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1-3-5 of a major scale make up the tonic CHORD.

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15y ago

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What degrees of the scale are used in building the major triad?

A major triad is constructed using the first (root), third, and fifth degrees of the major scale. For example, in the C major scale, the notes C (root), E (third), and G (fifth) form the C major triad. This combination creates a harmonious and stable sound characteristic of major chords.


What two scale degrees of a major scale is the interval of a tritone found.?

The interval of a tritone in a major scale is found between the fourth and seventh scale degrees. For example, in the C major scale, the fourth degree is F and the seventh degree is B, which form a tritone interval. This interval can also be described as the augmented fourth or diminished fifth, depending on the context.


Why do you think that this is called a scale of C major?

C major scale has no sharps or flats, and it starts on the C note (assuming, of course, that the scale is starting on the tonic). The scale of a minor also lacks sharps and flats, but can be differentiated from C major by the fact that it starts on an A note (assuming, once again, that the scale is starting on the tonic), and it has a raised 7th note.It should also be noted that a minor scale has three different forms: natural, melodic, and harmonic. The natural form does not have any raised or lowered notes - which makes it the same as C major in terms of notation. However, that being said, it should be safe to assume that a scale that lacks sharps and flats, and which starts on the C note is, in fact, C majorscale.


What tonic triad consists of?

A tonic triad consists of three notes that form the basic chord of a key, typically built on the first scale degree. In a major key, it includes the root, major third, and perfect fifth, while in a minor key, it includes the root, minor third, and perfect fifth. For example, in C major, the tonic triad is C-E-G, and in A minor, it is A-C-E. This triad serves as the foundation for harmony and chord progressions in music.


What is the relationship between the tonic, supertonic, and mediant in music theory?

In music theory, the tonic is the first note of a scale, the supertonic is the second note, and the mediant is the third note. They are related because they form the foundation of the scale and help establish the key of a piece of music.


What notes are used to form major chords?

The tonic, the submediant and the dominant (1, 3 and 5).


When using tonic sol-fa what is the minor scale equivalent eg doh ray mi what is the minor form of mi?

Me (pronounced may)


Which kind of harmony did cklassical era composers prfer?

They preferred tonic-dominant-tonic (I - V - I) harmony.


What are the characteristics of the harmonic and melodic forms of the natural minor scale?

The harmonic form of the natural minor scale raises the seventh note by a half step to create a stronger resolution to the tonic. The melodic form raises the sixth and seventh notes when ascending, but reverts to the natural minor scale when descending.


How many notes are needed form diatonic scale?

Diatonic scales contain 7 different notes, usually topped by the tonic note doubled at the octave.


What do tonic subdominant and dominant mean?

In music theory, the tonic is the home note or chord of a key, providing a sense of resolution and stability. The subdominant is the fourth scale degree, which creates tension that typically resolves to the dominant, the fifth scale degree, which further heightens the tension before returning to the tonic. Together, these three chords form the basis of many harmonic progressions, creating movement and emotional depth in music.


Which form of the minor scale have you used?

The form of the minor scale I have used is the natural minor scale, which follows the pattern of whole and half steps as W-H-W-W-H-W-W. This scale has a distinct sound characterized by its flattened third, sixth, and seventh degrees compared to the major scale. Additionally, the harmonic minor scale, which raises the seventh degree, is often used to create tension and resolve in classical and contemporary music.