The whole-tone scale could be the opposite. Instead of ascending with half-steps, it ascends with whole-steps, resulting in a 7 note scale (counting both octaves).
Ex:
C D E F# G# A# B# (C)
A B C# D# E# (F) G A
That's a chromatic scale.
A chromatic scale will, by definition, have sharps and/or flats.
using notes of the chromatic scale-apex
when notating a chromatic scale, use sharps for ascending pitches and flats for descending pitches.
which opera is harmonically based on chromatic scale...Carmen?...Salome...Aida or Tristan and Isolde?
A chromatic scale is the scale using all the notes.
That's a chromatic scale.
The chromatic scale has twelve different pitches on it. These pitches range from A to G sharp (G#) or A flat (Ab). All semitones in the chromatic scale are the same size.
A chromatic scale will, by definition, have sharps and/or flats.
chromatic scale
using notes of the chromatic scale-apex
when notating a chromatic scale, use sharps for ascending pitches and flats for descending pitches.
which opera is harmonically based on chromatic scale...Carmen?...Salome...Aida or Tristan and Isolde?
The chromatic scale is all half-steps, so no formula is required.
The chromatic scale was not invented by one person but rather developed over time through the musical traditions of various cultures. It consists of all twelve pitches within an octave, and it provides a foundation for Western music theory and composition.
12. Every note in the chromatic scale is a half step from its consecutive notes.
The chromatic scale