allaah's disobedience)…" [al-Israa' 17:64] It was narrated that Mujaahid (may Allaah have mercy on him) said: "And befool them gradually those whom you can among them with your voice" - his voice [the voice of Iblees/Shaytaan] is singing and falsehood. Ibn al-Qayyim (may Allaah have mercy on him) said: This idaafah [possessive or genitive construction, i.e., your voice] serves to make the meaning specific, as with the phrases [translated as] "your cavalry" and "your infantry" [later in the same aayah]. Everyone who speaks in any way that is not obedient to Allaah, everyone who blows into a flute or other woodwind instrument, or who plays any haraam kind of drum, this is the voice of the Shaytaan. Everyone who walks to commit some act of disobedience towards Allaah is part of his [the Shaytaan's] infantry, and anyone who rides to commit sin is part of his cavalry. This is the view of the Salaf, as Ibn 'Abi Haatim narrated from Ibn 'Abbaas: his infantry is everyone who walks to disobey Allaah. (Ighaathat al-Lahfaan). Allaah says (interpretation of the meaning): "Do you then wonder at this recitation (the Qur'aan)? And you laugh at it and weep not, Wasting your (precious) lifetime in pastime and amusements (singing)" [al-Najm 53:59-61] 'Ikrimah (may Allaah have mercy on him) said: it was narrated from Ibn 'Abbaas that al-sumood [verbal noun from saamidoon, translated here as "Wasting your (precious) lifetime in pastime and amusements (singing)"] means "singing", in the dialect of Himyar; it might be said "Ismidi lanaa" ['sing for us' - from the same root as saamidoon/sumood] meaning "ghaniy" [sing]. And he said (may Allaah have mercy on him): When they [the kuffaar] heard the Qur'aan, they would sing, then this aayah was revealed. Ibn Katheer (may Allaah have mercy on him) said: Allaah says (interpretation of the meaning) "Wasting your (precious) lifetime in pastime and amusements (singing)" - Sufyaan al-Thawri said, narrating from his father from Ibn 'Abbaas: (this means) singing. This is Yemeni (dialect): ismad lana means ghan lana [sing to us]. This was also the view of 'Ikrimah. (Tafseer Ibn Katheer). It was reported from Abu Umaamah (may Allaah be pleased with him) that the Messenger of Allaah (peace and blessings of Allaah be upon him) said: "Do not sell singing slave women, do not buy them and do not teach them. There is nothing good in this trade, and their price is haraam. Concerning such things as this the aayah was revealed (interpretation of the meaning): 'And of mankind is he who purchases idle talks (i.e. music, singing) to mislead (men) from the path of Allaah…' [Luqmaan 31:6]." (Hasan hadeeth) The Messenger of Allaah (peace and blessings of Allaah be upon him) said: "Among my ummah there will certainly be people who permit zinaa, silk, alcohol and musical instruments…" (Narrated by al-Bukhaari ta'leeqan, no. 5590; narrated as mawsool by al-Tabaraani and al-Bayhaqi. See al-Silsilah al-Saheehah by al-Albaani, 91). Ibn al-Qayyim (may Allaah have mercy on him) said: This is a saheeh hadeeth narrated by al-Bukhaari in his Saheeh, where he quoted it as evidence and stated that it is mu'allaq and majzoom. He said: Chapter on what was narrated concerning those who permit alcohol and call it by another name. This hadeeth indicates in two ways that musical instruments and enjoyment of listening to music are haraam. The first is the fact that the Prophet (peace and blessings of Allaah be upon him) said: "[they] permit" which clearly indicates that the things mentioned, including musical instruments, are haraam according to sharee'ah, but those people will permit them. The second is the fact that musical instruments are mentioned alongside things which are definitely known to be haraam, i.e., zinaa and alcohol: if they (musical instruments) were not haraam, why would they be mentioned alongside these things? (adapted from al-Silsilah al-Saheehah by al-Albaani, 1/140-141) Shaykh al-Islam (Ibn Taymiyah) (may Allaah have mercy on him) said: This hadeeth indicates that ma'aazif are haraam, and ma'aazif means musical instruments according to the scholars of (Arabic) language. This word includes all such instruments. (al-Majmoo', 11/535). Ibn al-Qayyim (may Allaah have mercy on him) said: And concerning the same topic similar comments were narrated from Sahl ibn Sa'd al-Saa'idi, 'Imraan ibn Husayn, 'Abd-Allaah ibn 'Amr, 'Abd-Allaah ibn 'Abbaas, Abu Hurayrah, Abu Umaamah al-Baahili, 'Aa'ishah Umm al-Mu'mineen, 'Ali ibn Abi Taalib, Anas ibn Maalik, 'Abd al-Rahmaan ibn Saabit and al-Ghaazi ibn Rabee'ah. Then he mentioned it in Ighaathat al-Lahfaan, and it indicates that they (musical instruments) are haraam. It was narrated that Naafi' (may Allaah have mercy on him) said: Ibn 'Umar heard a woodwind instrument, and he put his fingers in his ears and kept away from that path. He said to me, O Naafi', can you hear anything? I said, No. So he took his fingers away from his ears and said: I was with the Prophet (peace and blessings of Allaah be upon him) and he heard something like this, and he did the same thing. (Saheeh Abi Dawood). Some insignificant person said that this hadeeth does not prove that musical instruments are haraam, because if that were so, the Messenger of Allaah (peace and blessings of Allaah be upon him) would have instructed Ibn 'Umar (may Allaah be pleased with them both) to put his fingers in his ears as well, and Ibn 'Umar would have instructed Naafi' to do likewise! The response to this is: He was not listening to it, but he could hear it. There is a difference between listening and hearing. Shaykh al-Islam (Ibn Taymiyah) (may Allaah have mercy on him) said: Concerning (music) which a person does not intend to listen to, there is no prohibition or blame, according to scholarly consensus. Hence blame or praise is connected to listening, not to hearing. The one who listens to the Qur'aan will be rewarded for it, whereas the one who hears it without intending or wanting to will not be rewarded for that, because actions are judged by intentions. The same applies to musical instruments which are forbidden: if a person hears them without intending to, that does not matter. (al-Majmoo', 10/78). Ibn Qudaamah al-Maqdisi (may Allaah have mercy on him) said: the listener is the one who intends to hear, which was not the case with Ibn 'Umar (may Allaah be pleased with them both); what happened in his case was hearing. The Prophet (peace and blessings of Allaah be upon him) needed to know when the sound stopped because he had moved away from that path and blocked his ears. So he did not want to go back to that path or unblock his ears until the noise had stopped, so when he allowed Ibn 'Umar to continue hearing it, this was because of necessity. (al-Mughni, 10/173) (Even though the hearing referred to in the comments of the two imaams is makrooh, it was permitted because of necessity, as we will see below in the comments of Imaam Maalik (may Allaah have mercy on him). And Allaah knows best). The views of the scholars (imaams) of Islam Al-Qaasim (may Allaah have mercy on him) said: Singing is part of falsehood. Al-Hasan (may Allaah have mercy on him) said: if there is music involved in a dinner invitation (waleemah), do not accept the invitation (al-Jaami by al-Qayrawaani, p. 262-263). Shaykh al-Islam Ibn Taymiyah (may Allaah have mercy on him) said: The view of the four Imaams is that all kinds of musical instruments are haraam. It was reported in Saheeh al-Bukhaari and elsewhere that the Prophet (peace and blessings of Allaah be upon him) said that there would be among his ummah those who would allow zinaa, silk, alcohol and musical instruments, and he said that they would be transformed into monkeys and pigs… None of the followers of the imaams mentioned any dispute concerning the matter of music. (al-Majmoo', 11/576). Al-Albaani (may Allaah have mercy on him) said: The four madhhabs are agreed that all musical instruments are haraam. (al-Saheehah, 1/145). Ibn al-Qayyim (may Allaah have mercy on him) said: The madhhab of Abu Haneefah is the strictest in this regard, and his comments are among the harshest. His companions clearly stated that it is haraam to listen to all musical instruments such as the flute and the drum, even tapping a stick. They stated that it is a sin which implies that a person is a faasiq (rebellious evil doer) whose testimony should be rejected. They went further than that and said that listening to music is fisq (rebellion, evildoing) and enjoying it is kufr (disbelief). This is their words. They narrated in support of that a hadeeth which could not be attributed to the Prophet (peace and blessings of Allaah be upon him). They said: he should try not to hear it if he passes by it or it is in his vicinity. Abu Yoosuf said, concerning a house from which could be heard the sound of musical instruments: Go in without their permission, because forbidding evil actions is obligatory, and if it were not allowed to enter without permission, people could not have fulfilled the obligatory duty (of enjoining what is good and forbidding what is evil). (Ighaathat al-Lahfaan, 1/425). Imaam Maalik (may Allaah have mercy on him) was asked about playing the drum or flute, if a person happens to hear the sound and enjoy it whilst he is walking or sitting. He said: He should get up if he finds that he enjoys it, unless he is sitting down for a need or is unable to get up. If he is on the road, he should either go back or move on. (al-Jaami' by al-Qayrawaani, 262). He (may Allaah have mercy on him) said: "The only people who do things like that, in our view, are faasiqs." (Tafseer al-Qurtubi, 14/55). Ibn 'Abd al-Barr (may Allaah have mercy on him) said: Among the types of earnings which are haraam by scholarly consensus are ribaa, the fee of a prostitute, anything forbidden, bribes, payment for wailing over the dead and singing, payments to fortune-tellers and those who claim to know the unseen and astrologers, payments for playing flutes, and all kinds of gambling. (al-Kaafi). Ibn al-Qayyim (may Allaah have mercy on him) said, explaining the view of Imaam al-Shaafa'i: His companions who know his madhhab (point of view) stated that it is haraam and denounced those who said that he permitted it. (Ighaathat al-Lahfaan, 1/425). The author of Kifaayat al-Akhbaar, who was one of the Shaafa'is, counted musical instruments such as flutes and others, as being munkar (evil), and the one who is present (where they are being played) should denounce them. (He cannot be excused by the fact that there are bad scholars, because they are corrupting the sharee'ah, or evil faqeers - meaning the Sufis, because they call themselves fuqaraa' or faqeers - because they are ignorant and follow anyone who makes noise; they are not guided by the light of knowledge; rather they are blown about by every wind. (Kifaayat al-Akhbaar, 2/128). Ibn al-Qayyim (may Allaah have mercy on him) said: With regard to the view of Imaam Ahmad, his son 'Abd-Allaah said: I asked my father about singing. He said: Singing makes hypocrisy grow in the heart; I do not like it. Then he mentioned the words of Maalik: the evildoers (faasiqs) among us do that. (Ighaathat al-Lahfaan). Ibn Qudaamah, the researcher of the Hanbali madhhab - (may Allaah have mercy on him) said: Musical instruments are of three types which are haraam. These are the strings and all kinds of flute, and the lute, drum and rabaab (stringed instrument) and so on. Whoever persists in listening to them, his testimony should be rejected. (al-Mughni, 10/173). And he said (may Allaah have mercy on him); If a person is invited to a gathering in which there is something objectionable, such as wine and musical instruments, and he is able to denounce it, then he should attend and speak out against it, because then he will be combining two obligatory duties. If he is not able to do that, then he should not attend. (al-Kaafi, 3/118) Al-Tabari (may Allaah have mercy on him) said: The scholars of all regions are agreed that singing is makrooh and should be prevented. Although Ibraaheem ibn Sa'd and 'Ubayd-Allaah al-'Anbari differed from the majority, (it should be noted that) the Messenger of Allaah (peace and blessings of Allaah be upon him) said: "Adhere to the majority." And whoever dies differing from the majority, dies as a jaahili. (Tafseer al-Qurtubi, 14/56). In earlier generations, the word "makrooh" was used to mean haraam, then it took on the meaning of "disliked". But this is to be understood as meaning that it is forbidden, because he [al-Tabari] said "it should be prevented", and nothing is to be prevented except that which is haraam; and because in the two hadeeths quoted, music is denounced in the strongest terms. Al-Qurtubi (may Allaah have mercy on him) is the one who narrated this report, then he said: Abu'l-Faraj and al-Qaffaal among our companions said: the testimony of the singer and the dancer is not to be accepted. I say: if it is proven that this matter is not permissible, then accepting payment for it is not permissible either. Shaykh al-Fawzaan (may Allaah preserve him) said: What Ibraaheem ibn Sa'd and 'Ubayd-Allaah al-'Anbari said about singing is not like the kind of singing that is known nowadays, for they would never have allowed this kind of singing which is the utmost in immorality and obscenity. (al-I'laam) Ibn Taymiyah (may Allaah have mercy on him) said: It is not permissible to make musical instruments. (al-Majmoo', 22/140). And he said: According to the majority of fuqahaa', it is permissible to destroy musical instruments, such as the tanboor [a stringed instrument similar to a mandolin]. This is the view of Maalik and is the more famous of the two views narrated from Ahmad. (al-Majmoo', 28/113). And he said: …Ibn al-Mundhir mentioned that the scholars were agreed that it is not permissible to pay people to sing and wail… the consensus of all the scholars whose views we have learned about is that wailing and singing are not allowed. Al-Shu'bi, al-Nakha'i and Maalik regarded that as makrooh [i.e., haraam]. Abu Thawr, al-Nu'maan - Abu Haneefah (may Allaah have mercy on him) - and Ya'qoob and Muhammad, two of the students of Abu Haneefah said: it is not permissible to pay anything for singing and wailing. This is our view. And he said: musical instruments are the wine of the soul, and what it does to the soul is worse than what intoxicating drinks do. (Majmoo' al-Fataawa, 10/417). Ibn Abi Shaybah (may Allaah have mercy on him) reported that a man broke a mandolin belonging to another man, and the latter took his case to Shurayh. But Shurayh did not award him any compensation - i.e., he did not make the first man pay the cost of the mandolin, because it was haraam and had no value. (al-Musannaf, 5/395). Al-Baghawi (may Allaah have mercy on him) stated in a fatwa that it is haraam to sell all kinds of musical instruments such as mandolins, flutes, etc. Then he said: If the images are erased and the musical instruments are altered, then it is permissible to sell their parts, whether they are silver, iron, wood or whatever. (Sharh al-Sunnah, 8/28) An appropriate exception The exception to the above is the daff - without any rings (i.e., a hand-drum which looks like a tambourine, but without any rattles) - when used by women on Eids and at weddings. This is indicated by saheeh reports. Shaykh al-Islam (may Allaah have mercy on him) said: But the Prophet (peace and blessings of Allaah be upon him) made allowances for certain types of musical instruments at weddings and the like, and he made allowances for women to play the daff at weddings and on other joyful occasions. But the men at his time did not play the daff or clap with their hands. It was narrated in al-Saheeh that he said: "Clapping is for women and tasbeeh (saying Subhaan Allaah) is for men." And he cursed women who imitate men and men who