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Each of the categories described above includes a huge range of narrower critical approaches. Even so, one often finds that elements of the two broad categories inform criticism based on the other approach. Film reviews, for instance, will sometimes take up political or sociological concerns in the course of issuing formal-aesthetic judgements. (This is not to mention the idea that choosing a formal-aesthetic approach to film necessarily is itself a decision with ideological implications.) Conversely, just as ideological analysis of poetry frequently employs formalist terms such as metaphor and theme, sociological-ideological analysis of film will often make reference to shots, cuts, and other building blocks of formal films analysis.

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