It is really going to depend on where a persons interests lie if they find Impressionism art classes or Renaissance art classes more interesting. Personally I find Renaissance more interesting because I am interested in that era and style of art.
No, he was a Renaissance painter, more than 300 years before Impressionism.
Romanic, gothic, renaissance, mannerism, baroque, rococo, neoclassicism, romanticism, impressionism, postimpressionism, pointillism, symbolism, synthetism,intimism, art nouveau, expressionism, fauvism. There are more.
I do not think this statement is true. Cubism is well known, but so are other movements. I believe more people know about (and like) Impressionism. Probably also Italian Renaissance.
During the Renaissance period, the majority of the population was illiterate. Literacy rates varied across social classes, with the nobility and clergy being more likely to be literate compared to peasants and commoners. Education was often reserved for the wealthy and privileged, while the lower classes had limited access to schooling.
Post-Impressionism started out in the 1910 by the art critic Roger Fry when he was starting an exhibition in the Grafton Gallery. Post impressionism is a famous art movement which followed quickly after Impressionism.
moreinteresting most interesting
It was not at the time, but today more people appreciate impressionism than any other style of the late 19th century.
more interesting, most interesting
Positive, comparative and superlative are: Interesting, more interesting and most interesting.
Georges Seurat termed his technique Neo-impressionism. More often we refer to it as pointillism. He applied paint in small dots. If you Google "Seurat" you can read more about him and his followers, e.g. Paul Signac.
Italy was more urbanised, commercial and economically advanced that the rest of Europe. It had larger classes of bankers, merchants and manufacturing workshop employees The aristocracy was mainly an urban class, rather than a rural one as elsewhere in Europe.
art was more realistic in the renaissance.