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Who was the mean singer from Phantom of the Opera who was mean to Christine?
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∙ 11y ago
La Carlotta played by Minnie Driver.
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∙ 11y ago
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Which came first- The Phantom of the opera or Sweeney todd?
Films wise- The Phantom of the Opera 1925 with Lon Chaney.If you mean historical Sweeney Todd in fiction has been around a long long time as far back in the Victorian penny dreadful The String of Pearls (1846-1847)Gaston Leroux's Phantom of the Opera 1910.If you mean rock opera Phantom of Paradise 1974 which was the first musical made into a film.In Stephen Sondheim's 1979 stage musical, Sweeney Todd: The Demon Barber of Fleet Street.In Andrew Lloyd Webber's 1988 stage musical Phantom of the Opera with Michael Crawford as the Phantom.
What happened to the You tube Michael Crawford Phantom of the opera videos?
Official Rug which plays on Youtube Michael Crawford's Phantom of the Opera Video are all present and working fine. If you mean private made, sometimes the owner takes them off youtube. The videos are usually made by the viewer in the audience of 1980s' Phantom of the Opera London or Broadway Stage the quality is not the best because not made by a professional and not having professional equipment.
What is another name for a female opera singer?
A diva or if you mean voice categories - Soprano, mezzo-soprano, contralto.
What is the theme for the phantom of the opera?
Themes Appearance and Reality The fact that The Phantom of the Opera takes place behind the scenes of the opera almost automatically draws readers' attention to the disparity between reality and appearances. Leroux gives backstage details, starting with the dancers who line up in the first chapter, gossiping, and continuing on to point out the backdrops and the business arrangements that few opera goers are allowed to see. Un-like most backstage stories, though, this novel also goes into details about the Paris opera house that few of the average workers would be aware of, such as the complicated system of tunnels underneath the building, with furnaces and prisons and hoards of rats and even a lake. Some of these details might be exaggerated from reality, but they are plausible as the reality of the novel. They clearly indicate that, as much as the sets and costumes create a false world on the stage, the opera house that visitors enter only reveals part of the story regarding what it takes to put on a grand spectacle. The phantom himself is also used as a symbol to represent the ways that reality and appearance differ. The most obvious example of this is, of course, the mask that he wears. When he is wearing his mask, Christine can believe that he is a poor, misunderstood man who has just not been given the attention he deserves. When he represents himself to her as the Spirit of Music, she responds to his musical gift and really does see him as angelic. Once she sees Erik without his mask, however, she is so horrified that she can never think fondly of him again. In addition to the phantom's looks, however, his whole existence is one big charade. He is greatly gifted, but his talents are in making voices seem to appear where no one is actually talking; in coming and going without being seen; in overhearing conversations that seem to be private; and in making people think that they see things that are impossible, as in when his torture chamber turns out to be a hall of illusions. He is known as a phantom for a reason: no one is ever really sure that he exists. Innocence The phantom's anger with the society that has rejected him is balanced in this novel with the simple innocence of the love between Christine Daaé and Raoul de Chagny. Christine's life story is surrounded by the sort of heartwarming and fantastic details that are common in fairy tales. Her father, for instance, is a kindly old soul and an incredibly talented musician. He fills her childhood with the sweet view of the world that is found in folk stories. Before he dies, he tells Christine that she will be watched over by the Spirit of Music, which at first serves to give her comfort but later, as is common with innocence carried into adulthood, causes her to fall victim to Erik, who uses his talent for ventriloquism to make her loyal to him. Mme. Valerius is another example of the innocence that surrounds Christine's life. She never questions that the younger woman is doing the right thing even when others doubt her, supplying a level of sweetness and naiveté that reflects on Christine's under-standing of the world. The romance between Christine and Raoul is particularly untouched by the harsher elements of reality. From their first meeting as children, when Raoul puts his life at risk in service to her as he swims out into the ocean to retrieve her scarf, to their chance meeting years later at the opera house when they recognize each other, they are true to each other. A few times, Raoul questions Christine about her purity, but he always accepts her word that such questions are misguided. Readers believe so firmly in the couple's innocence