A garden fairy princess and a bumpkin who has been turned into a donkey.
he thinks he is a silly man, and is not traeted right by his family, so they care for him and think he is an un intellegent man... hope that helps
Shakespeare did not as a rule write "stories". He took other people's stories and made them into plays and poems. There are only two of the plays and none of the poems which have a plot which was not lifted from something else: The Tempest and A Midsummer Night's Dream. Midsummer Night's Dream is the earlier.
Juxtaposition in "A Midsummer Night's Dream" refers to the deliberate placement of contrasting elements near each other. For example, the play contrasts the fairy world with the human world, highlighting themes of order versus chaos, appearance versus reality, and rationality versus irrationality. This technique adds depth and complexity to the play by emphasizing the tension between these contrasting elements.
A lot of people think that Bottom is the most important role in A Midsummer Night's Dream, but it is really more of an ensemble play. The plotlines are balanced against each other and the play would be skewed if the director focussed more attention on just one character.
Titania and Oberon and all the other fairies.
Shakespeare mostly retold stories other people had written down. The only stories which appear to have been original are the plots of The Tempest and A Midsummer Night's Dream.
Lysander and Demetrius want to fight each other to find out who will get Helena. Puck creates a fog so they can't see each other, leads them to different places, and puts them to sleep. The antidote is applied to Lysander's eyes so when they wake up the fight is forgotten.
At the start of "A Midsummer Night's Dream," the two lovers who are in love with each other are Hermia and Lysander. They face obstacles due to Hermia's father's disapproval of their relationship and end up becoming entangled in the magical forest mischief orchestrated by Oberon and Puck.
Romeo and Juliet and A Midsummer Night's Dream are like partner plays: they are written in a similar style and there are many similarities between them. But it is as if they are mirror images of each other. R&J is a tragedy; Dream is a comedy. Dream uses the Pyramus and Thisbe story as a source of amusement; the tragic story of Romeo and Juliet is a similar story. On the other hand, in R&J, the story of the fairies (Queen Mab) is a dream, but in Dream, the fairies are the reality. In Dream, the law, after threatening to separate the lovers, allows them to unite; in R&J it pushes them apart.
For that matter, who is the protagonist of A Midsummer Night's Dream? Oberon? Bottom? Lysander? Hermia? It is not a play which lends itself to analysis using the protagonist/antagonist paradigm. The best answer is simply that there is no single Protagonist or Antagonist in the play. In every scene, different characters balance and contrast with each other.
Richard Wagner, the music is from "A Midsummer Night's Dream". The usual recessional used at weddings is from "Lohengrin" and was written by Felix Mendelssohn. It's the other way round. Wagner wrote the music known as 'Here comes the bride' and Mendelssohn's Wedding March is from his incidental music to A Midsummer Night's Dream
At the beginning of A Midsummer Night's Dream they are angry with each other as they both want to have the same boy. It's kind of a custody dispute.