Bette Davis
Lauren Bacall. They were married after a time. When she first met him on the set she was about 19 years old and they had an affair that lasted several years until his divorce. They were married when he died.
Humphrey Bogart played roles that created the "anti-hero" theme. He often played in films where he played the roles of macho man and often was a "good criminal" as his role in the famed Casablanca film displays. There is is a casino owner, an American, and one to break or circumvent authority.
In "Miguel Street" by V.S. Naipaul, Bogart is a character who embodies a sense of charisma and confidence, modeled after the Hollywood actor Humphrey Bogart. He is known for his dramatic persona and aspirations, often engaging in storytelling and captivating the local community with his tales. Bogart's character represents the allure of ambition and the complexities of identity within the vibrant setting of Miguel Street, reflecting both dreams and disappointments.
Humphrey Bogart had a distinctive voice characterized by a gravelly tone and a slight drawl, which conveyed both toughness and vulnerability. His delivery was often marked by a measured, clipped cadence that added to his iconic tough-guy persona. This unique vocal quality, combined with his expressive intonations, made his performances memorable and contributed to his status as a legendary actor in film noir and classic cinema.
No, Humphrey Bogart and Lauren Bacall never divorced. They were married on May 21, 1945, and remained together until Bogart's death on January 14, 1957. Their relationship was marked by deep affection and mutual respect, and they worked together on several films during their marriage. Bacall often spoke fondly of their time together and the bond they shared.
This verb comes from the fact that very often in his movies Humphrey Bogart is seen with a cigarette in his mouth, and usually it stays there a long time. So "bogart" became a verb meaning to hold onto something a long time, especially when others are waiting to share. In the 1960s the term was often used among marijuana smokers, who might ask someone who was taking too long before passing on a lit reefer: "Hey, don't bogart that joint!" In the sixties film "Easy Rider" a soundtrack song made that usage popular; it in fact was titled "Don't Bogart That Joint, My Friend." For more information on "bogart" see the link provided below.
Taken from the Urban Dictionary: (slang verb) To keep something all for oneself, thus depriving anyone else of having any. A slang term derived from the last name of famous actor Humphrey Bogart because he often kept a cigarette in the corner of his mouth, seemingly never actually drawing on it or smoking it. Often used with weed or joints but can be applied to anything. In other words, puff puff give.
Humphrey Bogart played the role of Sam Spade in the classic film "The Maltese Falcon," released in 1941. His portrayal of the hard-boiled private detective is considered one of his most iconic performances and significantly contributed to the film's success. The movie, directed by John Huston, is often regarded as a landmark in the film noir genre.
A Bogart fence post is a sturdy, often wooden post used in the construction of fences, especially in rural or agricultural settings. The term may also refer to a specific style or design of fence post that is particularly durable or weather-resistant. The name "Bogart" is not widely recognized in common fencing terminology, so it may refer to a regional or local variation.
Jean Humphrey is known for her books on leadership and personal development, including "The Peter Principle" and "The Art of Managing People." Her works often explore topics related to organizational behavior and management principles.
Muriel Miller Humphrey has written various books on self-help, personal growth, and emotional healing. Some of her notable works include "The Power of Positive Thinking in Business" and "Guide to Emotional Healing." Humphrey's writings often focus on empowerment and overcoming challenges.
Humphrey Ploughjogger was an archetype of the naive country bumpkin. He was often portrayed as simple-minded, gullible, and easily duped by others, reflecting common stereotypes of rural folk in literature.