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The dominant note is the 5th note in the scale. In the B Major scale, F is the dominant note.
D f# a c
The dominant 7th chord is composed of the root, major third, perfect fifth, and minor seventh. The dominant seventh for the F# key would be F#, A#, C# and E.
In the perspective of European-descendent theory, the degrees of any key or scale (major, minor, or modal) can be classified as follows: 1 - Tonic 2 - Supertonic 3 - Mediant 4 - Subdominant 5 - Dominant 6 - Submediant 7 - Leading Tone Let us take the case of C major as our key/scale: C - Tonic D - Supertonic E - Mediant F - Subdominant G - Dominant A - Submediant B - Leading Tone Similarily, this works in the minor keys, too. Using A natural harmonic as our key/scale: A - Tonic B - Supertonic C - Mediant D - Subdominant E - Dominant F - Submediant G - Leading Tone
The primary difference between a major and minor scale is in the positioning of the tones and semitones that make up the scale. Both scales have eight notes. In the standard harmonic minor scale, the semitones occur between the 2nd and 3rd notes of the scale, whilst in the major scale, the semitones occur between the 3rd and 4th notes, and the 7th and 8th notes.
The dominant note is the 5th note in the scale. In the B Major scale, F is the dominant note.
The dominant is the 5th tone in the scale. In a D Major scale, the dominant is A.
The dominant of B is F#.
The dominant in a scale is the 5th, which in the key of F# major is C#.
For bass clef, it is D. For treble clef, it is F. The way to remember what the dominant tone for any key is to count 4 notes above the 1st note. (the dominant is the 5th degree/note)
The dominant in a scale is the 5th, which in the key of F# major is C#.
The tonic note of any diatonic scale is the first note (starting note) of the scale. In the case of G-flat major the tonic note is G-flat!
The dominant of B is F#.
The subdominant in any major scale is the fourth note. So, in C major, the subdominant is the F.
Any major scale follows the same pattern. After the first note is a whole step, then another whole step, then a half step, whole step, whole step, whole step, half step; therefore, the fourth note of a scale is two and a half steps away from the first note.
The leading tone is the seventh scale degree of the diatonic scale which in F Major is the note "E".
The arpeggio is the root, 3rd, and 5th of the scale. In F major, those note are F A C.