A minor
J.S. Bach's cantata "Wachet auf, ruft uns die Stimme" (BWV 140) is primarily in the key of E-flat major. This key contributes to the cantata's overall joyful and hopeful character, reflecting its themes of vigilance and readiness for the coming of the Lord. The work is structured around a chorale and features various movements that highlight both vocal and instrumental sections.
Just one, but we know two versions of it. The first one was written for Christmas, 1723. It included several movements in German, between the traditional Latin verses (BWV 243a). In 1731 or 1733, he took out the German parts and changed the key and some instruments (BWV 243). That is the version that is more often performed today.
Bach's "Little Fugue in G minor," BWV 578, is characterized by its intricate polyphony and counterpoint, showcasing Bach's mastery of fugue form. The piece opens with a clear and memorable subject introduced by the organ, which is then developed and imitated throughout the various voices. It features a range of dynamics and rhythmic variations, creating a sense of movement and tension. The overall mood is reflective and somewhat somber, typical of the minor key.
Key of E flat major.
C minor
Indeed, Bach was not only a Baroque organist, but a harpsichordist, violist, violinist, and key composer of this period.
Every key. C-sharp Major!
Every key. C-sharp Major!
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His most famous aria is his Air on the G string. While Bach's Air on the G String (a piece from his Orchestral Suite No. 3 in D major, transposed to the key of G) is very popular, it probably wouldn't qualify as an aria.
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Bach's A minor violin concerto is known for its intricate melodies, technical challenges, and emotional depth. It is significant in the history of music as one of the first solo violin concertos ever written. Bach's innovative use of the solo violin as a prominent voice within the concerto form influenced later composers and helped establish the concerto as a popular genre in classical music.