imitate women. Because singing and playing the daff are things that women do, the Salaf used to call any man who did that a mukhannath (effeminate man), and they used to call male singers effeminate - and how many of them there are nowadays! It is well known that the Salaf said this. In a similar vein is the hadeeth of 'Aa'ishah (may Allaah be pleased with her), when her father (may Allaah be pleased with him) entered upon her at the time of Eid, and there were two young girls with her who were singing the verses that the Ansaar had said on the day of Bu'aath - and any sensible person will know what people say about war. Abu Bakr (may Allaah be pleased with him) said: "Musical instruments of the Shaytaan in the house of the Messenger of Allaah (peace and blessings of Allaah be upon him)!" The Messenger of Allaah had turned away from them and was facing the wall - hence some scholars said that Abu Bakr (may Allaah be pleased with him) would not tell anybody off in front of the Messenger of Allaah (peace and blessings of Allaah be upon him), but he thought that the Messenger of Allaah (peace and blessings of Allaah be upon him) was not paying attention to what was happening. And Allaah knows best. He (the Prophet (peace and blessings of Allaah be upon him)) said: "Leave them alone, O Abu Bakr, for every nation has its Eid, and this is our Eid, the people of Islam." This hadeeth shows that it was not the habit of the Prophet (peace and blessings of Allaah be upon him) and his companions to gather to listen to singing, hence Abu Bakr al-Siddeeq called it "the musical instruments of the Shaytaan". And the Prophet (peace and blessings of Allaah be upon him) approved of this appellation and did not deny it when he said, "Leave them alone, for every nation has its Eid and this is our Eid." This indicates that the reason why this was permitted was because it was the time of Eid, and the prohibition remained in effect at times other than Eid, apart from the exceptions made for weddings in other ahaadeeth. Shaykh al-Albaani explained this in his valuable book Tahreem Aalaat al-Tarab (the Prohibition of Musical Instruments). The Prophet (peace and blessings of Allaah be upon him) approved of young girls singing at Eid, as stated in the hadeeth: "So that the mushrikeen will know that in our religion there is room for relaxation." There is no indication in the hadeeth about the two young girls that the Prophet (peace and blessings of Allaah be upon him) was listening to them. The commands and prohibitions have to do with listening, not merely hearing, just as in the case of seeing, the rules have to do with intentionally looking and not what happens by accident. So it is clear that this is for women only. Imaam Abu 'Ubayd (may Allaah have mercy on him) defined the daff as "that which is played by women." (Ghareeb al-Hadeeth, 3/64). An inappropriate exception Some of them make an exception for drums at times of war, and consequentially some modern scholars have said that military music is allowed. But there is no basis for this at all, for a number of reasons, the first of which is that this is making an exception with no clear evidence, apart from mere opinion and thinking that it is good, and this is wrong. The second reason is that what the Muslims should do at times of war is to turn their hearts towards their Lord. Allaah says (interpretation of the meaning): "They ask you (O Muhammad) about the spoils of war. Say: 'The spoils are for Allaah and the Messenger.' So fear Allaah and adjust all matters of difference among you…" [al-Anfaal 8:1]. But using music is the opposite of this idea of taqwa and it would distract them from remembering their Lord. Thirdly, using music is one of the customs of the kuffaar, and it is not permitted to imitate them, especially with regard to something that Allaah has forbidden to us in general, such as music. (al-Saheehah, 1/145) "No people go astray after having been guided except they developed arguments amongst themselves." (Saheeh) Some of them used the hadeeth about the Abyssinians playing in the mosque of the Prophet (peace and blessings of Allaah be upon him) as evidence that singing is allowed! Al-Bukhaari included this hadeeth in his Saheeh under the heading Baab al-Hiraab wa'l-Daraq Yawm al-'Eid (Chapter on Spears and Shields on the Day of Eid). Al-Nawawi (may Allaah have mercy on him) said: This indicates that it is permissible to play with weapons and the like in the mosque, and he applied that to other activities connected with jihaad. (Sharh Muslim). But as al-Haafiz ibn Hajar (may Allaah have mercy on him) said: whoever speaks about something which is not his profession will come up with weird ideas such as these. Some of them use as evidence the hadeeth about the singing of the two young girls, which we have discussed above, but we will quote what Ibn al-Qayyim (may Allaah have mercy on him) said, because it is valuable: I am amazed that you quote as evidence for allowing listening to sophisticated songs the report which we mentioned about how two young girls who were below the age of puberty sang to a young woman on the day of Eid some verses of Arab poetry about bravery in war and other noble characteristics. How can you compare this to that? What is strange is that this hadeeth is one of the strongest proofs against them. The greatest speaker of the truth [Abu Bakr al-Siddeeq] called them musical instruments of the Shaytaan, and the Messenger of Allaah (peace and blessings of Allaah be upon him) approved of that appellation, but he made an exception in the case of these two young girls who had not yet reached the age of responsibility and the words of whose songs could not corrupt anyone who listened to them. Can this be used as evidence to allow what you do and what you know of listening (to music) which includes (bad) things which are not hidden?! Subhaan Allaah! How people can be led astray! (Madaarij al-Saalikeen, 1/493). Ibn al-Jawzi (may Allaah have mercy on him) said: 'Aa'ishah (may Allaah be pleased with her) was young at that time; nothing was transmitted from her after she reached the age of puberty except condemnation of singing. Her brother's son, al-Qaasim ibn Muhammad, condemned singing and said that it was not allowed to listen to it, and he took his knowledge from her. (Talbees Iblees, 229). Al-Haafiz ibn Hajar (may Allaah have mercy on him) said: A group of the Sufis used this hadeeth - the hadeeth about the two young girls - as evidence that singing is allowed and it is allowed to listen to it, whether it is accompanied by instruments or not. This view is sufficiently refuted by the clear statement of 'Aa'ishah in the following hadeeth, where she says, "They were not singers." She made it clear that they were not singers as such, although this may be understood from the wording of the report. So we should limit it to what was narrated in the text as regards the occasion and the manner, so as to reduce the risk of going against the principle, i.e., the hadeeth. And Allaah knows best. (Fath al-Baari, 2/442-443). Some people even have the nerve to suggest that the Sahaabah and Taabi'een listened to singing, and that they saw nothing wrong with it! Al-Fawzaan (may Allaah preserve him) said: We demand them to show us saheeh isnaads going back to these Sahaabah and Taabi'een, proving what they attribute to them. Then he said: Imaam Muslim mentioned in his introduction to his Saheeh that 'Abd-Allaah ibn al-Mubaarak said: The isnaad is part of religion. Were it not for the isnaad, whoever wanted to could say whatever he wanted to. Some of them said that the ahaadeeth which forbid music are full of faults. No hadeeth was free of being criticized by some of the scholars. Ibn Baaz (may Allaah have mercy on him) said: The ahaadeeth which were narrated concerning music being haraam are not full of faults as has been claimed. Some of them are in Saheeh al-Bukhaari which is the soundest of books after the Book of Allaah, and some of them are hasan and some are da'eef. But because they are so many, with different isnaads, they constitute definitive proof that singing and musical instruments are haraam. All the imaams agreed on the soundness of the ahaadeeth which forbid singing and musical instruments, apart from Abu Haamid al-Ghazzaali, but al-Ghazzaali did not have knowledge of hadeeth; and Ibn Hazam, but al-Albaani (may Allaah have mercy on him) explained where Ibn Hazam went wrong, and Ibn Hazam himself said that if any of (these ahaadeeth) were saheeh, he would follow that. But now they have proof that these reports are saheeh because there are so many books by the scholars which state that these ahaadeeth are saheeh, but they turn their backs on that. They are far more extreme than Ibn Hazam and they are nothing like him, for they are not qualified and cannot be referred to. Some of them said that the scholars forbade singing because it is mentioned alongside gatherings in which alcohol is drunk and where people stay up late at night for evil purposes. Al-Shawkaani (may Allaah have mercy on him) said: The response to this is that mentioning these things in conjunction does not only mean that what is haraam is what is joined together in this manner. Otherwise this would mean that zinaa, as mentioned in the ahaadeeth, is not haraam unless it is accompanied by alcohol and the use of musical instruments. By the same token, an aayah such as the following (interpretation of the meaning): "Verily, he used not to believe in Allaah, the Most Great, And urged not on the feeding of Al‑Miskeen (the poor)." [al-Haaqqah 69:33-34] would imply that it is not haraam to disbelieve in Allaah unless that is accompanied by not encouraging the feeding of the poor. If it is said that the prohibition of such things one at a time is proven from other reports, the response to that is that the prohibition of musical instruments is also known from other evidence, as mentioned above. (Nayl al-Awtaar, 8/107). Some of them said that "idle talk" does not refer to singing; the refutation of that has been mentioned above. Al-Qurtubi (may Allaah have mercy on him) said: This - the view that it means singing - is the best that has been said concerning this aayah, and Ibn Mas'ood swore three times by Allaah besides Whom there is no other god, that it does refer to singing. Then he mentioned other imaams who said the same thing. Then he mentioned other views concerning the matter. Then he said: The first view is the best of all that has been said on this matter, because of the marfoo' hadeeth, and because of the view of the Sahaabah and the Taabi'een. (Tafseer al-Qurtubi). Ibn al-Qayyim (may Allaah have mercy on him), after quoting this Tafseer, said: Al-Haakim Abu 'Abd-Allaah said in the Tafseer of Kitaab al-Mustadrak: Let the one who is seeking this knowledge know that the Tafseer of a Sahaabi who witnessed the revelation is a hadeeth with isnaad according to the two Shaykhs (al-Bukhaari and Muslim). Elsewhere in his book, he said: In our view this hadeeth has the same strength as a marfoo' report. Although their tafseer is still subject to further examination, it is still more readily acceptable than the tafseer of those who came after them, because they are the most knowledgeable among this ummah of what Allaah meant in his Book. It was revealed among them and they were the first people to be addressed by it. They heard the tafseer from the Messenger (peace and blessings of Allaah be upon him) in word and in deed. And they were Arabs who understood the true meanings of (Arabic) words, so Muslims should avoid resorting to any other interpretation as much as possible. Some of them said that singing is a form of worship if the intention is for it to help one to obey Allaah! Ibn al-Qayyim (may Allaah have mercy on him) said: How strange! What type of faith, light, insight, guidance and knowledge can be gained from listening to tuneful verses and music in which most of what is said is haraam and deserves the wrath and punishment of Allaah and His Messenger? … How can anyone who has the least amount of insight and faith in his heart draw near to Allaah and increase his faith by enjoying something which is hated by Him, and He detests the one who says it and the one who accepts it? (Madaarij al-Saalikeen, 1/485) Shaykh al-Islam said, discussing the state of the person who has gotten used to listening to singing: Hence you find that those who have gotten used to it and for whom it is like food and drink will never have the desire to listen to the Qur'aan or feel joy when they hear it, and they never find in listening to its verses the same feeling that they find when listening to poetry. Indeed, if they hear the Qur'aan, they hear it with an inattentive heart and talk whilst it is being recited, but if they hear whistling and clapping of hands, they lower their voices and keep still, and pay attention. (Majmoo' al-Fataawa, 11/557 ff) Some say that music and musical instruments have the effect of softening people's hearts and creating gentle feelings. This is not true, because it provokes physical desires and whims. If it really did what they say, it would have softened the hearts of the musicians and made their attitude and behaviour better, but most of them, as we know, are astray and behave badly. Conclusion Perhaps - for fair-minded and objective readers - this summary will make it clear that the view that music is permissible has no firm basis. There are no two views on this matter. So we must advise in the best manner, and then take it step by step and denounce music, if we are able to do so. We should not be deceived by the fame of a man in our own times in which the people who are truly committed to Islam have become strangers. The one who says that singing and musical instruments are permitted is simply supporting the whims of people nowadays, as if the masses were issuing fatwas and he is simply signing them! If a matter arises, they will look at the views of fuqahaa' on this matter, then they will take the easiest view, as they claim. Then they will look for evidence, or just specious arguments which are worth no more than a lump of dead meat. How often have these people approved things in the name of sharee'ah which in fact have nothing to do with Islam! Strive to learn your Islam from the Book of your Lord and the Sunnah of your Prophet. Do not say, So-and-so said, for you cannot learn the truth only from men. Learn the truth and then measure people against it. This should be enough for the one who controls his whims and submits himself to his Lord. May what we have written above heal the hearts of the believers and dispel the whispers in the hearts of those who are stricken with insinuating whispers. May it expose everyone who is deviating from the path of Revelation and taking the easiest options, thinking that he has come up with something which none of the earlier generations ever achieved, and speaking about Allaah without knowledge. They sought to avoid fisq (evildoing) and ended up committing bid'ah - may Allaah not bless them in it. It would have been better for them to follow the path of the believers. And Allaah knows best. May Allaah bless and grant peace to His Messenger who made clear the path of the believers, and to his companions and those who follow them in truth until the Day of Judgement. Summary of a paper entitled al-Darb bi'l-Nawa li man abaaha al-Ma'aazif li'l-Hawa by Shaykh Sa'd al-Deen ibn Muhammad al-Kibbi. For more information, please see: Al-I'laam bi Naqd Kitaab al-Halaal wa'l-Haraam, by Shaykh al-'Allaamah Saalih ibn Fawzaan al-Fawzaan Al-Samaa' by Shaykh al-Islam Ibn al-Qayyim Tahreem Aalaat al-Tarab, by Shaykh Muhammad Naasir al-Deen al-Albaani (may Allaah have mercy on him)Islam Q&ASheikh Muhammed Salih Al-Munajjidhttp://www.islam-qa.com/en/ref/5000
What are 5 important facts about green day?
