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What was the doctrine of affections?

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Anonymous

12y ago
Updated: 12/29/2022

The Doctrine of the Affections is the Baroque idea that only one specific feeling should be communicated throughout a piece of music.

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Magali Herman

Lvl 13
2y ago

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Related Questions

How was The Doctrine of the Affections best described as?

Doctrine of the Affections


The Baroque idea that only one feeling should be communicated in a piece of music is known as the Doctrine of the?

Yes, it is known as The Doctrine of the Affections.


What best describes Doctrine of the Affections is best describe as?

The Doctrine of the Affections was a theory in Baroque music that linked musical expression to specific emotional states or "affections." Composers used various musical elements like harmony, rhythm, and melody to evoke specific emotions in their listeners.


What did the Doctrine of the Affections refer to?

The Doctrine of the Affections was an elaborate theory based on the idea that the passion could be represented by their outward visible or audible signs. It first came to general prominence in the mid 17th century among French scholar critics.


The Doctrine of the Affections was a popular theory in the era.?

Baroque


The Doctrine of the Affections was a popular theory in the what era?

This is as theory in musical aesthetics widely accepted by the Baroque composers in the Baroque era. The "Doctrine of the Affections" was first promulgated at the end of the Renaissance. It is the result of many minds at work so it couldn't be attributed to a sigle writer.


When was Religious Affections created?

Religious Affections was created in 1746.


When was Special Affections created?

Special Affections was created in 2009.


When was Equal Affections created?

Equal Affections was created in 1989.


The Baroque idea that should a piece of music should communicate one is called the Doctrine of the Affections?

emotion, feeling


In which recounts how where is the object of the narrators affections held prisoner?

The object of the narrators affections are held in his/her fantasy.


In which recounts how where is the object of the narrator's affections held prisoner?

The object of the narrators affections are held in his/her fantasy.