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One example of a figure of speech used extensively by Langston Hughes in the poem "I, Too, Sing America" is personification, as he personifies America as a person who will one day acknowledge and include him. Additionally, symbolism is prevalent in the poem, with the dining room representing equality and justice that the speaker will one day experience.
There is no record of Langston Hughes being arrested during his lifetime. Hughes was a prominent figure in the Harlem Renaissance and a respected poet and writer who focused on the experiences of African Americans in his work.
all the above.
No, Langston Hughes was a male American poet, author, and civil rights activist. He was a prominent figure in the Harlem Renaissance, known for his impactful contributions to American literature.
Langston Hughes had a strong relationship with his paternal grandmother, Mary Sampson Patterson Leary Langston. She was an influential figure in his life, instilling in him a love for literature and a sense of pride in his African American heritage. Langston often credited his grandmother for nurturing his passion for writing and poetry.
You could ask about his inspiration for writing, his experiences as a prominent figure in the Harlem Renaissance, or his thoughts on race, identity, and social justice in America.
Langston Hughes's last poem was "Horn of Plenty," published posthumously in 1976. It reflects on themes of identity, race, and the struggle for equality. Hughes was a prominent figure in the Harlem Renaissance and his work continues to be celebrated for its impact on literature and social justice.
The poet who was born on February 21, 1927 in Joplin, Missouri was James Mercer Langston Hughes, known as Langston Hughes. He was a prominent figure during the Harlem Renaissance and is best known for his poetry and contributions to African American literature.
Langston Hughes was an influential American poet, social activist, novelist, and playwright. He was a key figure in the Harlem Renaissance, a period of cultural and artistic flourishing among African Americans in the 1920s and 1930s. Hughes' works often explored themes of African American identity, racism, and the struggles of marginalized communities.
Langston Hughes was fluent in English and also had a working knowledge of French and Spanish. He was a prominent figure in the Harlem Renaissance and used his multilingual abilities to incorporate various cultural influences into his writing.
Yes Langston Hughes was a slave.
Langston Hughes wrote the poem titled "Yes, Yes." Hughes was a prominent figure in the Harlem Renaissance and known for his impactful poetry and writings that addressed issues of race and social justice in America.
"Madam and Her Madam" by Langston Hughes was first published in 1925 in the magazine "The Crisis." Hughes was a prominent figure in the Harlem Renaissance, a cultural movement in the 1920s and 1930s that celebrated African American heritage through art and literature.