check it out here Green DayFrom Wikipedia, the free encyclopediaJump to: navigation, searchThis article is about the band Green Day. For the Japanese holiday, see Greenery Day.Green DayFrom left to right: Mike Dirnt, Billie Joe Armstrong, Tré Cool Background information Origin East Bay, California, U.S. Genres Punk rockPop punkAlternative rock Years active 1987-present Labels Lookout!, Skene!, Reprise, Adeline Associated acts The Lookouts, Pinhead Gunpowder, The Frustrators, The Network, Foxboro Hot Tubs Website greenday.com Members Billie Joe ArmstrongMike DirntTré Cool Former members John KiffmeyerGreen Day is an American rock trio formed in 1987.[1] The band has consisted of Billie Joe Armstrong (vocals, guitar), Mike Dirnt (bass guitar, vocals), and Tré Cool (drums, percussion) for the majority of its existence.Green Day was originally part of the punk rock scene at 924 Gilman Street in Berkeley, California. Its early releases for independent record label Lookout! Records earned them a grassroots fanbase, some of whom felt alienated when the band signed to a major label.[2] Nevertheless, its major label debut Dookie(1994) became a breakout success and eventually sold over 10 million copies in the U.S. and 15 million worldwide.[3] As a result, Green Day was widely credited, alongside fellow California punk bands The Offspring and Rancid, with reviving mainstream interest in and popularizing punk rock in the United States.[4][5] Green Day's three follow-up albums, Insomniac, Nimrodand Warning did not achieve the massive success of Dookie, but they were still successful, reaching double platinum, double platinum, and gold status respectively.[6] Green Day's 2004 rock opera American Idiot reignited the band's popularity with a younger generation, selling five million copies in the U.S.[7] The band's eighth studio album, 21st Century Breakdown, was released on May 15, 2009.Green Day has sold over 22 million records in the United States.[8] They have won three Grammy Awards; Best Alternative Album for Dookie, Best Rock Album for American Idiot, and Record of the Year for "Boulevard of Broken Dreams".Contents[hide] 1 Band history 1.1 Formation and Lookout years: 1987-19931.2 Breakthrough success: 1994-19961.3 Middle era and fall in popularity: 1997-20021.4 American Idiot and renewed success: 2003-20061.5 Foxboro Hot Tubs and 21st Century Breakdown: 2007-present2 Musical style and influences3 Related projects4 Band members5 Discography6 Awards7 References8 Notes9 External links// Band historyFormation and Lookout years: 1987-1993"Welcome to Paradise" Sample of "Welcome to Paradise" from Kerplunk This was before Green Day re-recorded the song for its major-label debut Dookie. Problems listening to this file? See media help.In 1987, friends Billie Joe Armstrong and Mike Dirnt, 15 years old at the time, formed a band called Sweet Children. The first Sweet Children show took place on October 17, 1987, at Rod's Hickory Pit in Vallejo, California where Armstrong's mother was working.[1] In 1988, Armstrong and Dirnt began working with former Isocracy drummer, John Kiffmeyer (also known as Al Sobrante). Kiffmeyer served as both the band's drummer and business manager, handling the booking of shows and helping the band establish a fan base.[9]Larry Livermore, owner of Lookout! Records, saw the band play an early show and signed them to his label. In 1989 they recorded their first EP, 1,000 Hours. Before 1,000 Hours was released, the band dropped the name Sweet Children, according to Livermore this was done to avoid confusion with another local band Sweet Baby.[10] The band adopted the name Green Day, allegedly due to their fondness of marijuana.[11]Lookout! would release Green Day's first LP, 39/Smooth in early 1990. Green Day would record two EPs later that year: Slappy and Sweet Children, the latter of which included some older songs they had recorded for Minneapolis indie label Skene! Records. In 1991, Lookout! Records released 1,039/Smoothed Out Slappy Hours, a compilation of the 39/Smooth, Slappy, and 1,000 Hours EPs. In late 1990, shortly after the band's first nationwide tour, Sobrante left the East Bay area to attend college.[9] The Lookouts drummer Tré Cool began filling in as a temporary replacement, and when it became clear that Sobrante did not plan to commit to the band full time, Tré Cool's position as Green Day's drummer became permanent. The band went on tour for most of 1992 and 1993, and played a stretch of shows overseas in Europe. The band's second full length album Kerplunk sold about 50,000 copies in the U.S.[12]Breakthrough success: 1994-1996Kerplunk's underground success led to a wave of interest coming from major record labels, and they eventually left Lookout! on friendly terms and signed with Reprise Records after attracting the attention of producer Rob Cavallo. Signing to Reprise caused many punk rock fans to regard Green Day as sellouts.[2] Reflecting on the period, Armstrong told Spin magazine in 1999, "I couldn't go back to the punk scene, whether we were the biggest success in the world or the biggest failure ... The only thing I could do was get on my bike and go forward."[13] After signing with Reprise, the band went to work on recording its major label debut, Dookie. "Longview"Sample of "Longview", the first single from Dookie, which combined a memorable bass line with a guitar riff and drums introduced in the chorus. "Basket Case"About this fileDownload fileUse player:Cortado (Java) (selected)QuickTime (ActiveX)No playerClose More…Sample of "Basket Case", the third single from Dookie, which was about Armstrong's panic attacks. Problems listening to these files? See media help.Released in February 1994, and recorded in 3 weeks,[14] Dookie became a commercial success, helped by extensive MTV airplay for the videos of the songs "Longview", "Basket Case", and "When I Come Around", all of which reached the number one position on the Modern Rock Tracks charts. That year, Green Day embarked on a nationwide tour with queercore band Pansy Division as its opening act. At a September 9, 1994 concert at Boston Esplanade, mayhem broke-out during the band's set (cut short to seven songs) and by the end of the rampage, 100 people were injured and 45 arrested.[15] The band also joined the lineups of both the Lollapalooza festival and Woodstock 1994, where they started an infamous mud fight. During the concert, a security guard mistook bassist Mike Dirnt for a stage-invading fan and punched out some of his teeth. Viewed by millions by pay-per-view television, the Woodstock 1994 performance further aided Green Day's growing publicity and recognition,[16] and helped push its album to eventual diamond status. In 1995, Dookie won the Grammy Award for Best Alternative Album and the band was nominated for 9 MTV Video Music Awards including Video of the Year.[17]In 1995, a new single for the Angus soundtrack was released, titled "J.A.R.". The single went straight to number one on the Billboard Modern Rock Tracks chart. The song was followed by the band's new album, Insomniac, which was released in the fall of 1995. Insomniac was a much darker and heavier response by the band, compared to the poppier, more melodic Dookie.[16] Insomniac opened to a warm critical reception, earning 4 out of 5 stars from Rolling Stone, which said "In punk, the good stuff actually unfolds and gains meaning as you listen without sacrificing any of its electric, haywire immediacy. And Green Day are as good as this stuff gets."[18] Insomniac used a piece of art by Winston Smith entitled God Told Me to Skin You Alive for its album cover. The singles released from Insomniac were "Geek Stink Breath", "Brain Stew/Jaded", "Walking Contradiction", and "Stuck With Me". Though the album did not approach the success of Dookie, it still sold two million copies in the United States.[19] Insomniac won the band award nominations for Favorite Artist, Favorite Hard Rock Artist, and Favorite Alternative Artist at the 1996 American Music Awards, and the video for "Walking Contradiction" got the band a Grammy nomination for Best Video, Short Form, in addition to a Best Special Effects nomination at the MTV Video Music Awards.[20] After that, the band abruptly cancelled a European tour, citing exhaustion.[21]Middle era and fall in popularity: 1997-2002After taking a break in 1996, Green Day began to work on a new album in 1997. From the outset, both the band and Cavallo agreed that the album had to be different from its previous records.[22] The result was Nimrod, an experimental deviation from the band's standard pop-punk brand of music. The new album was released in October 1997. It provided a variety of music, from pop-punk, surf rock, and ska, to an acoustic ballad. Nimrod entered the charts at number 10. The success of "Good Riddance (Time of Your Life)" won the band an MTV Video Award for Best Alternative Video for the song's video, which depicted people undergoing major changes in their lives while Billie Joe Armstrong strummed his acoustic guitar.[23] The song was also used in the second "clip show" episode of Seinfeld and on two episodes of ER. The other singles released from Nimrod were "Nice Guys Finish Last", "Hitchin' a Ride" and "Redundant". The band made a guest appearance in an episode of King of the Hill entitled "The Man Who Shot Cane Skretteberg", which aired in 1997.In 2000, Green Day released Warning, a step further in the style that they had hinted at with Nimrod. Critics' reviews of the album were varied.[24] Allmusic gave it 4.5/5 saying "Warning may not be an innovative record per se, but it's tremendously satisfying."[25] Rolling Stone was more critical, giving it 3/5, and saying "Warning... invites the question: Who wants to listen to songs of faith, hope and social commentary from what used to be snot-core's biggest-selling band?"[26] Though it produced the hit "Minority" and a smaller hit with "Warning", some observers were coming to the conclusion that the band was losing relevance,[24] and a decline in popularity followed. While all of Green Day's past albums had reached a status of at least double platinum, Warning was only certified gold.At the 2001 California Music Awards, Green Day won all eight awards that they were nominated for. They won the awards for Outstanding Album (Warning), Outstanding Punk Rock/Ska Album (Warning), Outstanding Group, Outstanding Male Vocalist, Outstanding Bassist, Outstanding Drummer, Outstanding Songwriter and Outstanding Artist.[27]The release of a Greatest Hits compilation, International Superhits!, and an assemblage of B-sides, Shenanigans, followed Warning. International Superhits and its companion collection of music videos, International Supervideos!, sold reasonably well, going platinum in the U.S. Shenanigans contained some of the band's B-sides, including "Espionage" which was featured in Austin Powers: The Spy Who Shagged Me and was nominated for a Grammy for Best Rock Instrumental Performance.In the spring of 2002, Green Day co-headlined the Pop Disaster Tour with Blink-182. Despite the co-headlining title, Green Day would play each show before Blink-182, who at the time were experiencing more success. The tour was documented on the DVD Riding in Vans with Boys.American Idiot and renewed success: 2003-2006Spectators watch Green Day from the grass slopes at the National Bowl. In the summer of 2003 the band went into a studio to write and record new material for a new album, tentatively titled Cigarettes and Valentines.[28] After completing 20 tracks, the master tapes were stolen from the studio. The band chose not to try to re-create the stolen album, but instead started over. By the end of 2003[when?], Green Day collaborated with Iggy Pop on two tracks for his album Skull Ring. On February 1, 2004 a new song, a cover of "I Fought the Law" made its debut on a commercial for iTunes during NFL Super Bowl XXXVIII. The band underwent serious "band therapy," engaging in several long talks to work out the members' differences after accusations from Dirnt and Cool that Armstrong was "the band's Nazi"[29] and a show-off bent on taking the limelight from the other band members.The resulting 2004 album, American Idiot, debuted at number one on the Billboard charts, the band's first ever album to top the chart, backed by the success of the album's first single, "American Idiot." The album was billed as a "punk rock opera" which follows the journey of the fictitious "Jesus of Suburbia".[30] American Idiot won the 2005 Grammy for "Best Rock Album" and the band swept the 2005 MTV music awards, winning a total of seven of the eight awards they were nominated for, including the coveted Viewer's Choice Award.[31]Through 2005, the band toured in support of the album with about 150 dates - the longest tour in its career - visiting Japan, Australia, South America and the United Kingdom, where they drew a crowd of 130,000 people over a span of two days. While touring for American Idiot, they filmed and recorded the two concerts at the Milton Keynes National Bowl in England, which was voted 'The Best Show On Earth' in a Kerrang! Magazine Poll.These recordings were released as a live CD and DVD called Bullet in a Bible on November 15, 2005. This CD/DVD featured hits from American Idiot as well as a few songs from all its previous albums, except "Kerplunk" and "1,039/Smoothed Out Slappy Hours". The DVD featured behind-the-scenes footage of the band, and showed how the band prepared to put on the show. The final shows of its 2005 world tour were in Sydney, Australia, and Melbourne, Australia, on December 14 and 17 respectively. On January 10, 2006 the band was awarded with a People's Choice Award for favorite group. Green Day live in Germany during the American Idiottour.On August 1, 2005, Green Day announced that that it had rescinded the master rights to its pre-Dookie material from Lookout! Records, citing a continuing breach of contract regarding unpaid royalties, a complaint shared with other Lookout! bands.[32] The pre-Dookie material, which remained out of print for about a year, was reissued by the band's current label, Reprise, on January 9, 2007.[33]In 2006, Green Day won the Grammy Award for Record of the Year for "Boulevard of Broken Dreams"[34] which spent 16 weeks at the number one position of Billboard's Modern Rock Tracks, a record it shared along with Red Hot Chili Peppers' "Scar Tissue" and Staind's "It's Been Awhile," (the record has been since been beaten by Foo Fighters' 2007 hit "The Pretender" which reigned at the top spot for 18 weeks).Brandon Flowers of The Killers went on record in 2007 claiming that Green Day's politically driven concept album American Idiot displays "calculated Anti-Americanism." He explained that he has problems with the album content itself and the fact that the band's live DVD, Bullet in a Bible, was filmed in England. The taping of the concert, featured on Bullet in a Bible, shows thousands of Europeans singing along to "American Idiot." Stating that he felt Green Day's DVD is a bit of a stunt, he said, "I just thought it was really cheap. To go to a place like England or Germany and sing that song - those kids aren't taking it the same way that he meant it. And he (Billie Joe Armstrong) knew it."[35]Foxboro Hot Tubs and 21st Century Breakdown: 2007-presentGreen Day performing during a secret show at the Kesselhaus in Berlin on May 7, 2009."Know Your Enemy"Sample of "Know Your Enemy", the first single from 21st Century Breakdown "21 Guns"Sample of "21 Guns", the second single from 21st Century Breakdown Problems listening to these files? See media help.Green Day engaged in several other smaller projects in the time following the hype of American Idiot. Green Day released a new album under the band name Foxboro Hot Tubs entitled Stop Drop and Roll!!!. In 2008, the Foxboro Hot Tubs went on a mini-tour to promote the record, hitting tiny Bay Area venues including the Stork Club in Oakland and Toot's Tavern in Crockett, CA. One song, "Ruby Room," even gives a shout-out to the Oakland dive bar where "the Pabst Blue Ribbon unravels."[36]In an interview with Kerrang!, Armstrong revealed that 2008 would "be a fair estimate of the release date of their new untitled eighth studio album for Green Day."[37] In an interview with Carson Daly, Garbage lead singer Shirley Manson revealed that Butch Vig would be producing Green Day's forthcoming album.[38] The span of nearly five years between American Idiot and 21st Century Breakdown was the longest gap between studio albums in Green Day's career. The band had been working on new material since January 2006. By October 2007, Armstrong had 45 songs written, but the band showed no further signs of progress until October 2008, when a video of the group recording with producer Butch Vig in the studio was posted on YouTube. Two videos showing the band in the studio were posted on YouTube.[39][40] In the tour section of the band's official website, the message "World Tour coming soon!" is shown.[41][42] The writing and recording process, spanning three years and four recording studios, was finally finished in April 2009.[43]The new album, titled 21st Century Breakdown, was released worldwide on May 15, 2009.[44] It received rave reviews from the likes of Nirvana's Krist Novoselic.