Generally, a minor chord has a darker sound.
Lighter, happier, and bouncy music go with major scale. Dark, scary terrifying, and sad music go with minor scales.
A minor chord is major third on top of a minor third. to make a minor chord take a major chord and move the middle note down a half step
The note names in a major chord and a minor chord are the same. The only difference is the flattened third. F major chord is F A C where f minor is F Ab C.
Depends on the chords you are talking about. Major chords have a major third then a minor chord Minor chords have a minor third and then a major chord Augmented chords have two major thirds Diminished chords have two minor thirds
No.
It depends on context. If the piece continues in minor after the major chord, it was probably a half cadence on a major V chord. If the very last chord of a minor piece is major, that's called a Picardy 3rd.
Firstly, there is no B minor chord in the key of F sharp minor. Rather, it is A sharp minor chord. And you can use any chord at the end of a chord progression. Why not!
Typically, the note of the scale that you are on will be the chord that you play. 1 major 2 minor 3 minor 4 major 5 dominant seventh 6 minor 7 diminished
Yes. The lowercase is minor and the uppercase is major.
- Introduction: D#m (D Sharp Minor) |The Original Chord| / G# (G Sharp Major) |2'nd Chord| / B (B Flat Major) |3'rd Chord| / D#m (D Sharp Minor) |THEN BACK to the "Original Chord"| Repeat 2x + 6x in the Lyrics - Chorus: - Back to: D#m (D Sharp Minor) |The Original Chord| / G# (G Sharp Major) |2'nd Chord| / B (B Flat Major) |3'rd Chord| / D#m (D Sharp Minor) |THEN BACK to the "Original Chord"| (Instrumental) - Back to: D#m (D Sharp Minor) |The Original Chord| / G# (G Sharp Major) |2'nd Chord| / B (B Flat Major) |3'rd Chord| / D#m (D Sharp Minor) |THEN BACK to the "Original Chord"| -Back to Lyrics chords: D#m (D Sharp Minor) |The Original Chord| / G# (G Sharp Major) |2'nd Chord| / B (B Flat Major) |3'rd Chord| / D#m (D Sharp Minor) |THEN BACK to the "Original Chord"| Repeat 4x -Back to Chorus: F# (F Sharp Major this time) G#m (G Sharp MINOR This Time) |2'nd Cord| B (B Flat Major) |3'rd Chord| F# (F Sharp Major) (Back to F Sharp Major) Repeat 4x this time - BRIDGE: C# (C Sharp Major) / (Very QUICK switch from "C sharp major to D#m (D Sharp Minor which is the 2'nd chord) (Hold that note for a little longer as the song goes) (Then switch to "F#m" F Sharp "Major" then quickly go to: "G# (G Sharp Major) |then hold that note|. B (B Flat Major) |then hold that note as well| Then Back to the original chord to hold again: Which is: "D#m (D Sharp Minor) - Back to Instrumental: D#m (D Sharp Minor) |The Original Chord| / G# (G Sharp Major) |2'nd Chord| / B (B Flat Major) |3'rd Chord| / D#m (D Sharp Minor) |THEN BACK to the "Original Chord"| Repeat 2x - Back to Chorus: D#m (D Sharp Minor) |The Original Chord| / G# (G Sharp Major) |2'nd Chord| / B (B Flat Major) |3'rd Chord| / D#m (D Sharp Minor) |THEN BACK to the "Original Chord"| Repeat 4x this time! I hope this helps! Thanks! -Patrick! (ZitranzaTLK) Keyboardist/ Musician!
play a major chord (which im sure you know how to do) and then flatten the mediant
There are two main triad types (chords) that contain a perfect fifth between the root and the fifth: the major chord and the minor chord. The major chord is created by starting with a note (the root), adding a major third on top of that, and adding a minor third on top of that note. A C major chord would look like this: C, E, G (with the E and the G stacked on top of the C). The minor chord is created by starting with a note (again, the root), adding a minor third, and then adding a major third--just the opposite of a major chord. A C minor chord would look like this: C, Eb (E-flat), G.