A trochee is a metrical foot in poetry, consisting of a stressed syllable followed by an unstressed syllable. It is the opposite of an iamb, which has an unstressed syllable followed by a stressed syllable. Trochees are commonly found in nursery rhymes and have a strong, driving rhythm.
The term is "iamb." It is a metrical foot in poetry consisting of one unstressed syllable followed by one stressed syllable, such as in the word "begin."
An iambic foot consists of one unstressed syllable followed by one stressed syllable. It is the most common metrical foot in English poetry.
In poetry, "foot" refers to the basic unit of meter, which is the pattern of stressed and unstressed syllables in a line of verse. Common types of feet include iambic (unstressed, stressed) and trochaic (stressed, unstressed). By analyzing the feet in a poem, one can determine its meter and overall rhythmic structure.
The term is "foot." In poetry, a foot is a basic unit of meter consisting of a combination of stressed and unstressed syllables. Common types of feet include iamb, trochee, anapest, dactyl, and spondee.
it is when the meter starts with stress then unstress, as opposed to unstress, stressed which is iambic.
The word "typewriter" is a trochee, as it has a stressed syllable followed by an unstressed syllable: TYPE-writer.
Trochaic tetrameter is a meter in poetry. It refers to a line of fourtrochaicfeet. The word "tetrameter" simply means that the poem has four trochees. A trochee is a long syllable, or stressed syllable, followed by a short, or unstressed, one.
Yes
This is True
Two
Is it two syllables long? All trochees are two syllables long and only two. And the first syllable needs to be accented. Brian is a trochee. Sarah is a trochee. Romeo and Juliet are dactyls (three syllables long, first syllable accented)
According to http://www.cranberrydesigns.com/poetry/glossary.htm, trochaic inversionInserting a trochee (foot with stressed/unstressed pattern) into a line that is written with iambic meter. A trochaic inversion can serve to provide relief from the weak-strong pattern of iamb. It can also serve to reverse expectations or the flow of the poem. Here is an example of a trochaic inversion (the trochee is bolded): "Lillies that fester, smell far worse than weeds."