[45] The album had mainly positive reception from critics, getting an average rating between 4 and 5 stars. After the release, the album hit #1 in fourteen different countries, hitting Gold or Platinum in each. 21st Century Breakdown achieved Green Day's best chart performance to date. The band started playing shows in California in April and early May. It was their first live show in about 3 years. Green Day is currently on a world tour that started in North America in July, 2009 and continuing around the world throughout the rest of 2009 and early 2010.[46]Musical style and influencesGreen Day's sound is often compared to first wave punk bands such as the Ramones, The Clash, Sex Pistols, The Jam, and the Buzzcocks.[21][47] The majority of their song catalog is composed of overdriven guitar, fast, manic drums, and relatively high-treble bass. Most of their songs are fast-paced and under four minutes. Billie Joe Armstrong has mentioned that some of his biggest influences are seminal alternative rock bands Hüsker Dü and The Replacements, and that their influence is particularly noted in the band's chord changes in songs.[21] In fact, Green Day has covered Hüsker Dü's "Don't Want to Know If You Are Lonely" as a B-side for the "Warning" single, and the character "Mr. Whirly" in their song "Misery" is a reference to the Replacements song of the same name.[48] Among other influences, Green Day have also cited Queen,[49] proto-punks The Who, and power pop pioneers Cheap Trick.[50] Armstrong's lyrics commonly describe alienation, ("Jesus of Suburbia", "Boulevard of Broken Dreams", "Road to Acceptance", "Disappearing Boy", "Castaway") hysteria ("Basket Case", "Panic Song", "American Eulogy"), girls ("She", "80" "Only of You","Maria" "She's a Rebel"), growing up ("Longview" and "Welcome to Paradise"), and the effects of doing drugs ("Geek Stink Breath", "Green Day", "Give Me Novacaine"). The Ramones had similar lyrical themes such as hysteria ("Anxiety", "Psycho Therapy"), alienation ("Outsider", "Something To Believe In"), girls ("I Wanna Be Your Boyfriend", "Sheena Is a Punk Rocker"), and drugs ("Now I Wanna Sniff Some Glue", "Chinese Rocks"). Green Day has covered Ramones songs several times, including recording "Outsider" for the tribute album We're a Happy Family, and performing "Blitzkrieg Bop" and "Teenage Lobotomy" when the Ramones were inducted into the Rock and Roll Hall of Fame in 2002.In reaction to both the style of music and the background of the band, John Lydon, former front man of the 1970s punk band the Sex Pistols commented:So there we are fending off all that and it pisses me off that years later a wank outfit like Green Day hop in and nick all that and attach it to themselves. They didn't earn their wings to do that and if they were true punk they wouldn't look anything like they do.[51]In another interview, Lydon stated that:Look, I'm sorry, they're a bit fake for me. They change their image. Fake mockneys. The London twang and vocal is a little out of place. Enjoy your own culture and stick with what you know.[52]British rock musician Noel Gallagher of Oasis also complained about the band semi-jokingly, claiming that they ripped off his song "Wonderwall" with their song "Boulevard of Broken Dreams".[53] Mashup DJs Party Ben and team9 would later release a mashup of the two songs called "Boulevard of Broken Songs" under the spoonerism Dean Gray.Cool mentioned in a July 2009 interview that while Armstrong is the primary songwriter, he looks to the other band members for organizational help.[54]Related projectsMain article: Green Day related projects Ever since 1991, some members of the band have branched out past Green Day and have started other projects with other musicians. Notable related projects of Green Day include Billie Joe Armstrong's Pinhead Gunpowder (which also features Green Day's live backup guitarist Jason White), The Frustrators in which Mike Dirnt plays bass, and The Network, in which all three members of Green Day play under fake stage names.[55] Billie Joe Armstrong has also confirmed that the main members of Green Day are in the band Foxboro Hot Tubs. A Foxboro Hot Tubs album titled Stop Drop and Roll!!! was released on 2008-05-20.[56]In September 2006, Green Day teamed up with U2 and producer Rick Rubin to record a cover of the song "The Saints Are Coming", originally recorded by The Skids, with an accompanying video. The song is to benefit Music Rising, an organization to help raise money for musicians' instruments lost during Hurricane Katrina, and to bring awareness on the eve of the one year anniversary of the disaster.[57] "Working Class Hero""Working Class Hero", a cover of a John Lennon song, was released on the Instant Karma CD. Problems listening to this file? See media help.In December 2006, Green Day and NRDC opened a web site in partnership to raise awareness on America's dependency on oil.[58][59]Green Day released a cover of the John Lennon song "Working Class Hero", that was featured on the album Instant Karma: The Amnesty International Campaign to Save Darfur. The band performed the song on the season finale of American Idol. The song was nominated for a Grammy in 2008, but lost to The White Stripes' "Icky Thump".That summer, the band appeared in a cameo role in The Simpsons Movie, where they perform the show's theme song. Their version was released as a single on July 24, 2007.In 2009, the band adapted their album American Idiot in to a one-act stage musical that premiered at the Berkeley Rep on September 15, 2009.In October, a Green Day art project was exhibited at StolenSpace Gallery in London. The exhibition showed artworks created for each of the songs on 21st Century Breakdown, was supported by the band, and led by their manager Pat Magnarella.[60] He explained in an an interview that "[Artists are] basically like rock bands. Most are creating their art, but don't know how to promote it."[61] For Billie Joe Armstrong, "Many of the artists... show their work on the street, and we feel a strong connection to that type of creative expression." [62]Band membersCurrent members Billie Joe Armstrong - lead vocals, guitars (1987-present)Mike Dirnt - bass, backing vocals (1987-present)Tré Cool - drums, percussion, backing vocals (1990-present)Current touring members Jason White - guitars, backing vocals (1999-present)Jason Freese - keyboards, piano, acoustic guitar, trombone, saxophone, accordion, backing vocals (2003-present)Jeff Matika - rhythm guitar, backing vocals (2009-present)Former members John Kiffmeyer - drums, percussion, backing vocals (1987-1990)Former touring members Timmy Chunks - rhythm guitar (1997-1999)Garth Schultz - trombone, trumpet (1997-1999)Gabrial McNair - trombone, tenor saxophone (1999-2001)Kurt Lohmiller - trumpet, timpani, percussion, backing vocals (1999-2004)Mike Pelino - rhythm guitar, backing vocals (2004-2005)Ronnie Blake - trumpet, timpani, percussion, backing vocals (2004-2005)DiscographyMain article: Green Day discography 39/Smooth (1990)Kerplunk (1992)Dookie (1994)Insomniac (1995)Nimrod (1997)Warning (2000)American Idiot (2004)21st Century Breakdown (2009)AwardsMain article: List of awards and nominations received by Green Day ReferencesCohen, Johnathan (2004). "Green Day's 'Idiot' Fueling Banner Year" (http). Billboard.com. http://www.billboard.com/bb/daily/article_display.jsp?vnu_content_id=1000732979. Retrieved July 27, 2005.Cohen, Johnathan (2005). "Green Day not ready to rest 'Idiot'" (http). Billboard.com. http://www.billboard.com/bb/search/article_display.jsp?vnu_content_id=1000991882. Retrieved July 27, 2005.Spitz, Marc. Nobody Likes You: Inside the Turbulent Life, Times, and Music of Green Day. New York: Hyperion, 2006. ISBN 1-4013-0274-2The Green Day Story (Broadcast on Radio 1 Mon June 20, 2005) (Alternate Link)Notes^ a b"Rock 'n' Ribs Beginnings | San Francisco online". Retrieved 2009-11-28.^ a bGuitar Legends. "What Happened Next...." Retrieved on August 20, 2007^ Myers, Ben. "Green Day: American Idiot and the New Punk Explosion" April, 2006.^ DeRogatis, Jim. Milk It!: Collected Musings on the Alternative Music Explosion of the 90's. Cambridge: Da Capo, 2003. Pg. 357, ISBN 0-306-81271-1^ D'Angelo, Joe (2004). "How Green Day's Dookie Fertilized A Punk-Rock Revival". MTV.com. http://www.mtv.com/news/articles/1491001/20040915/story.jhtml. Retrieved July 26, 2006.^ Rock On The Net: Green Day^ "Green Day Timeline". Rock on the Net. http://www.rockonthenet.com/artists-g/greenday_main.htm. Retrieved 2007-05-04.^ RIAA Bestsellers^ ab www.greenday.net/hitlistinterviewbj.html Hit List Interview - Billie Joe Armstrong, July 18, 2001^ "Interview with Lawrence Livermore: An inside look at Green Day's early years". www.greenday.net//livermore.htm.^ Metropolis - Music and Concerts: Green Day^ Thompson, Dave. "Green Day." Alternative Rock. San Francisco: Miller Freeman Books, 2000.^ Smith, RJ. "Top 90 Albums of the 90's." SPIN. August 1999.^ Biography Channel - Green Day^ Fricke, David (1999-12-16), "Our Back Pages". Rolling Stone (828/829):85^ ab "Green Day". Behind the Music. Vh1, 2000.^ Green Day Authority. "Band Awards - Dookie" "Green Day Authority."^ Coleman, Mark. "Insomniac." Rolling Stone. November 1995.^ RIAA^ Green Day Authority. Band Awards - Insomniac "Green Day Authority."^ a bc Di Perna, Alan. "Young, Loud, and Snotty." Guitar World. August 1996.^ Spitz, Marc. Nobody Likes You. New York: Hyperion, 2006. Pg. 128.^ Green Day Authority. Band Awards - nimrod. "Green Day Authority."^ a bGreen Day: Warning (2000): Reviews^ "Warning". Allmusic. http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:88q5g44ptv5z~T1. Retrieved 2009-07-10.^ Warning review, Rolling Stone^ Green Day Authority. "Band Awards - Warning" "Green Day Authority".^ Spitz, pg. 152.^ Hendrickson, Matt (2005). "Green Day - How the brats grew up, bashed Bush and conquered the world". Rolling Stone. http://www.rollingstone.com/news/story/_/id/6959133/greenday?pageid=rs.News&pageregion=single2&rnd=1108277555953&has-player=true&version=6.0.12.872. Retrieved November 24, 2005.^ Di Perna, Alan. "Combat Rock." Guitar World. Holiday 2004.^ Green Day Authority. "Band Awards - American Idiot" "Green Day Authority."^ Punknews.org| Lookout! downsizes, scales back plans for the future^ Reissue Article on greendayauthority.com^ "Green Day's Grammy Awards" Grammy.com.^ Rolling Stone Magazine Issue 1014 November 30 - Q&A Brandon Flowers, by Austin Scaggs pg 36^ Crooks, Peter. "Greenday 2.0" Diablo Magazine, July 2008.^www.greendayauthority.com/magazines/kerrang/122006.jpg^ James Montgomery (2008-10-14). "Green Day Are In The Studio With Butch Vig For New Album, Online Video Confirms". MTV News. http://www.mtv.com./news/articles/1596973/20081014/green_day.jhtml.^ Jonathan Cohen (2008-10-14). "Green Day in studio with Nirvana producer". Reuters. http://ca.reuters.com./article/entertainmentNews/idCATRE49E04920081015.^ "Green Day recording at studio Oct 9". GreenDayStuff. 2008-10-21. http://www.youtube.com/watch?v=3yGoEG1Jn5s. Retrieved 2008-10-09.^http://www.greenday.com/site/tour_black.php^ www.greendayauthority.com^ "Green Day Reflects On '21st Century Breakdown'". Gantdaily.com. April 27, 2009. http://www.gantdaily.com/news/12/ARTICLE/49905/2009-04-27.html. Retrieved 2009-05-31.^ "Green Day unveil new album release date". idiomag. 2009-03-27. http://www.idiomag.com/peek/72615/green_day. Retrieved 2009-03-30.^ Krist Novoselic: 21st-Century Breakdown Is Green Day at Their Best, http://blogs.seattleweekly.com/dailyweekly/2009/05/21st-century_breakdown_is_gree.php, retrieved 2009-05-27^ Madison, Tjames (May 26, 2009). "Green Day taps big names as tour opners". LiveDaily. http://www.livedaily.com/news/19183.html. Retrieved 2009-06-01.^ Azerrad, Michael. Our Band Could Be Your Life. Little Brown and Company, 2001. Pg. 496. ISBN 0-316-78753-1^ Di Perna, Alan. "Far From The Maddening Crowd". Guitar World. December 2000.^ Erlewine, Stephen Thomas; Matt Hendrickson. "Green Day". Rolling Stones. http://www.rollingstone.com/news/coverstory/how_green_day_conquered_the_world.^ "Green Day: "We Love the Who and Cheap Trick" | Spin Magazine Online". Retrieved 2008-05-14^ John Lydon Calls Green Day "Plonk" Not "Punk" Retrieved on September 11, 2006.^ 'I want to take the Sex Pistols to Iraq'^ Matt Houghton (2006-12-21). "Noel Gallagher hits out at Green Day". Digital Spy. http://www.digitalspy.com/music/a40981/noel-gallagher-hits-out-at-green-day.html. Retrieved 2009-07-03.^ Darryl Sterdan (2009-07-03). ""You think I'm funny?"". Toronto Sun. http://www.torontosun.com/entertainment/music/2009/07/03/10010606-sun.html. Retrieved 2009-07-03.^ VH1: "Did Green Day Secretly Release A New Album Tuesday? Only The Snoo Knows"^ 'Green Day Confirm They Are Foxboro Hot Tubs', MTV News, http://www.mtv.com/news/articles/1585150/20080410/green_day.jhtml^ About Music Rising Retrieved on May 6, 2007.^ Green Day Authority^ Green Day + NRDC; the [http://www.nrdc.org/media/pressreleases/061116a.asp "Move America Beyond Oil" campaign and other environmental concerns^ Alex Waez (2006-10-23). "Green Day inspired art goes on display". BBC 6 Music News. http://www.bbc.co.uk/6music/news/20091023_green_day.shtml. Retrieved 2009-10-24.^ R.J. Preece (2006-10-12). "Pat Magnarella, Green Day manager: Why not a rock 'n' roll art world?". Art Design Publicity. http://www.artdesigncafe.com/Pat-Magnarella-Green-Day-Broadway-Calls-Logan-Hicks-Charming-Baker-Art-Design-Publicity-1-4-2009. Retrieved 2009-10-24. .^ Sajid Farooq (2006-10-23). "Green Day Turns Punk Rock Into Fine Art". NBC Bay Area. http://www.nbcbayarea.com/around-town/events/Green-Day-Turns-Punk-Rock-Into-Fine-Art.html. Retrieved 2009-10-24.External linksWikiquote has a collection of quotations related to: Green Day Wikimedia Commons has media related to: Green DayOfficial websiteGreen Day on Myspace[hide] v • d • e Green Day Billie Joe Armstrong · Mike Dirnt · Tré CoolJohn Kiffmeyer Studio albums 39/Smooth · Kerplunk! · Dookie · Insomniac ·Nimrod · Warning · American Idiot · 21st Century BreakdownEPs 1,000 Hours · Slappy · Sweet ChildrenCompilation albums 1,039/Smoothed Out Slappy Hours · International Superhits! ·ShenanigansLive albums Live at Gilman Street · Live Tracks · Foot in Mouth · Bowling Bowling Bowling Parking Parking · Tune in, Tokyo... · Bullet in a Bible · 21 Guns Live EP · Last Night on Earth [Live in Tokyo]Video albums International Supervideos! ·Riding in Vans with Boys · Bullet in a BibleSingles "Longview" · "Welcome to Paradise" ·"Basket Case" · "She" · "J.A.R." · "When I Come Around" · "Geek Stink Breath" · "Stuck with Me" · "Brain Stew/Jaded" · "Walking Contradiction" · "Hitchin' a Ride" · "Good Riddance (Time of Your Life)" · "Redundant" · "Nice Guys Finish Last" · "Minority" · "Warning" · "Waiting" ·"I Fought the Law" · "American Idiot" · "Shoplifter" · "Boulevard of Broken Dreams" · "Holiday" ·"Wake Me Up When September Ends" · "Jesus of Suburbia" · "The Saints Are Coming" · "Working Class Hero" · "The Simpsons Theme" · "Know Your Enemy" ·"21 Guns" · "East Jesus Nowhere" · "21st Century Breakdown"Related articles Discography · Awards · 21st Century Breakdown World Tour · Pop Disaster Tour ·American Idiot: The Musical · Cigarettes and Valentines · American Edit · Live Freaky! Die Freaky! · Adeline Records · Punk rock in California · Rock Against Bush, Vol. 2 · Skull Ring · Green Day related projects · Jason White · Jason Freese · Foxboro Hot Tubs · The NetworkRetrieved from "http://en.wikipedia.org/wiki/Green_Day"Categories: Green Day | Musical groups established in 1987 | 1990s music groups | 2000s music groups | American pop punk musical groups | American alternative rock groups | Musical groups from California | Music of the San Francisco Bay Area | People from the San Francisco Bay Area | Musical trios | Warner Music Group artists | Grammy Award winners | BRIT Award winners | MTV Europe Music Awards winners | People from Berkeley, CaliforniaHidden categories: Wikipedia pages semi-protected against vandalism | Wikipedia protected pages without expiry | Wikipedia indefinitely move-protected pages | Vague or ambiguous timeViewsArticleDiscussionView sourceHistoryPersonal toolsTry BetaLog in / create accountif (window.isMSIE55) fixalpha();NavigationMain pageContentsFeatured contentCurrent eventsRandom articleSearchInteractionAbout WikipediaCommunity portalRecent changesContact WikipediaDonate to WikipediaHelpToolboxWhat links hereRelated changesUpload fileSpecial pagesPrintable versionPermanent linkCite this pageLanguagesالعربيةBoarischБългарскиCatalàČeskyCymraegDanskDeutschEestiΕλληνικάEspañolEsperantoEuskaraفارسیFrançaisGàidhligGalego한국어HrvatskiBahasa IndonesiaÍslenskaItalianoעבריתქართულიLatinaLatviešuLëtzebuergeschLietuviųLumbaartMagyarBahasa MelayuNederlands日本語‪Norsk (bokmål)‬‪Norsk (nynorsk)‬O'zbekPiemontèisPolskiPortuguêsRomânăRuna SimiРусскийScotsSimple EnglishSlovenčinaSlovenščinaСрпски / SrpskiSrpskohrvatski / СрпскохрватскиSuomiSvenskaТатарча/TatarçaไทยTürkçeУкраїнськаTiếng Việt中文This page was last modified on 30 November 2009 at 04:05.Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. See Terms of Use for details.Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.Contact usPrivacy policyAbout WikipediaDisclaimers
Does anyone have the guitar chords or music sheet to the song Teach Us To Love your Word Lord?
