Tone, semitone, tone, tone, semitone, tone + semitone, semitone.
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Based on an octave of 12 semitones, as opposed to a seven-note DIATONIC scale. A chromatic scale consists of an ascending or descending line of semitones. An instrument is said to be chromatic if throughout all or most of its compass it can produce all the semitones. Chromatic, a word ultimately derived from the Greek noun which means "complexion" or "color", and then from the Greek adjective χρωματικός (khrōmatikós; "colored"), may refer to: In music: Chromatic scale, the western-tempered twelve-tone scale. Chromatic chord, chords built from tones chromatically altered from the native scale of the musical composition. Chromaticism, the use of chromatic scales, chords, and modulations. Total chromatic, the use of all twelve pitches of the chromatic scale in tonal music. Chromatic genus, a genus of divisions of the tetrachord characterized by an upper interval of a minor third.Diatonic and chromatic, as a property of several structures, genres, and other features in music, often contrasted with diatonic. http://www.answers.com/chromatic?cat=health
You learn music classes about notations, timing, notes, semitones, whole tones and DT/CT.
A minor third (two tones 4 semitones apart) is the smallest interval that will sound consonant rather than dissonant; however, it is not so much the distance between the notes that makes it sound dissonant, it is more the relationship of the interval to the tonic chord (the key your piece is in.)
All three forms of the Minor scale have 7 tones, so any chromatic instrument (such as a bass) will have them all.
It is diatonic. Di means two, so you can think of it as two tones. A chromatic semitone would be from D to D#, or Eb to E. The difference is that Chromatic semitones use the same letter name twice, while diatonic semitones do not.
The tones within a scale are divided by either tones or semitones. In a major scale, the order always goes: tone, tone, semitone, tone, tone, tone, semitone. For a minor scale, in natural form, the order always goes: tone, semitone, tone, tone, semitone, tone, tone.
There are eight notes (steps) in a major musical scale. If whole steps are tones and half steps are semitones, then the order is tone, tone, semitone, tone, tone, tone, semitone.
The primary difference between a major and minor scale is in the positioning of the tones and semitones that make up the scale. Both scales have eight notes. In the standard harmonic minor scale, the semitones occur between the 2nd and 3rd notes of the scale, whilst in the major scale, the semitones occur between the 3rd and 4th notes, and the 7th and 8th notes.
T t s t t t s
Around the Baroque era, tonality went from modal to major and minor. The key signature was born out of the rigid sequence of tones and semitones in major and minor scales.
There is no such thing as a ''tritonic scale'', a tritone is an interval of six semitones (half an octave), hence the name ''tritone'' which means ''three tones''.
A minor third is the same distance as the tonic to the third in a natural minor scale. This is one tone followed by on semi tone, which equates to 3 semi tones. A major sixth would equate to ten semi tones. If you are going from the sixth of a major scale, to the third of a minor scale, you would be going down by 7 semi tones. However, if you are on the sixth note of a major scale, and go down by a minor third, then you will be going down by 3 semi tones.
All major scales follow the pattern - tone, tone, semitone, tone, tone, tone, semitone. Therefore, C major has 5 tones and 2 semitones.
Hi, Any major scale has this pattern: Tone, Tone, Semitone, Tone Tone Tone Semitone. Tones are 'steps' and semitones are 'half - steps'. Keep up the music playing!
There are much more than three types of scales, but the 3 basic scales are the common major scale (T T S T T T S), the harmonic minor (T S T T S T1/2 S) and the melodic minor (T S T T T T S ascending - T S T T S T T descending). In brackets noticed I labelled the structure of the scale in tones and semitones. T = tone S = semitone T1/2 = minor 3rd/augmented 2nd interval (3 semitones)
C, E-flat, G and B-flat - which are the notes in a C minor seventh.
To turn a major scale to natural minor, lower the third, sixth, and seventh scale tones a half step. To create a natural minor scale from scratch, it is: whole step, half step, whole step, whole step, half step, whole step, whole step. A harmonic minor scale has a seventh raised by a half step above a natural minor scale. A melodic minor scale has a sixth and a seventh raised by a half step above a natural minor scale.