E major.
The secondary dominant of b minor is a C# major chord.
E
B minor comes next (after E minor) on the sharps side of the circle of fifths?
The key signature of E minor is F#.
E major.
The dominant 7th chord is composed of the root, major third, perfect fifth, and minor seventh. The dominant seventh for the F# key would be F#, A#, C# and E.
The dominant note for D major and D minor is A.
The secondary dominant of b minor is a C# major chord.
F# dominant 7 contains Gb A Db E it is a Gb minor 7th (Gbm7)
SCALES: Major: G, Bb, E, Db Harmonic Minor: E, G, C#, Bb Melodic Minor: E, G, C#, Bb ARPEGGIOS: Major: G, Bb, E, Db Minor: E, G, C#, Bb DOMINANT SEVENTHS: G, Bb, E, D hope this helped :)
Dominant triads, which are built on the fifth (or dominant) note of the scale, are (almost) always major - even when written in a minor key. This is because the middle note (which is the 7th note of the scale - known as the leading note) is always raised by a chromatic semitone.For example:The C major dominant triad is composed of the notes G, B, and D.The a minor dominant triad is composed of the notes E, G#, and B. Although there are no accidentals in the key signature of this scale, the 7th note is raised from G-natural to G# in order to make it a harmonic scale.That's not to say that minor dominant triads don't exist, because they do. They're just rare. You might be able to find a minor dominant triad in a situation where the dominant triad is played in conjunction with a descending melodic line (i.e. where the 6th and 7th notes of the scale aren't raised).
The dominant of A is E.
The relative minor of E major is C# minor.
The E# minor scale is as follows: E#, Fx, G#, A#, B#, Cx, D#, E#
E
The dominant of A major is the chord: E - G# - B