1 Abba FatherA D E A Abba Father let me be D E A Yours and Yours alone A D E A May my will forever be D E A Evermore Your own. C#7 F#m C#7 F#m Never let my heart grow cold D Bm E Never let me go A D E A Abba Father let me be D E A Yours and Yours alone.2 Above All (Paul Baloche and Lenny Leblanc)A/C# D E A Above all powers, above all kings, A/C# D E A E/G# Above all nature and all created things. F#m F#m/E D A/C# Above all wisdom and all the ways of man, Bm Bm/A E/G# You were here before the world began. A/C# D E A Above all kingdoms, above all thrones. A/C# D E A E/G# Above all wonders this world has ever known. F#m F#m/E D A/C# Above all wealth and treasures of the earth, Bm Bm/A C#7 There¹s no way to measure what you¹re worth. A Bm E A Crucified, laid behind the stone, A Bm E A You lived and died, rejected and alone. F#m F#m/E D A/C# Like a rose, trampled on the ground Bm-A/C# D E A You took the fall, and thought of me, above all.3 Amazing Love (Billy James Foote )D/F# G2 Asus A I'm forgiven, because You were forsaken D/F# G2 Asus A I'm accepted, You were condemned D/F# G2 Asus A I'm alive and well, Your Spirit is within me G2 A D Because you died and rose again D G Amazing love, how can it be D Asus A That You my king would die for me? D G Amazing love, I know it's true D Asus A And It's my joy to honor You G A D In all I do I honor You D D You are my king, You are my king D D Jesus, You are my king, Jesus, You are my king4 And I Will Worship You (Arun Ross)D A Let every tongue confess G A That Jesus Christ is Lord D A Let every heart profess Em A The praises of the King D A Let everything with breath G A Praise the Lord of hosts G A As we gather in His presence A7 D Let's worship Him alone D F#m G A And I will worship you this day Lord Jesus D F#m G A And I will honor You with all that I have D F#m G A And I will glorify Your Name Lord Jesus G A And I will worship you this day A7 D With every breath I have5 As We GatherE A B As we gather may Your Spirit work within us E G#m A B As we gather may we glorify Your Name A B E G#m C#m Knowing well that as our hearts begin to worship F#m B E C#m We'll be blessed because we came F#m B E We'll be blessed because we came6 As the Deer (Martin Nystrom)D F#m Bm As the deer panteth for the water G A D So my soul longeth after Thee D F#m Bm You alone are my heart's desire G A D And I long to worship Thee Bm G D You alone are my strength, my shield G Em7 F# To You alone may my spirit yield D F#m Bm You alone are my heart's desire G A D And I long to worship Thee D F#m Bm You're my friend and You are my brother G A D Even though You are a King D F#m Bm I love You more than any other G A D So much more than anything D F#m Bm I want You more than gold or silver G A D Only You can satisfy D F#m Bm You alone are the real joy giver G A D And the apple of my eye7 Awesome God (Rich Mullins)F#m Oh when He rolls up his sleeves F#m He ain't just puttin' on the ritz, Bm7 C#m7 F#m Our God is an awesome God. F#m There is thunder in his footsteps F#m And lightning in his fists, Bm7 C#m7 F#m Our God is an awesome God. Bm7 And the Lord wasn't joking when He kicked 'em out of Eden. C#m7 It wasn't for no reason that He shed his blood. D His return is very soon D/B D/F# And so you'd better be believin' that Bm7 C#m7 F#m Our God is an awesome God. D A Our God is an awesome God. E F#m He reigns from heaven above D A with wisdom, pow'r and love Bm7 C#m7 F#m Our God is an awesome God And when the sky was starless in the void of the night, Our God is an awesome God. He spoke into the darkness and created the light, Our God is an awesome God. And judgment and wrath He poured out on Sodom. Mercy and grace He gave us at the cross. I hope that we have not too quickly forgotten that Our God is an awesome God8 Be Exalted O God (Brent Chambers)A D A I will give thanks to Thee A D A O Lord, among the people (E) F#m E D A Bm E I will sing praises to Thee among the nations A D A For Thy steadfast love is great A D A Is great to the heavens (E) F#m And Thy faithfulness, B7 E D C#m7 Thy faithfulness to the sky D E A A D A E B7 E Be ex--alted, O -- God -- above the heavens D E A F#7/A# Bm Let Thy glory be over all the earth D/E E A A D A E B7 E Be ex--alted, O -- God -- above the heavens Bm E A D A Let Thy glory be over all the earth! Ending: D E A C# F#m Let Thy glo--ry, let thy glo--ry Bm7 E7 A D A Let thy glory be over all the earth!9 Because He LivesG C God sent His son, they called Him, Jesus; G D D7 He came to love, heal and forgive; G G7 C Cm He lived and died to buy my pardon, G Em Am D7 G An empty grave is there to prove my Savior lives! (Chorus) G C Because He lives, I can face tomorrow, G A D7 Because He lives, all fear is gone; G G7 C Cm Because I know He holds the future, G Em And life is worth the living, Am D7 G Just because He lives! G C How sweet to hold a newborn baby, G D D7 And feel the pride and joy he gives; G G7 C Cm But greater still the calm assurance: G Em Am D7 G This child can face uncertain days because He Lives! Chorus G C And then one day, I'll cross the river, G D D7 I'll fight life's fi-nal war with pain; G G7 C Cm And then, as death gives way to vict'ry, G Em Am D7 G I'll see the lights of glory and I'll know He lives! Chorus10 Behold What Manner Of Love (Patricia Van Tine)D G D A Behold what manner of love the Father has given unto us D G D A D Behold what manner of love the Father has given unto us D G D A That we should be called the sons of God D G D A That we should be called the sons of God.11 Blessed Assurance (Fanny J. Crosby, Phoebe P. Knapp)D G D Blessed assurance, Jesus is mine! Bm A E A Oh what a foretaste of glory divine! D G D Heir of salvation, purchase of God, G A D Born of His Spirit, washed in His blood. A D G D Bm E A This is my story, this is my song, praising my Saviour, all the day long; A D G D G Em A D This is my story, this is my song, praising my Saviour, all the day long. D G D Perfect submission, perfect delight, Bm A E A Visions of rapture now burst on my sight. D G D Angels descending, bring from above G A D Echoes of mercy, whispers of love. D G D Perfect submission, all is at rest, Bm A E A I in my Saviour am happy and blest; D G D Watching and waiting, looking above, G A D Filled with His goodness, lost in His love.12 Blessed be the Lord God Almighty (Bob Fitts)C Em Dm Father in heaven, how we love You G G7 C A7 We lift Your name in all the earth C Em Dm May Your kingdom be established in our praises F G G7 C As Your people declare Your mighty works G7 C Em Dm Blessed be the Lord God Almighty G G7 C Who was, and is and is to come G7 C Em Dm Blessed be the Lord God Almighty F G G7 C Who reigns fore-ver-more. (To End) Dm G G7 C Who reigns fore-ver-more.13 Cast your burdensA Cast your burdens D Onto Jesus E A For He cares for you. A Cast your burdens D Onto Jesus E A For He cares for you. A Higher Higher D Lift up Jesus higher higher E Higher Higher A Lift up Jesus higher higher. A Higher Higher D Lift up Jesus higher higher E Higher Higher A Lift up Jesus higher higher. A Lower Lower D Lower Satan lower lower E Lower Lower A Lower Satan lower lower. A Lower Lower D Lower Satan lower lower E Lower Lower A Lower Satan lower lower.14 Change My Heart Oh God (Eddie Espinosa)Cmaj7 Em7 Dm7 Change my heart oh God, G C Make it ever true. Cmaj7 Em7 Dm7 F/G Change my heart oh God, G C May I be like You. Esus E Am You are the potter, Dm7 G C I am the clay, Esus E Am Am/G Mold me and make me, D G This is what I pray.15 Come Now Is The Time To Worship (Brian Doerkson)Chorus: D Dsus D Come, now is the time to wor--ship A Em G Come, now is the time to give your heart D Dsus D Come, just as you are to wor ship A Em G Come, just as you are before your God D Come Verse: G D One day every tongue will confess You are God G D One day every knee will bow G Bm Still the greatest treasure remains for those G Asus A Who gladly choose you now16 Come let us worship (Dave Doherty)D G D Come let us worship and bow down G Em As-A Let us kneel before the Lord our God our maker (2x) G-D A For He is our God G Em As-A And we are the people of His pasture G A D - Bm And the sheep of His hand G A D Just the sheep of His hand17 Create in Me a Clean HeartG D C G Create in me a clean heart, O God, D G And renew a right spirit within me. C D G Em Cast me not away from Thy presence, O Lord C D G G7 And take not Thy Holy Spirit from me. C D G Bm Em Restore unto me the joy of Thy salvation, C D G And renew a right spirit within me.18 Doxology (Thomas Ken and Louis Bourgeois)C Em Am G C G7 C Praise God from whom all blessings flow C G Am Dm C G7 Praise Him all creatures here below C G7 C G7 Am F G7 C Praise Him above ye Heavenly hosts Em Am Dm C G7 C Praise Father, Son and Holy Ghost19 El Shaddai (Michael Card)(Chorus) Dm G/B El Shaddai, El Shaddai, C F El Elyonna Adonai, Bb E7 Age to age you're still the same, Am G/B A/C# By the power of the name. Dm G7/B El Shaddai, El Shaddai, C F Erkamkana Adonai, Bb Dm7/A G we will praise and lift you high, Gsus C El Shaddai. (Verse 1) Dm G Through your love and through the ram, C F you saved the son of Abraham, Bb E7 through the power of your hand Am G/B A/C# you turned the sea into dry land. Dm G To the outcast on her knees G7/B C Cma7 F you were the God who really sees, Bb G C Csus C and by your might you set your children free. (Verse 2) Dm G Through the years you made it clear C F that the time of Christ was near, Bb E7 though the people couldn't see Am G/B A/C# what Messiah ought to be. Dm G Though your Word contained the plan, C F they just could not understand, Bb G Bb G your most awesome work was done in the frailty of your Son.20 Every nation (Arun Ross)A C#m F#m We're from every nation Lord D E We've come to praise You A C#m F#m As we lift our hearts and voices to Your name D E We worship You D E A And we raise Your name on high. (ch) D E We want to worship You A With all our heart D E We want to worship You F#m With all our soul D E We want to worship You A C#m F#m With oneness in our spirit D E We want to worship You (Repeat from beginning) D E Yes we want to worship You, D E And we want to praise Your name, D E And we want to lift You high, A Oh Lord! D E Yes we want to worship You, D E And we want to praise Your name, D E And we want to lift You high, A Oh Lord!21 Father, I Adore You (Terrye Coelho)C Dm7 G C Father, I adore You Dm7 G C Lay my life before You Dm7 G C How I love You Jesus, I adore You Lay my life before You How I love You Spirit I adore You Lay my life before You How I love You22 For I'm Building a People of PowerD D G D For I'm building a people of power G A D And I'm making a people of praise D D G D That will move through this land by My Spirit Em A D D7 And will glorify My precious Name G Build Your church, Lord D Make us strong, Lord A Join our hearts, Lord, D Through Your Son G Make us one, Lord D In Your body Em A D In the kingdom of Your Son23 For Those Tears I Died (Marsha Stevens)F Dm Bb C You said you'd come and share all my sorrows F Dm Bb C You said you'd be there for all my tomorrows Am Dm Bb C I came so close to sending You away F Dm Bb C And just like You promised, You came there to stay C7 F I just had to pray. (chorus) F7 Bb F And Jesus said, Come to the water, stand by my side, C C7 F I know you are thirsty, you won't be denied. F7 Bb F I felt every teardrop when in darkness you cried, Gm C C7 F And I strove to remind you that for those tears I died F Dm Bb C Your goodness so great I can't understand, F Dm Bb C And, dear Lord, I know that all this was planned. Am Dm Bb C I know You're here now, and always will be. F Dm Bb C Your love loosed my chains and in You I'm free C7 F But Jesus why me? F Dm Bb C Jesus, I give You my heart and my soul F Dm Bb C I know that without God I'd never be whole, Am Dm Bb C Saviour, You opened all the right doors, F Dm Bb C And I thank You and praise You from earth's humble shores. C7 F Take me, I'm Yours.24 Forever Grateful (Mark Altrogge)A D You did not wait for me - to draw near to You E A Bm E But You clothed Yourself with frail humanity A D You did not wait for me - to cry out to You E A But You let me hear Your voice calling me Bm A/C# D D/F# E D/E A And I'm for - ev - er grateful to You Bm A/C# D D/F# E D/E A I'm for - ev - er grateful for the cross Bm A/C# D D/F# E C#m F#m I'm for - ev - er grateful to You Bsus4 B7 That You came D/E E A To seek and save the lost25 Give Thanks (Henry Smith)G Bm7 Give thanks with a grateful heart Em7 Bm Give thanks to the Holy One C G/B F Dsus D Give thanks because He's given Jesus Christ, His Son (repeat) Bm Em7 Am And now let the weak say, "I am strong" D7 Gmaj7 B Let the poor say I am rich" Em F D7 Because of what the Lord has done for us (repeat) G Give thanks... Em Give thanks... C Give thanks... D Give thanks... G Give thanks...26 Give me a heart (Arun Ross)D A G A Give me a heart that worships You D A G A Give me a heart that glorifies Your Name D A Bm F#m Give me a heart that kneels before the King G A D Give me a heart for You. (Repeat) G A D My life is in Your hands Lord Jesus G A D I give myself to Thee G A I want to praise F#m Bm G You all my life A And through eterni-ty D A G A Give me a heart that worships You D A G A Give me a heart that glorifies Your Name D A Bm F#m Give me a heart that kneels before the King G A D Give me a heart for You. D A G A Give me a heart that worships You D A G A Give me a heart that glorifies Your Name D A Bm F#m Give me a heart that kneels before the King G A D Give me a heart for You. D7 Lord Jesus G A D Give me a heart for You. G A D hive me a heart for You. D7 Lord Jesus G A D Give me a heart for You.27 Glorify Thy Name (Donna Adkins)C F Father, we love You G C We worship and adore You Em F G Glorify Thy Name in all the earth C F Glorify Thy Name E Am (C) Glorify Thy Name F G C Glorify Thy Name in all the earth Jesus, we love You We worship and adore You Glorify Thy Name in all the earth Spirit, we love You We worship and adore You Glorify Thy Name in all the earth28 God will make a