Sharps are the note one semitone higher than a given natural note, for example, D-sharp is one semitone higherthan D.Flats are the note one semitone lower than a given natural note, so D-flat is one semitone lower than D.Natural signs get rid of a previous sharp or flat in the same bar, or raises or lowers a sharp or flat already included in the key signature - e.g. the F-sharp in G major.Sharps and flats can be modified further too - resulting in a double sharp or double flat - which means that any double sharp or double flat will be a whole tone higher or lower than a given natural note, for example, D double-sharp would be the same key as E and D double-flat would be the same as C. Again a natural sign would get rid of the double flat or sharp.Sometimes natural keys have to be named as either sharp or flat, e.g. in C-sharp minor the seventh degree is B, but we have to raise B to B-sharp to create a C-sharp harmonic minor scale, which uses a raised seventh. Now we could call the B-sharp 'C' but that would not be correct as we need to use all letter names in a diatonic scale, and technically the C is functioning as a raised B in the key or C-sharp minor.
B sharp, C double-sharp, D double-sharp, E sharp, F double-sharp, G double-sharp, A double-sharp, B sharp.
All harmonic minor scales have the pattern of tone-semitone-tone-tone-semitone-tone-tone (raised 7th)-semitone. Therefore, D harmonic minor has the notes of D, E, F, G, A, B flat, C# (raised 7th), D.
Tone Tone Semitone Tone Tone Tone Semitone, is always the gap between notes in any major scale, which is why most scales need sharps or flats. For example, C major is: C - up a tone - D - up a tone - E - up a semitone - F - up a tone - G - up a tone - A - up a tone - B - up a semitone - C.
B-natural, D-sharp, F-sharp
c flat. the semitone above b flat is b, with is equal to c flat. So the diatonic semitone is c flat because it has to be a different note name.
B
B Double Flat
B
Sharps are the note one semitone higher than a given natural note, for example, D-sharp is one semitone higherthan D.Flats are the note one semitone lower than a given natural note, so D-flat is one semitone lower than D.Natural signs get rid of a previous sharp or flat in the same bar, or raises or lowers a sharp or flat already included in the key signature - e.g. the F-sharp in G major.Sharps and flats can be modified further too - resulting in a double sharp or double flat - which means that any double sharp or double flat will be a whole tone higher or lower than a given natural note, for example, D double-sharp would be the same key as E and D double-flat would be the same as C. Again a natural sign would get rid of the double flat or sharp.Sometimes natural keys have to be named as either sharp or flat, e.g. in C-sharp minor the seventh degree is B, but we have to raise B to B-sharp to create a C-sharp harmonic minor scale, which uses a raised seventh. Now we could call the B-sharp 'C' but that would not be correct as we need to use all letter names in a diatonic scale, and technically the C is functioning as a raised B in the key or C-sharp minor.
It would be a sharp/flat. Like A would be A#/Bb
"Flat" means to go down one semitone. Look at a piano (or similar) keyboard, and check what you have one to the left of "C". Since on a piano there is no black key between "B" and "C", the next semitone down from "C" is simply "B".
semitone. B to C and E to F are semitones
augmented 5th, as e flat to b flat is a perfect 5th and b is a semitone above b flat, making the interval augmented
E flat consists of 3 flats, B flat, E flat and A flat. E flat to B flat would be a perfect 5th interval as B flat is in E flat major, but because your question was E flat to B, B is a semitone up from B flat, this would mean the interval becomes a semitone larger, and a semitone larger from a perfect interval is augmented. Therefore, the answer to your question is an augmented 5th. Hope this helps :)
E# is F on the piano, as F is 1/2 step up from e. b# would likewise be C on the piano.
Raises it by a semitone