it is used in chapter 9 on the 3rd line
mr. hyde
Mr. Hyde
He isn't given the choice. He want to become Dr. Jekyll perminantly but keeps reverting to Hyde.
The meeting with Mr. Utterson was in the street in front of Mr. Hyde's home
he is worried about his friend mr jekyll since he knows dr.jekyll has willed everything to hyde and he sees what an awful person hyde is
One example of pathetic fallacy in Jekyll and Hyde is the description of London's fog mirroring the sinister and mysterious nature of Mr. Hyde. Another example is the stormy weather that accompanies the murder of Sir Danvers Carew, reflecting the violence of the act. These instances of nature reflecting the emotional turmoil and darkness in the story enhance the overall atmosphere of the novella.
Pathetic fallacy is used in "Jane Eyre" when Jane is experiencing intense emotions, and the weather mirrors her feelings, such as the stormy weather reflecting her inner turmoil when Mr. Rochester's secret is revealed. Another example is when the misty and gloomy weather mirrors Jane's sense of isolation and uncertainty at Thornfield Hall.
mr. hyde
Mr. Hyde of course.
Mr. Hyde
hyde would probly win also which mr hyde is it
In "Dr. Jekyll and Mr. Hyde," the sawbones refer to the medical doctors or surgeons who work on Mr. Hyde after he is involved in an accident or altercation. They are mentioned when Mr. Hyde is injured and treated for his wounds.
Mr. Hyde shrank back in horror when he looked at the transformed face of Mr. Hyde in the mirror. This caused Mr. Hyde to recoil with a hissing intake of breath.
In the street in front of Mr. Hyde's home.
He isn't given the choice. He want to become Dr. Jekyll perminantly but keeps reverting to Hyde.
The meeting with Mr. Utterson was in the street in front of Mr. Hyde's home
Mr. Hyde plays the role of Dr. Jekyll's darker, more sinister alter ego in "The Strange Case of Dr. Jekyll and Mr. Hyde." He represents the hidden, evil side of Dr. Jekyll's personality that emerges when he takes a potion to transform into Mr. Hyde.