wayG D God will make a way C G When there seems to be no way. C G Em He works in ways, we cannot see, C D He will make a way for me. G D He will be my guide, C G Hold me closely to His side. C G Em With love and strength, for each new day, C D He will make a way, C G He will make a way. (Repeat) Eb F Eb Bb By a roadway in the wilderness he leads me. Eb F G Rivers in the desert will I see. C D Heaven and earth will fade, Bm Em But His word will still remain. C D E He will do something new today! G D God will make a way C G When there seems to be no way. C G Em He works in ways, we cannot see, C D He will make a way for me. G D He will be my guide, C G Hold me closely to His side. C G Em With love and strength, for each new day, C D He will make a way, C G He will make a way. C G Em With love and strength, for each new day, C D He will make a way, C G He will make a way.29 Great is Thy FaithfulnessC Am Dm F G7 C Great is Thy faith--fulness, O God, my Fa -ther. F Em7 D G There is no shadow of turning with Thee. (G) C Gm7 C7 Dm Thou changest not; Thy com - passions, they fail not, D/F# C/G Dm9 G7 C As Thou hast been Thou for -ever wilt be. Chorus: G C Great is Thy faithfulness. A Dm Great is Thy faithfulness. G G/F C/E G/D D G Morning by morning new mer-cies I see. (G) C Gm7 C7 Dm All I have needed Thy hand hath pro-vid-ed. D/F# C/G Dm9 G7 C Great is Thy faithfulness, Lord, unto me. C Am Dm F G7 C Summer and win - ter, and springtime and har-vest, F Em7 D G Sun, moon, and stars in their courses a - bove, (G) C Gm7 C7 Dm Join with all nature in man - i - fold wit -ness, D/F# C/G Dm9 G7 C To Thy great faithfulness, mercy and love. (Chorus) C Am Dm F G7 C Pardon for sin and a peace that en -dur-eth, F Em7 D G Thine own dear presence to cheer and to guide. (G) C Gm7 C7 Dm Strength for to-day and bright hope for to -mor -row, D/F# C/G Dm9 G7 C Blessings all mine, with ten thousand be - side. (Chorus)30 Great is the Lord (Steve McEwan)A D E A Great is the Lord and most worthy of praise, D E F#m The city of our God, the holy place, A Bm Esus E The joy of the whole earth. A D E A Great is the Lord in whom we have the victory D E F#m He aids us against the enemy. A Bm Esus E We bow down on our knees. A C#m And Lord we want to lift Your Name on high, D A/C# And Lord we want to thank you Bm Esus E for the works You've done in our lives. A C#m And Lord we trust in Your unfailing love; D A/C# For you alone are God eternal, Bm Esus E A Throughout earth and heaven above.31 Have Thine Own Way, Lord (Adelaide Pollard and George Stebbins)D G D Bm A Have Thine own way, Lord! Have Thine own way! A7 D Thou art the Potter, I am the clay. G D D7 G Mold me and make me after Thy will, Bdim D A D While I am waiting, yielded and still. D G D Bm A Have Thine own way, Lord! Have Thine own way! A7 D Search me and try me, Master, today! G D D7 G Whiter than snow, Lord, wash me just now, Bdim D A D As in Thy presence humbly I bow. D G D Bm A Have Thine own way, Lord! Have Thine own way! A7 D Wounded and weary, help me, I pray! G D D7 G Power, all po-wer, surely is Thine! Bdim D A D Touch me and heal me, Savior di-vine. D G D Bm A Have Thine own way, Lord! Have Thine own way! A7 D Hold o'er my being absolute sway! G D D7 G Fill with Thy Spi-rit 'till all shall see Bdim D A D Christ only, always, living in me.32 He is Able (Rory Noland & Greg Ferguson)C G Am He is able, more than able F Dm G To accomplish what concerns me today. C Em7 Am7 Em7 He is able, more than able Bbmaj7 Dm7 Gsus G7 To handle anything that comes my way. C E7 F Dm7 He is able, more than able C E7 Am Fm To do much more than I could ever dream. C Em7 Am He is able, more than able Dm7 C To make me what He wants me to be.33 He is LordG Am D He is Lord, G He is Lord. Em A7 He has risen from the dead D D7 And He is Lord. G G7 Every knee shall bow, C Am Every tongue confess G D G That Jesus Christ is Lord. G Am D He's my Lord, G He's my Lord. Em A7 He has risen from the dead D D7 And He's my Lord. G G7 Every knee shall bow, C Am Every tongue confess G D G That Jesus Christ is Lord.34 Heart of Worship (Matt Redman)D A 1.When the music fades, Em7 A All is stripped away, and I simply come; D A Em7 Longing just to bring something that's of worth Asus4 A That will bless Your heart. Bridge: Em7 D/F# Asus4 I'll bring You more than a song, Em7 D/F# Asus4 A For a song in itself is not what You have required. Em7 D/F# Asus4 Em7 You search much deeper within, through the way things appear, Em7 D/F# Asus4-A You're looking into my heart. Chorus: D Asus A I'm coming back to the heart of worship, Em7 G A7sus4 D And it's all about You, all about You, Jesus. D Asus A I'm sorry, Lord, for the thing I've made it, Em7 G A7sus4 D When it's all about You, all about You, Jesus. D A 2.King of endless worth, Em7 A No one could express how much You deserve. D A Em7 Though I'm weak and poor, all I have is Yours, Asus4 A Every single breath. (Bridge) (Chorus)35 Here I Am Lord (Dan Schutte)G Am7 D7 G D 1. I the Lord of sea and sky, I have heard my people cry. G C Am D7 All who dwell in dark and sin, my hand will save. G Am7 D7 G D7 I who made the stars of night, I will make their darkness bright. G C Am D7 Who will bear my light to them? Whom shall I send? G Em CHORUS: Here I am Lord, is it I Lord? Am D I have heard You calling in the night. G Em I will go Lord, if You lead me. Am D7 G I will hold Your people in my heart. G Am7 D7 G D 2. I the Lord of snow and rain, I have borne my people's pain. G C Am D7 I have wept for love of them, they turn away. G Am7 D7 G D7 I will break their hearts of stone, give them hearts for love alone. G C Am D7 I will speak my Word to them, whom shall I send? G Am7 D7 G D 3. I the Lord of wind and flame, I will tend the poor and lame. G C Am D7 I will set a feast for them, my hand will save. G Am7 D7 G D7 Finest bread I will provide, 'til their hearts are satisfied, G C Am D7 I will give my life for them, whom shall I send?36 Holy Holy Holy (Reginald Heber and John B. Dykes)D Bm A D G D Holy, holy, ho--ly! Lord God Almighty! A Bm A D A E7 A A7 Early in the mor--ning our song shall rise to Thee; D Bm A D G D Holy, holy, ho--ly, merciful and mighty! Bm D D7 G Bm G A7 D God in three Per-sons, blessed Tri--nity! Holy, holy, holy! All the saints adore Thee, Casting down their golden crowns around the glassy sea; Cherubim and seraphim falling down before Thee, Who wert, and art, and evermore shall be. Holy, holy, holy! though the darkness hide Thee, Though the eye of sinful man Thy glory may not see; Only Thou art holy; there is none beside Thee, Perfect in power, in love, and purity. D Bm A D G D Holy, holy, ho--ly! Lord God Almighty! A Bm A All Thy works shall praise Thy Name, D A E7 A A7 in earth, and sky, and sea; D Bm A D G D Holy, holy, ho--ly; merciful and mighty! Bm D D7 G Bm G A7 D God in three Per-sons, blessed Tri--nity!37 HosannaG D Hosanna, Hosanna Em7 C D Hosanna in the highest! G D Hosanna, Hosanna, Em7 C D Hosanna in the highest! C D G Lord we lift up Your name C D G with hearts full of praise C D G D/F# Em7 Be exalted oh Lord my God! C D G Hosanna in the highest! G D Glory, Glory Em7 C D Glory to the King of Kings! G D Glory, Glory, Em7 C D Glory to the King of Kings! C D G Lord we lift up Your name C D G with hearts full of praise C D G D/F# Em7 Be exalted oh Lord my God! C D G Glory to the King of Kings!38 I Have A Maker (Tommy Walker)D A Bm G D I have a Ma--ker, A7sus4 A7 D He formed my heart A Bm G Before even time began D/A A D My life was in his hands Chorus: G D A D He knows my na-me G D A D He knows my every thought G D A Bm He sees each tear that falls G A D And hears me when I call D A Bm G D I have a Fa--ther A7sus4 A7 D He calls me His own A Bm G He'll never leave me D/A A D No matter where I go39 I Will Bless Thee O LordD D F#m-Bm I will bless Thee O Lord, A I will bless Thee O Lord Em A With a heart of thanks-giving, A7 D I will bless Thee O Lord D D F#m-Bm With my hands lifted up A And my mouth filled with praise Em A With a heart of thanks-giving, A7 D I will bless Thee O Lord D D F#m-Bm We will bless Thee O Lord, A We will bless Thee O Lord Em A With a heart of thanks-giving, A7 D We will bless Thee O Lord D D F#m-Bm With my hands lifted up A And my mouth filled with praise Em A With a heart of thanks-giving, A7 D I will bless Thee O Lord40 I Worship You Almighty God (Sandra Corbett)G D G Em C I worship You Almighty God, Am D There is none like You. G Em C I worship You, O Prince of Peace, D That is what I want to do. C G Em I give You praise C Am7 D Dsus D For You are my righteousne--ss. G Em C I worship You, Almighty God, Am D G There is none like You.41 I surrender allD G A All to Jesus I surrender Bm G D A D All to Him I freely give D G A I will ever love and trust Him Bm G D A D In His presence daily live CHORUS- D G I surrender all A D I surrender all D G D Bm A G All to Thee my blessed Savior D A D I surrender all D G A All to Jesus I surrender Bm G D A D Humbly at His feet I bow D G A Worldly pleasures all forsaken Bm G D A D Take me, Jesus, take me now D G A All to Jesus, I surrender Bm G D A D Make me Savior wholly Thine D G A Let me feel the Holy Spirit Bm G D A D Truly know that Thou art mine D G A All to Jesus, I surrender Bm G D A D Lord, I give myself to Thee D G A Fill me with Thy love and power Bm G D A D Let Thy blessing fall on me42 I will enter His gates (He has made me glad)D G D Bm I will enter His gates with thanksgiving in my heart D G A7 I will enter His courts with praise D G F#m Bm I will say this is the day that the Lord has made Em A D I will rejoice for He has made me glad Ch: D G He has made me glad D Bm He has made me glad Em A D G D I will rejoice for He has made me glad D7 G He has made me glad F#m Bm He has made me glad Em A D I will rejoice for He has made me glad .43 In Moments Like TheseD Bm In moments like these Em A I sing out a song, Em A D A7 I sing out a love song to Jesus D Bm In moments like these Em A I lift up my hands, Em A D I lift up my hands to the Lord. G A D Singing I love You, Lord, G A D Singing I love You, Lord, G A Bm G Singing I love You, Lord D A D I love You.44 In His TimeD A D Bm In His time, in His time, G Em A A7 He makes all things beauti-ful in His time. G A Lord, please show me every day, F#m Bm As you're teaching me Your way, Em C A That You do just what You say, D In Your time. D A A Bm In Your time, in Your time, G Em A You make all things beauti-ful in Your time. G A Lord, my life to You I bring, F#m Bm May each song I have to sing Em C A Be to You a lovely thing, A In Your time.45 Isn't He (John Wimber)G C G C Isn't He beautiful. Beautiful, Oh isn't he. G D/F# Em A D Prince of Peace, Almighty God, is'nt He G C G C Isn't He wonderful. Wonderful, Oh isn't He. G D/F# Em A C G Prince of Peace, Almighty God, isn't He, isn't He, isn't He46 Jehovah Jireh (Merla Watson)Em Am Jehovah Jireh, my provider C D Em His grace is sufficient for me For me, for me! Am Jehovah Jireh, my provider C D Em His grace is sufficient for me Am My God shall supply all my needs Em B According to His riches in glory Em He shall give His angels Am Charge over me C D Em Jehovah Jireh cares for me For me, for me! C D Em Jehovah Jireh cares for me47 Jesus Draw Me Close (Rick Founds)G D/F# Em Jesus draw me close, C2 G D Closer Lord to You G D/F# Em C G D Let the world around me fade a---way. G D/F# Em Jesus draw me close, C2 G D Closer Lord to You C D C2 D G For I desire to worship and obey.48 Jesus Is the Answer (Andrae Crouch)D F#m G D Jesus is the answer for the world today. G D Above him there's no other. G A Jesus is the way D F#m G D Jesus is the answer for the world today. G D Above him there's no other. G A D Jesus is the way D F#m G D If you have some questions in the corners of your mind, G D Em A Traces of discouragement and peace you cannot find, D F#m G D Reflections of your past seem to face you every day, G D But this one thing I do know: G A D Jesus is the way. D F#m G D I know you've got mountains that you think you cannot cimb. G D Em A I know your skies are dark, you think the sun won't shine. D F#m G D In case you don't know, but the Word of God is true. G D G A D And ev'rything He's promised, He will do it for you.49 Jesus We Enthrone YouG Em C Jesus, we enthrone You. G We proclaim You are King. Em Bm C Standing here, in the midst of us, D7 G We raise You up with our praise. G Bm Em And as we worship build Your throne C D G Em And as we worship build Your throne C D G Em And as we worship build Your throne Am C D G Come Lord Jesus and take Your place.50 Jesus, Name Above All Names (Naida Hearn)C Cmaj7 C Cmaj7 Jesus, name above all names, Dm Beautiful Savior, G Dm Em G Glorious Lo-----------rd. C Cmaj7 C Cmaj7 Emmanuel, God is with us, Dm G C Blessed Redeemer, Living Word.51 Jesus, what a wonder You areF Gm C F Am Dm Je--sus, what a wonder You are Gm C F You are so gentle, so pure and so kind. F Gm C F Am Dm You shine like the morning star Gm C F Je--sus, what a wonder You are.52 King of KingsEm B7 Em King of Kings and Lord of Lords, Glory Hallelujah. Em B7 Em King of Kings and Lord of Lords, Glory Hallelujah Em B7 Em Jesus Prince of Peace, Glory Hallelujah Em B7 Em Jesus Prince of Peace, Glory Hallelujah.53 Let the Peace of God Reign (Darlene Zschech)F Bb Father of Life, draw me closer Dm C/E F Eb Ebmaj7/D C Lord, my heart is set on you Bb F Let me run the race of time Bb C Dm With Your life enfolding mine G/B C Bb Gm F C7 And let the peace of God, let it reign. F Bb Oh Holy Spirit, You're my Comfort Dm C/E F Eb Ebmaj7/D C Strengthen me, hold my head up high Bb F And I stand upon Your truth Bb C Dm Bringing glory unto You G/B C Bb Gm F F/A And let the peace of God, let it reign. C Dm Bb F Oh Lord I hunger for more of You C Dm G/B C Rise up within me, let me know Your truth Bb C Dm Bb C Dm Oh Holy Spirit, saturate my soul G/B C F/A Bb And let the life of God fill me now G/B C And let Your healing power F/A Bb Breathe life and make me whole G/B C Bb Gm F And let the peace of God, let it reign.54 Lord