Bb D F Ab
His main concern after leaving BB7 was to get his life back to normal while keeping Nikki happy, now that she's out of the picture he is apparently focusing on his band.
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Bb Bb7 Eb Ebm7
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The chords for the song Bless This House are FM, Eb, Ebmaj7, Gm and G#. The other chords are Bb7, G, F, Ddim.
This depends on the chords of the song you are playing, and the style you wish to portray. For the most part, you will be using a different scale for each chord that you play. For now, let's keep it simple and start with the blues progression. (A progression is just the series of chords used in a song) For a blues progression, you would want to start by being able to improvise with the blues scale. What's nice about the blues scale is that all of the notes work over all of the chords in the blues progression, so you never play a wrong note. Play around with that, get comfortable phrasing your solo and building your solo, and once that becomes nice and easy, it's time for the next step. The next step is using a different scale for each chord. For a blues progression, we're going to use a "dominant scale," (but we're going to use it in three different keys.) A "dominant scale" is much like a major scale, except the seventh note is flat. So, we would get: 1 2 3 4 5 6 b7 (b = flat sign). A Bb "dominant" scale would be spelled like this: Bb C D Eb F G Ab Bb. The "A" would be natural in a major scale, but here we have flatted it because it's a dominant scale. You're going to use this scale whenever the chord is a Bb7 chord. Here is a look at a simple blues progression (there are many versions, this is the simplest): Bb7 | Bb7 | Bb7 | Bb7 Eb7 | Eb7 | Bb7 | Bb7 F7 | Eb7 | Bb7 | Bb7 But, as you can see, there are two other chords here: Eb7 and F7. When you see those, you will also play a dominant scale, but it's going to start on the root note of the chord (either Eb or F). Here is an Eb dominant scale: Eb F G Ab Bb C Db Eb. Again, the seventh scale degree is flatted from an Eb major scale, which has D natural. Only use this scale when the chord is an Eb7 chord. Here is an F dominant scale: F G A Bb C D Eb F. Again, the seventh scale degree is flatted from an F major scale, which has E natural. Only use this scale when the chord is an F7 chord. Here is a list of dominant scales, so you have a reference if you are playing in other keys: F7: F G A Bb C D Eb F Bb7: Bb C D Eb F G Ab Bb Eb7: Eb F G Ab Bb C Db Eb Ab7: Ab Bb C Db Eb F Gb Ab Db7: Db Eb F Gb Ab Bb Cb Db Gb7: Gb Ab Bb Cb Db Eb Fb Gb B7: B C# D# E F# G# A B E7: E F# G# A B C# D E A7: A B C# D E F# G A D7: D E F# G A B C D G7: G A B C D E F G C7: C D E F G A Bb C NOTE: The dominant scale is only used on a dominant chord, which just has a "7" after the note name. All of chords mentioned above are dominant chords, because they all have a "7" after the letter name. Other chords have different qualities, and thus a different scale. Here are a few formulas to apply to other chords. For simplicity, the example chords are all in C. Cmin7, C-7, Cm7 (all mean C minor): 1 2 b3 4 5 6 b7 1 (notice that a 6 is not flat, like in a natural minor scale. This is called "dorian minor") CM7, C∆7 (all mean C major): 1 2 3 4 5 6 7 1 (notice it's just a major scale, but you can also try a #4 instead of a 4) NOTE: in some styles, such as "free jazz" you can literally play any notes you want. It is recommended you learn to use these scales and master them first, and then you can experiment.
I am not quite sure but I think its like this:F7/F7/F7/F7/Bb/Bbm/F7/Am/Dm/Bb7(??)/F/Bb/F/C7write me backpeck23462@yahoo.com
the different kinds of classified notes are ascending notes ,descending notes,contrary moving notes,reapeated notes,tie notes and slur notes.
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