The bridal imagery in the play 'Antigone' relates to the prevention of the marriage of the main character of the same name to her first cousin and fiance. Haemon is the son of Antigone's uncle, Theban King Creon. The King enacts and enforces a law that approves the burial of the loyal Theban dead, and forbids that right to the disloyal Theban dead. Antigone disobeys the law in burying her brother, Polyneices, who is among the disloyal Theban dead. The King sentences Antigone to death, and therefore disavows her betrothal and subsequent marriage to his own son. From then on, Antigone's death sentence is described as her marriage to the house of Hades, which is the underworld residence of the dead. For example, the King says, '...let this girl go to find a husband in the house of Hades...'. Antigone is to be walled up in a remote cave. Her final resting place therefore is described as her 'bridal chamber'.
bridal bed
Antigone's supposed marriage with Hades is an example of an allusion in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the term allusion describes a reference of one concept to another that already is known to the audience. But it is not a vice versa situation. The description fits Antigone's procession to her death as her bridal procession. The death march is an allusion to Antigone's aborted bridal march, but the reverse cannot be true.
It is in the choral odes and Antigone's procession to her death that examples of imagery are found in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the term parados describes the first onstage appearance of the chorus of Theban elders. The chorus enters with a song of striking imagery. The song likens Polyneices' attack on Thebes to the flight of predatory eagles and the struggle of smoldering dragons.
Prison and wedding bower are the metaphors that Antigone uses to describe her tomb in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone is engaged but not yet married when she processes to her death by live burial. She mentions that her cave will serve as the bridal bower she will share with Hades the Underworld god. She notes that at the same time it never ceases to be her final prison.
A bursting rain cloud is the imagery that is used when Ismene comes to confess in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Ismene is upset over her sister Princess Antigone's arrest and trial for breaking their uncle King Creon's law of non-burial of the disloyal Theban dead. The chorus notes that her forehead is lined with worry. The members observe that her face is flushed and wet from crying.
bridal bed
Antigone's supposed marriage with Hades is an example of an allusion in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the term allusion describes a reference of one concept to another that already is known to the audience. But it is not a vice versa situation. The description fits Antigone's procession to her death as her bridal procession. The death march is an allusion to Antigone's aborted bridal march, but the reverse cannot be true.
It is in the choral odes and Antigone's procession to her death that examples of imagery are found in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the term parados describes the first onstage appearance of the chorus of Theban elders. The chorus enters with a song of striking imagery. The song likens Polyneices' attack on Thebes to the flight of predatory eagles and the struggle of smoldering dragons.
Prison and wedding bower are the metaphors that Antigone uses to describe her tomb in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone is engaged but not yet married when she processes to her death by live burial. She mentions that her cave will serve as the bridal bower she will share with Hades the Underworld god. She notes that at the same time it never ceases to be her final prison.
A bursting rain cloud is the imagery that is used when Ismene comes to confess in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Ismene is upset over her sister Princess Antigone's arrest and trial for breaking their uncle King Creon's law of non-burial of the disloyal Theban dead. The chorus notes that her forehead is lined with worry. The members observe that her face is flushed and wet from crying.
The ship of state speech is something that Creon just thought about he didn't even know what he was taking about
It is during Antigone's procession to the cave that the euphemisms, which are indirect references to upsetting matters of death, occur in "Antigone" by Sophocles (495 B.C.E. - 405 B.CE.). Specifically, the chorus describes Theban Princess Antigone as heading towards the final "bridal chamber" where all mortals end up. Antigone explains that everyone goes to sleep in the presence of Hades the Underworld god of the afterlife. Then she observes that her wedding goes through, to the lord of the Dark Lake in the Underworld of death.
All the questions that can be asked about the play 'Antigone' most likely can't be asked in one individual's lifetime, for the characters, imagery, musicality, plot, and themes are timeless in their appeal and applicability.
suspense, imagery and conflicts (self v. self, self v. gods, self v. fate, and self v. family)
If Antigone disobeys Creon's Law in "Antigone," Antigone is to be sentenced to death.
A style of writing is a distinctive manner of expression. Poetry is a manner of expression that's calculated to produce vivid imagery in the mind and to create an emotional response through meaning, sound, and rhythm. The writing style in the play 'Antigone' is poetic. That poetic style of writing definitely is used to call forth vivid mental images and to get readers and viewers to sympathize with the main character, Antigone.
Antigone