I Give You My Heart (Reuben Morgan)G Em C G D/F# This is my desire, to ho--nour You Em G Fmaj9 C D Lord with all my heart I worship You G Em C G D/F# All I have within me I give You praise Em G Fmaj9 C D G All that I adore is in You. Chorus: G D/F# Lord I give You my heart Am7 I give You my soul C D G I live for You alone D/F# Every breath that I take Am7 Every moment I'm awake C D G Lord have Your way in me. G D/F# Lord I give You my heart Am7 I give You my soul C D G I live for You alone D/F# Every breath that I take Am7 Every moment I'm awake C D Cmaj7 Lord have Your way in me.55 Lord I Lift Your Name On High (Rick Founds)G C D CDG Lord I lift your name on high C D CDG Lord I love to sing your praises C D CDG I'm so glad your in my life C D CDG I'm so glad you came to save us C D You came from heaven to earth C G To show the way C D From the earth to the cross C G My debt to pay C D From the cross to the grave Bm C From the grave to the sky D G Lord I lift your name on high56 Lord Make Me Pure in HeartG C D Lord make me pure in heart G C D Make my life faithful and true C D So when You look at me C D It's Your righteousness You see G C D G Lord make me pure in heart Em C I know the only way D G That I can be made clean Em C Is only by Your blood D G Only by Your blood Em C So fill my heart with faith D G And grace that I might see Em C The wonder of Your love D The wonder of Your love57 Lord, You AreD A G D Lord, you are more precious than silver, D A G A Lord, you are more costly than gold, D A G D Lord, you are more beautiful than diamonds, G A D And nothing I desire compares with you.58 Love the Lord Your GodG Love the Lord Your God Em With all your heart And all your soul C With all your mind D And love all of mankind, D7 As you would love yourself. G Em L-o-v-e the Lord your G-o-d C With all your heart D And all your soul and mind D7 And love all mankind. G Em We've got Holy lives to live C We've got Jesus Christ to give D We've got nothing to hide G Because in Him we all find love.59 Majesty (Jack Hayford)G C Majesty, worship His majesty G Em Am7 D7 Unto Jesus be all glory, power and praise G C Am G Majesty, kingdom authority flow from His throne D7 G Unto His own His anthem raise Am7 D7 G Gsus G So exalt lift up on high the Name of Jesus Am7 D7 B7 Am7 D7 Magnify, come glorify Christ Jesus the King G C Am Majesty, worship His majesty G D7 Jesus who died now glorified G King of all kings.60 More Love, More Power (Jude Del Hierro)Em C Bm More Love, More Power Em More of You in my life (2x) Am And I will worship You D Em With all of my heart Am And I will Worship You D Em With all of my mind Am And I will worship You D Em With all of my strength C D You are my Lord Em You are my Lord Em C Bm More Love, More Power Em More of You in my life (2x) Am And I will seek Your face D Em With all of my heart Am And I will seek Your face D Em With all of my mind Am And I will seek Your face D Em With all of my strength C D You are my Lord Em D You are my Lord Em You are my Lord61 My Jesus I Love TheeE-A E C#m F#m B B7 E My Jesus I love Thee; I know Thou art mine. E A E C#m F#m B E For Thee all the follies Of sin I resign. A B B7 E A E--B7 My gracious Redeemer, My Savior art Thou. E-A E C#m F#m B7 E If ever I loved Thee, My Je---sus, 'tis now. E A E C#m F#m B B7 E I love Thee because Thou hast first loved me, E A E C#m F#m--B E And purchased my pardon on Calvary's tree. A B B7 E A E-B7 I love Thee for wearing the thorns on Thy brow, E-A E C#m F#m B7 E If ever I loved Thee, my Je---sus, 'tis now. E A E C#m F#m B B7 E I'll love Thee in life, I will love Thee in death, E A E C#m F#m B B7 E And praise Thee as long as Thou lendest me breath; A B B7 E A E-B7 And say when the death dew lies cold on my brow, E-A E C#m F#m B7 E "If ever I loved Thee, my Je---sus 'tis now." E A E C#m F#m B E In mansions of glory and endless delight, E-A E C#m F#m B E I'll ever adore Thee in hea--ven so bright. A B B7 E A E-B7 I'll sing with the glittering crown on my brow, E-A E C#m F#m B7 E "If ever I loved Thee, my Je---sus 'tis now."62 My Life is in You LordG My life is in You Lord Em My strength is in You Lord C My hope is in You Lord G D In You, it's in You (2x) C D G I will praise You with all of my life C D G I will praise You with all of my strength D G E Am With all of my life, with all of my strength F Am Dsus D All of my hope is in You (Repeat) (End with chorus) G D In You, it's in You (2x) G My life.63 My PeaceC2 Am7 Dm G7 My peace I give unto you C2 Am7 Dm G7 It's a peace that the world cannot give F Dm Em A7 It's a peace that the world cannot understand F G Em Am7 Peace to know, peace to live Dm G7 C2 My peace I give unto you My Love. . . My Joy. . .64 O Lord, You're Beautiful (Keith Green)D G D A A7 O Lord, You're beautiful D G D A Your face is all I seek Bm F# Bm A D And when Your eyes are on this child Em7 A G D Your grace abounds to me. D G D A A7 O Lord, please light the fire D G D A That once burned bright and clear Bm F# Bm A D Replace the lamp of my first love Em7 A G D That burns with holy fear.65 O Magnify The LordD G D G O, magnify the Lord (echo) D G D G For He is worthy to be praised (echo) D G D G O, magnify the Lord (echo) D G D G For He is worthy to be praised (echo) D G D Hosanna, blessed be the Rock G D A Blessed be the Rock of my salvation D G D Hosanna, blessed be the Rock G D A D Blessed be the Rock of my salvation66 On Bended Knee (Robert Gay)G C On bended knee I come G C With a humble heart I come G Am D Bowing down before your holy throne G C Lifting holy hands to you G Bm Em As I pledge my love anew Am D I worship you in spirit Am D I worship you in truth Am C D7 G Make my life a holy praise unto you67 Open Our EyesD G A Open our eyes, Lord G D Bm We want to see Jesus G A To reach out and touch Him G D And say that we love Him D G A Open our ears, Lord G D Bm And teach us to listen G A Open our eyes, Lord G D We want to see JesuS68 Our HeartG Em Our Heart, our desire, C G Asus D Dsus Is to see the nations wor---ship. G Em Our cry, our prayer, C G Am7 D B7 Is to sing Your praise to the ends of the earth; Em B That with one mighty voice Em G A Every tribe and tongue re--joi--ces G Em Our heart, our desire Am7 C D G Is to see the nations wor--ship You.69 Philippians 2 (Andy Park)Am-G-F G-Am Am-G-F G Am G In very nature He was God F G Am G But He did not hold on to His eternal home Am G His very nature was to serve F G Am G When He came to earth as a man F Am Humbling Himself G Am He was obedient to death (Pause) F G Am Even to death on a cross F G Therefore God exalted Him F G Am To the very highest place F And He gave to Him G Am Name above all names G Am That every knee should bow F G Every tongue confess Am G Jesus Christ is Lord Am He alone is Lord G Am That every knee should bow F G Every tongue confess Am G Jesus Christ is Lord F G Am To the Glory of the Father Ending: G Am Jesus Christ is Lord G Am Jesus Christ is Lord G Am Jesus Christ is Lord70 Potter's Hand (Darlene Zschech)G D/F# Beautiful Lord, wonderful Saviour C Cm Em7 I know for sure all of my days are held in Your hand. Asus A/C# Am7/D D Crafted into Your perfect plan. G D/F# You gently call me into Your presence C Cm Em7 Guiding me by Your Holy Spirit, teach me dear Lord. Asus A/C# Am7/D D To live all of my life through your eyes. (bridge) Em D/F# I'm captured by Your holy calling G C/G G D/F# Em Set me apart, I know You're drawing me to Yourself Em/A G/A A/C# Am7/D D Lead me Lord, I pray. (chorus) G D/F# Am7 Bm/E Em7 Take me, mold me, use me, fill me, F C/E Am/E Em7 Am7 Am7/D D/F# I give my life to the Pot - ter's hand. G D/F# Am7 Bm/E Em7 Call me, guide me, lead me, walk beside me F C/E Am/E Em7 Am7 Am7/B Dsus D (G) I give my life, to the Pot - ter's hand.71 Power of Your Love (Geoff Bullock)G D/F# Em Em/D Bm Em Lord, I come to You, let my heart be changed, renewed, D C D Em D Flowing from the grace, That I found in You G D/F# Em Em/D Bm Em Lord, I've come to know, The weaknesses I see in me, D C D G Will be stripped away, By the power of Your love C Em D C G Hold me close, Let Your love surround me C Em D G G7 Bring me near, Draw me to Your side C D C G And as I wait, I'll rise up like the eagle D Em D C And I will soar with You, Your Spirit leads me on D G In the power of Your Love G D/F# Em Em/D Bm Em Lord unveil my eyes, Let me see You face to face D C D Em D The knowledge of Your love, As You live in me G D/F# Em Em/D Bm Em Lord renew my mind, As Your will unfolds in my life D C D In living every day, In the power of Your Love72 Praise the LordF Bb Praise the Lord, Allelu F C7 I dont care what the devil's gonna do F The Word of God Bb Bbm Is my sword and shield F Dm Gm C F Jesus is the Lord of the way I feel.73 Protector of My SoulD G A O protector of my soul D G A You will stand against the foe Bm A D E In the dark you'll be a light for me G A D O protector of my soul. Chorus: A D G D You who created the ends of the earth A G D Guided me unto your throne A D G D Offered your healing hand to me A G D A Mercifully made me your own Bm A D E G A D D D G A O Holy Spirit, come D G A Show the world where life comes from Bm A D E May they always see you alive in me G A D O Holy Spirit, come Chorus (Repeat last line of chorus twice.)74 Rise up and praise HimD Let the heavens rejoice, A Let the earth be glad Bm A G Let the people of God sing His praise A All over the land. D Everyone in the valley A Come and lift your voice Bm A G All those on the mountaintop be glad A And shout for joy (Ch) A Rise up and praise Him D He deserves our love A Rise up and praise Him Bm Worship the Holy One Em With all your heart D With all your soul A With all your might D Rise up and praise Him.75 Rock of Ages (Rita Baloche)A A4 There is no rock A A4 A A4 A A4 There is no god like our God D D4 No other name D D4 A A4 A A4 Worthy of all our praise E E4 E E4 The Rock of salvation that cannot be moved F#M D He's proven Himself to be faithful and true B4 There is no rock D A A4 A(A4) There is no god like ours. F#M D A E Rock of a-ges, Jesus is the Rock F#M D A E Rock of a-ges, Jesus is the Rock F#M D A E Rock of a-ges, Jesus is the Rock G5 There is no rock D A There is no god like ours.76 Seek Ye FirstD F#m G D Seek ye first the kingdom of God G D Em A And His righteous-ness D F#m G D And all these things shall be added unto you G D A D Allelu, alleluia D F#m G D Man shall not live by bread alone G D Em A But by every word D F#m G D That pro-ceeds from the mouth of God G D A D Allelu, alleluia D F#m G A Ask and it shall be given unto you G D Em A Seek and ye shall find D F#m G D Knock and the door shall be opened unto you G D A D Allelu, alleluia77 Seven ways to praise the LordC F G Sometimes when I'm feeling down C And the devil He comes around F Got to make a joyful noise G C That he cannot ignore C F G Its such a heavenly idea C Guaranteed to make him flee(a) F Its a perfect fantasy G C 7 ways to praise the Lord Ch: F Towdah, sacrifice of praise C Yadah, let your hands be raised G Barouch, with a quiet voice C C7 Halell, let your soul rejoice F Zamar, sing to Him a song, C Tehillah, you can sing along G Shabach, shout for joy C Thats 7 ways to praise the Lord.78 Shake a Friend's HandG D C G Shake a friend's hand shake a hand next to ya C G D Shake a friend's hand and sing la la G D C G Shake a friend's hand, shake a hand next to ya C G D Shake a friend's hand and sing...sing G D C G A la la la, la la la le lu jah C G D A la la la, la le lu jah (2x) Clap another hand...79 Shine Jesus Shine (Graham Kendrick)A D A E Lord the light of Your love is shining A D A E In the midst of the darkness shining D E C#m F#m Jesus light of the world shine upon us D E C#m F#m Set us free by the truth You now bring us G E G E Shine on me, Shine on me (Ch) A E F#m Shine Jesus shine Bm D E D E Fill this land with the Father's glo-ry A E F#m Blaze Spirit blaze Bm G E Set our hearts on fire A E F#m Flow river flow Bm D E D E Flood the na-tions with grace and mer-cy A E F#m Send forth Your word D E A Lord and let there be light. A D A E Lord I come to Your awesome presence A D A E From the shadows into Your radiance D E C#m F#m By thy blood I may enter Your brightness D E C#m F#m Search me try me con-sume all my darkness G E G E Shine on me, Shine on me (Back to Ch) A D A E As we gaze at Your Kingly brightness A D A E So our faces display Your likeness D E C#m F#m Ever changing from glory to glory D E C#m F#m Mirrored here may our lives tell Your story G E G E Shine on me, Shine on me (Back to Ch)80 Shout to the Lord (Darlene Zschech)A E My Jesus, my Saviour, F#m E D Lord, there is none like You A D A All of my days, I want to praise, G Bm E The wonders of your mighty love A E My comfort, my shelter, F#m E D Tower of refuge and strength A D A Let every breath, all that I am G Bm E Never cease to wor-ship You Chorus: A F#m D E Shout to the Lord, all the earth let us sing, A F#m D E Power and majesty, praise to the King F#m D Mountains bow down and the seas will roar, E D E At the sound of your name A F#m D E I sing for joy at the work of your hands A F#m D E Forever I'll love you, forever I'll stand F#m D E A Nothing compares to the promise I have in You81 So You Would Come (Russell Fragar)D G A D Before the world began, you were on his mind G F#m7 E7 A And every tear you cry is precious in his eyes G A F#m7 Bm7 Because of His great love, He gave His only Son Em7 A D And everything was done so you would come D G A D Nothing you can do could make Him love you more G F#m7 And nothing that you've done E7 A Could make Him close the door G A F#m7 Bm7 Because of His great love, He gave His only Son Em7 A D And everything was done so you would come G F#m7 Bm7 Come to the Father though your gift is small G F#m E7 A Broken hearts, broken lives He will take them all G F#m7 Bm7 The power of the Word, the power of His blood Em7 A D And everything was done so you would come82 Spirit Song (John Wimber)D G A F#m Bm Oh let the Son of God enfold you with His Spirit and His love. G A7 D D7 Let Him fill