I have been trying to find that too!
He was working on other pieces at the same time, and those four operas have a combined running time of 15 hours.
Popular operas written in England were often referred to as "English operas" or "ballad operas." One of the most notable examples is John Gay's "The Beggar's Opera," which premiered in 1728 and combined spoken dialogue with songs. These works typically incorporated English themes and folk music elements, distinguishing them from the more formal Italian operas of the time. The genre gained popularity in the 18th century, leading to the development of a unique operatic tradition in England.
yes, they have operas in Italy just as they have operas in every other country. In fact you can see which operas are scheduled on the site below.
Johann Adolf Hasse has written: 'Alcides an der Doppel-Strasse' -- subject(s): Librettos, Operas 'Egeria' -- subject(s): Librettos, Operas 'Soliman' -- subject(s): Librettos, Operas 'Arminio' -- subject(s): Librettos, Operas 'L'Ipermestra' -- subject(s): Ballets, Librettos, Operas 'Miserere, for S.S.A.A. voices and string orchestra' -- subject(s): 51st Psalm, Choruses, Sacred (Women's voices, 4 parts) with string orchestra, Psalms (Music), Vocal scores with piano 'Il Ruggiero, o vero, L'eroica gratitudine' -- subject(s): Librettos, Operas 'Alessandro nell'Indie' -- subject(s): Librettos, Operas 'Il trionfo di Clelia' -- subject(s): Ballets, Librettos, Operas 'Demetrio' -- subject(s): Ballets, Librettos, Operas 'Viriate' -- subject(s): Librettos, Operas 'Cajus Fabritius' -- subject(s): Librettos, Operas 'Alfonso' -- subject(s): Ballets, Librettos, Operas 'Il Demetrio' -- subject(s): Librettos, Operas 'Artaxerxes' -- subject(s): Librettos, Operas 'Alcide al bivio' -- subject(s): Librettos, Operas 'Adriano in Siria' -- subject(s): Librettos, Operas 'Asteria' -- subject(s): Ballets, Librettos, Operas 'Euristeo' -- subject(s): Librettos, Operas 'Leucippus' -- subject(s): Librettos, Operas 'Artaserse' -- subject(s): Librettos, Operas 'Solimano' -- subject(s): Librettos, Operas 'Eurimedonte, e Timocleone, ovvero, I rivali delusi' -- subject(s): Librettos, Operas 'Das Olympische Spiel' -- subject(s): Librettos, Operas 'L'opera Semiramis reconnue' -- subject(s): Librettos, Operas 'Parthenope' -- subject(s): Librettos, Operas 'Alfonso' -- subject(s): Librettos, Operas 'Romolo, ed Ersilia' -- subject(s): Librettos, Operas
Handel's operas were typically based on classical mythology, historical events, and biblical stories. They often featured dramatic narratives with themes of love, betrayal, and heroism, drawing inspiration from works by renowned poets and playwrights of his time. Handel’s operas combined elaborate music with rich character development, making them both entertaining and emotionally resonant. Notable examples include "Giulio Cesare" and "Rinaldo."
One of Rossini's operas is the Barber of Seville.
Operas composed by other composed are not Puccini operas.
Graham Whettam has written: 'Oboe quartet' -- subject(s): Quartets (Oboe, violin, viola, violoncello) 'The chef who wanted to rule the world' -- subject(s): Operas, Juvenile 'Prelude, allegro, and postlude, for flute, oboe, and piano' -- subject(s): Trios (Piano, flute, oboe)
Gaetano Latilla has written: 'Siroe' -- subject(s): Ballets, Librettos, Operas 'La pastorella al soglio' -- subject(s): Librettos, Operas 'Gl'Ingannati' -- subject(s): Librettos, Operas 'Ciana' -- subject(s): Librettos, Operas 'Il vecchio amante' -- subject(s): Librettos, Operas 'L'ambizione delusa' -- subject(s): Librettos, Operas 'Amore in Tarantola' -- subject(s): Librettos, Operas 'The favourite songs in the opera call'd Don Calascione' -- subject(s): Operas, Scores 'L'isola d'amore' -- subject(s): Librettos, Operas 'Demofoonte' -- subject(s): Librettos, Operas 'Madama Ciana' -- subject(s): Librettos, Operas
Pasquale Anfossi has written: 'L'orfanella americana' -- subject(s): Librettos, Operas 'Ezio' -- subject(s): Ballets, Librettos, Operas 'La vedova bizzarra' -- subject(s): Librettos, Operas 'Die Eifersucht auf der Probe' -- subject(s): Librettos, Operas 'Il geloso in cimento' -- subject(s): Ballets, Librettos, Operas, Scenarios 'I viaggiatori felici' -- subject(s): Librettos, Operas 'L'avaro' -- subject(s): Librettos, Operas 'Lo sposo per equivoco' -- subject(s): Librettos, Operas 'Isabella, e Rodrigo, o sia, La costanza in amore' -- subject(s): Librettos, Operas 'L'amante confuso' -- subject(s): Librettos, Operas 'L'americana in Olanda' -- subject(s): Librettos, Operas '(Negli elisi ombra onorata)' 'Antigono' -- subject(s): Ballets, Librettos, Operas, Scenarios 'Il matrimonio per inganno' -- subject(s): Librettos, Operas 'Demofoonte' -- subject(s): Ballets, Librettos, Operas 'Gengis-Kan' -- subject(s): Librettos, Operas 'L'olimpiade' -- subject(s): Ballets, Librettos, Operas, Scenarios 'Azor re di Kiginga' -- subject(s): Ballets, Librettos, Operas, Scenarios 'Le gelosie fortunate' -- subject(s): Ballets, Librettos, Operas 'Die Heyrath durch Betrug' -- subject(s): Librettos, Operas 'Die Narrheiten der Eifersucht' -- subject(s): Librettos, Operas 'La maga Circe' -- subject(s): Librettos, Operas
Both are filled with Drama. And normally people in operas sing more than they actually talk.
Johann Gottlieb Naumann has written: 'Solimano' -- subject(s): Ballets, Librettos, Operas 'Elise' -- subject(s): Librettos, Operas 'Medea in Colchis' -- subject(s): Librettos, Operas 'Gustav Wasa' -- subject(s): Librettos, Operas 'Der Hypochondriste' -- subject(s): Librettos, Operas '(Se mai vedi)' 'Amphion' -- subject(s): Librettos, Operas 'Orpheus og Euridice' -- subject(s): Librettos, Operas 'Orpheus und Euridice' -- subject(s): Librettos, Operas 'Die Burg Hymens' -- subject(s): Librettos, Operas 'Text zum Vater Unser' -- subject(s): Choruses, Sacred (Mixed voices) with orchestra, Librettos 'Protesilaus' -- subject(s): Librettos, Operas 'Cora' -- subject(s): Librettos, Operas 'Elskovs magt' -- subject(s): Librettos, Operas 'L'isola disabitata' -- subject(s): Librettos, Operas