your heart and satisfy your soul. G A F#m Bm Oh let Him have the things that hold you, and His Spirit like a dove G A D Will descend upon your life and make you whole. (Chorus) G A F#m Bm G A D D7 Je--sus, O Je----sus come and fill Your lambs. G A F#m Bm G A D Je--sus, O Je----sus come and fill Your lambs. D G A F#m Bm Oh come and sing this song of gladness as your hearts are filled with joy. G A7 D D7 Lift your hands in sweet surrender to His name. G A F#m Bm Oh give Him all your tears and sadness, give Him all your years of pain. G A D And you'll enter into life in Jesus' name.83 Take Me InEm Cmaj7 Take me past the outer courts, and into Your Holy Place D Em D Past the brazen altar, Lord I wanna see Your face Em Pass me by the crowds of people, Cmaj7 The priests who sing Your praise D I hunger and thirst for Your rightousness, Am7 D And it's only found one place Em D/E Take me in to the Holy of Holies Am7 Am7/D Em D Take me in by the Blood of the Lamb Em D/E So take me in to the Holy of Holies Am7 D Em Take the coal, cleanse my lips, here I am. Am7 Bm Em Take the coal, cleanse my lips, here I am.84 The Name of the LordF F7 Blessed be the name of the Lord Bb C Blessed be the name of the Lord F Am Dm Blessed be the name of the Lord C C7 Most high F F7 Blessed be the name of the Lord Bb C Blessed be the name of the Lord F Am Dm Blessed be the name of the Lord C F Most high F The name of the Lord is Bb F A strong tower Gm C The righteous run into it F And they are saved (repeat)85 The Old Rugged Cross (George Bennard)A A7 D B7 On a hill far away stood an old rugged cross, E E7 A The emblem of suff'ring and shame; A A7 D B7 And I love that old cross where the dearest and best E E7 A For a world of lost sinners was slain. E E7 A So I'll cherish the old rugged cross. D A Till my trophies at last I lay down; A D I will cling to the old rugged cross, A E A And exchange it some day for a crown. A A7 D B7 Oh that old rugged cross, so despised by the world. E E7 A Has a wondrous attraction for me, A A7 D B7 For the dear Lamb of God left His glory above, E E7 A To bear it to dark calvary. A A7 D B7 In the old rugged cross, stained with blood so divine, E E7 A A wondrous beauty I see. A A7 D B7 For 'twas on that old cross Jesus suffered and died E E7 A To pardon and sanctify me. A A7 D B7 To the old rugged cross, I will ever be true, E E7 A Its shame and reproach gladly bear, A A7 D B7 Then He'll call me some day to my home far away, E E7 A Where His glory forever I'll share.86 The Steadfast Love of the LordD G D A The steadfast love of the Lord never ceases D G A His mercies never come to an end G A They are new every morning D Bm New every morning. G A D A D Great is Thy faithfulness, O Lord. G A D Great is Thy faithfulness.87 The Wise ManE B The wise man built his house upon the rock B7 E The wise man built his house upon the rock B The wise man built his house upon the rock E B E And the rain came tumbling down E B The rain came down and the floods came up B7 E The rain came down and the floods came up B The rain came down and the floods came up E B E And the house on the rock stood firm E B The foolish man built his house upon the sand B7 E The foolish man built his house upon the sand B The foolish man built his house upon the sand E B E And the rain came tumbling down E B The rain came down and the floods came up B7 E The rain came down and the floods came up B The rain came down and the floods came up E B E And the house on the sand came down E B So build your house on the rock of Jesus Christ B7 E So build your house on the rock of Jesus Christ B So build your house on the rock of Jesus Christ E B E And the blessings will come down E B The blessings come down and the prayers go up B7 E The blessings come down and the prayers go up B The blessings come down and the prayers go up E B E So build your house on the rock of Jesus Christ88 There is a Redeemer (Keith Green)Verse 1: D A G D A G A D A There is a Redeemer, Jesus, God's own So-n D A D G D Precious Lamb of God, Messiah G A D Ho--ly One Chorus: D G D Thank you, oh, my Fa-ther G A D A For giving us Your So-n D A D G D And lea-ving Your Spirit 'til G A D The work on earth is done Verse 2: D A G D A G A D A Jesus, my Redeemer, name above all na-mes D A D G D Precious Lamb of God, Messiah G A D O for sinner's slain (Chorus) Verse 3: D A G D A G A D A When I stand in glo-ry, I will see His fa-ce D A D G D There I'll serve my King forever G A D In that holy place89 Thou art worthyA D Thou art wor-thy, thou art wor-thy, A Bm E7 Thou art wor-thy O Lord. A D To receive glory, glory and honor, A E A Glo-ry and hon-or and power. E7 For thou hast cre-a-ted, A Hast all things cre-a-ted, E7 A For thou hast cre-a-ted all things. A7 D Dm And for thy plea-sure they are cre-a-ted. A E A Thou art wor-thy O Lord.90 Thy WordChorus: E B E Thy Word is a lamp unto my feet, A B E And a light unto my path. E B E Thy Word is a lamp unto my feet, A B E And a light unto my path. B F#m C#m G#m When I feel afraid, think I've lost my way, A B A E Still, YouÆre there right beside me. B F#m C#m G#m And nothing will I fear, as long as You are near, A B C#m B Please be near me to the end. (Ch) I will not forget Your love for me and yet, My heart forever is wandering. Jesus be my guide, and hold me to Your side, And I will love You to the end.91 Turn Your Eyes Upon JesusE B C#m E7 Turn your eyes upon Je- sus A F#m B B7 Look full in His wonderful face E G# And the things of earth C#m Am Will grow strangely dim E F#m B E In the light of His glory and grace. E B C#m E7 Turn your thoughts upon Je- sus A F#m B B7 Drink deep of His comforting love E G# And the thoughts of sin C#m Am And self and strife E F#m B E Will be lost in that rapture above.92 Unto Thee O LordF Gm Unto thee, O Lord, do I lift up my soul C7 F Unto thee, O Lord, do I lift up my soul. F7 Bb Bbm O my God, I trust in Thee F Let me not be ashamed, Dm Gm C F Let not my enemies triumph over me F Gm Show me Thy ways, Thy ways, O Lord C7 F Teach me Thy paths, Thy paths, O Lord F7 Bb Bbm O my God, I trust in Thee F Let me not be ashamed, Dm Gm C F Let not my enemies triumph over me.93 Walking in the lightE A It's a great thing to praise the Lord B E It's a great thing to praise the Lord C#m F#m It's a great thing to praise the Lord B B7 E Walking in the light of the Lord. (Ch) E A Walk walk walk walk in the light B E Walk walk walk walk in the light C#m F#m Walk walk walk walk in the light B B7 E Walking in the light of the Lord. It's a great thing to love the Lord... It's a great thing to serve the Lord..94 We Are One In the SpiritEm We are one in the Spirit, we are one in the Lord. Am Em We are one in the Spirit, we are one in the Lord. Am Em And we pray that all unity may one day be restored. Chorus: C Em Am And they'll know we are Christians by our love, by our love, Em Am Em Yes they'll know we are Christians by our love. Em We will walk with each other, we will walk hand in hand. Am Em We will walk with each other, we will walk hand in hand. Am Em And together we'll spread the news that God is in our land. Chorus Em We will work with each other, we will work side by side. Am Em We will work with each other, we will work side by side. Am Em And we'll guard each man's dignity and save each man's pride. Chorus95 We exalt theeF Gm C For Thou O Lord art high F Am Dm Above all the ea rth Gm C Thou art exalted far above F All gods. F Gm C For Thou O Lord art high F Am Dm Above all the ea rth Gm C Thou art exalted far above F All gods. (Ch) F We exalt thee Am We exalt thee Bb F We exalt thee O Lord F We exalt thee Am We exalt thee Bb C F We exalt thee O Lord.96 We'll Not Be DefeatedG G7 We'll not be defeated, C We'll not be defeated, G Bm Em We'll not be defeated, Am D D7 Any more. G G7 Since the Holy Ghost came in C Cm And gave us power over sin. G Em Am D G We'll not be defeated any more. G G7 We'll not be defeated, C We'll not be defeated, G Bm Em We'll not be defeated, Am D D7 Any more. G G7 Jesus Christ God's only son C Cm Fought the battle and He won. G Em Am D G We'll not be defeated any more. (Repeat from beginning) G G7 Jesus Christ God's only son C Cm Fought the battle and He won. G Em Am D We'll not be defeated any G Em Am D We'll not be defeated any G Em Am D G We'll not be defeated any more!97 What a Mighty God We ServeD G D What a mighty God we serve Em A What a mighty God we serve D G The angels bow before Him D G Heaven and earth adore Him D Em A D What a mighty God we serve. D G A He is the King of Kings D A He is the Lord of Lords D A D A His name is Jesus Jesus Jesus Jesus G A D Oh He is the King.98 When I Look Into Your HolinessD F#m G When I look into your ho---liness D F#m G When I gaze into your loveliness D F#m And when things that surround G Em A Become shadows in the light of You D F#m G When I've found the joy of reaching your heart D F#m G When my will becomes enthralled in your love D F#m And when things that surround G Em C A Become shadows in the light of You G A F#m Bm I worship Yo--u, I worship Yo---u Em A A7 D G A7 The reason I live is to worship You G A F#m Bm I worship Yo--u, I worship Yo---u Em A A7 D The reason I live is to worship You99 You Are My All in All (Dennis Jernigan)G D Em You are my strength when I am weak G C You are the treasure that I seek G D G D You are my all in all G D Em Seeking You as a precious jewel G C Lord to give up, I'd be a fool G D G D You are my all in all G D Em G C G D G D Jesus, Lamb of God, worthy is Your name G D Em G C G D C G Jesus, Lamb of God, worthy is Your name G D Em Taking my sin, my cross, my shame G C Rising again, I bless Your name G D G D You are my all in all G D Em When I fall down, You pick me up G C When I am dry, You fill my cup G D G D You are my all in all100 You Are My Life (Steve Fry)C C7 F You are my life O! precious Christ Dm F G C You are to me the pearl of greatest price Am C G-F Em My love for You will never die Am Dm G C Jesus You are my life Chorus: G F C G F C I come to You I run to You Em Am G There's no greater joy than knowing You C C7 F O Holy fire! Love's purest light Dm F G C Burn all desires til' You are my One delight Am C G-F Em My love for You will never die Am Dm G C Jesus You are my life (Chorus) (Transpose) D D7 G O conquering King! Conquer my heart Em G A D And make of me a pleasing gift to God Bm D A-G F#m My love for You will never die Bm Em A D Jesus You are my life A G D A G D I come to You I run to You F#m Bm A There's no greater joy than knowing you (Ending) Bm D A-G F#m My love for You will never die Bm Em A D Jesus You are my life101 You Are Worthy of My Praise (David Ruis)G I will worship (I will worship) F/G With all of my heart (With all of my heart) C/G And I will praise You (I will praise You) G Am D With all of my strength (With all my strength) G I will seek You (I will seek You) F/G All of my days (All of my days) C/G And I will follow (I will follow) G Am D All of Your ways (All Your ways) Chorus G D I will give You all my worship C Am D G I will give You all my praise G D You alone I long to worship C Am D G You alone are worthy of my praise G I will bow down (I will bow down) F/G Hail You as king (Hail You as king) C/G And I will serve You (I will serve You) G Am D Give You everything (Give You everything) G I will lift up (I will lift up) F/G My eyes to Your throne (My eyes to Yout throne) C/G And I will trust You (I will trust You) G Am D I will trust You alone (Trust in You alone)102 You're so real (Arun Ross)C F You're so real I can feel Your power G G7 C You're so real I can feel Your touch C7 F You're so real I can hear Your voice Lord C G C You're so real to me (Repeat) Ch: (So I'll sing) F C F C F C Ha--lle---lujah Ha--lle---lujah Ha--lle---lujah G To the King (Let's sing) F C F C F C Ha--lle---lujah Ha--lle---lujah Ha--lle---lujah G C
In what episode does Naruto meet jiraya?
In Naruto Episode 52: Ebisu Returns: Naruto's Toughest Training Yet!
When does Naruto learn to walk on water?
He masters it in Naruto Episode 53- Long Time No See: Jiraya Returns!
When does naruto and his team take a group photo?
It's in episode 53, right after the ending song and the preview for the next episode.
What episode does Jiraiya train Naruto?
Jiraiya trains Naruto in many episodes. Jiraiya is Naruto's new trainer instead of Kakashi sensei. But Jiraiya starts training him in episode #53 and just becomes Naruto's new trainer, also, Jiraiya is one of the three legendary sannin along with Tsunade and Orochimaru.
When is Naruto Shippuden episode 53 coming out in America?
Naruot Shippuuden is currently not being broadcasted in America.
Where to find naruto shippuden 53?
English dub: http://www.narutospot.net/shippuden-dubbed/naruto-shippuden-episode-53-english-dubbed/ English Sub: http://www.youtube.com/watch?v=JYSGNFS2g8A (hope it helps)
Which episode Naruto vs Sasuke?
On Episode 110 naruto,kiba,choji,neji and shikamaru they started finding sasuke on Episode 128-134 Naruto And Sasuke Had A BIG FIGHT if you cannot find the episode on youtube search it on :www.narutoget.com
What episode on Naruto does Sasuke fight team 7?
I think it's Shippuuden episode 52-53 "Reunion" and "The power of the Uchiha" They fight again in the manga, with Kakashi, Naruto, and Sakura. The episode hasn't been released yet.
What episodes do naruto use sexyjutsu?
Programe: NarutoEpisode: 53 ''Long Time No See: Jiraiya Returns!''.This episode is where naruto meets Master Jiraiya one of the 3 legendary Sannin, but naruto calls him the ''Pervy Sage'' because he pervs at women all the time.Naruto uses his sexy jutsu quite alot in this episode more than the others that's for sure. It is a very funny episode you should watch it at animefreak they have the entire episodes from 1-220 aswell they play in English dubbed and subbed.
Which volume of naruto is the 498th chapter in?
53
What piano music is played during A Mid-Winter Night's Dream episode of Frasier?
Chopin's Polonaise in A flat, Op. 53
What Shugo Chara episode is Amu and Ikuto in the rain?
episode 53