that, when the narrator has bystanders remark that it is scandalous for them to go into her dressing room together and close the door, it is the bystanders who seem ignorant of the reality of true love. Horror This book uses several standard horror elements to make the phantom threatening and mysterious. The most obvious of these is the opera house itself, with its high, shadowy ceilings and miles of tunnels beneath. When Raoul and Christine go up to the roof, they are among the swooping gables and heavy statuary that set the ominous mood in other works, such as The Hunchback of Notre Dame. In its cellars readers are introduced to fantastic sights that are hard to believe: legions of forgotten workers who never see the light of day or swarms of rats that are at the command of the Rat Catcher. The most distinct horror device is Erik's face. Though he is described as having a skin disease, its manifestation gives him the exact semblance of a skull, so that even as a young man he was able to travel to county fairs and bill himself as the living dead man. His eyes, too, are described as glowing in the dark, like a cat's. These details might be unlikely in the real world, but they are not at all out of place in a horror story. Topics For Further Study * Examine the history of the Paris Commune, which Leroux says lived in the jails upon which the Opera House was built. Find out how much the underground life led in the 1870s corresponds to the underground life that Raoul discovers while going to find the place where the phantom lives. * This story centers on the opera company's performance of Faust. Read a version of the Faust story and write a short play in which Erik and Faust meet, telling each other about their common experiences. * One of this story's conceits is that, through the use of ventriloquism, Erik is able to make it seem as if his voice is coming out of places that are far from where he is hiding. Prepare a report on ventriloquism: its capabilities, its shortcomings, and its greatest practitioners. In what ways would proficiency in ventriloquism help Erik in pretending to be the Opera ghost? * Study another opera house, either in person or on the Internet. Report on what areas behind and under the stage would be handy for this house to harbor its own phantom.
Does Taylor Swift's famous relatives?
Morgan Torp-Pedersen she's on facebook
Who are the star's in the Phantom of the Opera?
Well, I'm assuming that you mean the leads, which are the Phantom and Christine Daae.
What are all The Phantom of the Opera lyrics?
If you mean the title song sung after Angel of Music when Erik ( the Phantom) and Christine go through the mirror towards his...uh...cave...than here they are. Christine: In sleep he sang to me In dreams he came That voice which calls to me And speaks my name. And do I dream again? For now I find The Phantom of the Opera is there Inside my mind. Phantom: Sing once again with me Our strange duet; My power over you Grows stronger yet. And though you turn from me To glance behind, The Phantom of the Opera is there Inside your mind. Christine: Those who have seen your face Draw back in fear. I am the mask you wear, Erik: It's me they hear Erik and Christine: Your/my spirit and my/your voice In one combined; The Phantom of the Opera is there Inside my/your mind. Voices: He's there, The Phantom of the Opera. Beware The Phantom of the Opera. Erik: In all your fantasies, You always knew That man and mystery Christine: Were both in you. Erik and Christine: And in this labyrinth Where night is blind, The Phantom of the Opera is there In side my/your mind. Erik(spoken): Sing, my angel of music! Christine: He's there The Phantom of the Opera. Ah___________! Erik(spoken): Sing my angel, Sing! <(^.^)>Christine: Ah__________________________!! Erik(spoken, first time only): Sing for me! (Repeat back to Yoda...) Christine: Ah______________________________ Erik(spoken): ______________________!!! Sing, My angel of music! Christine: Ah____________________________!! Ah_________________________________!! Ah________________________________!! AHHH__________________________________________________!!!!!!!!!!!! Alright. If anyone wants lyrics for any of the other songs, improve this answer saying so, and I'll post them...Any other song...any...
An important lesson in the phantom of the opera and give some evidence?
Don't judge a book by it's cover! See how the phantom turned out? There is good in everyone. The phantom changed in the end of the musical. When you can sing Christine's last note in the phantom of the opera, It doesn't mean you can sing The music of the night in the phantoms octave. I've tried.
In the movie does the phantom die?
Yes in Gaston Leroux's Phantom of the Opera, he dies of a broken heart. Christine's kiss was too much for him, he never been kiss before. He decided to set her free, Raoul free, told her she can marry Raoul or anyone if she likes. Andrew Lloyd Webber's Musical Phantom of the Opera-No, the Phantom disappears. Lon Chaney's 1925 Phantom of the Opera, he is killed by the mob. Claude Rain's 1943 Phantom of the Opera, the cave's rocks falls on him. Other movies of the Phantom of the Opera will have their own ending to the Phantom.
What happened to Erik at the end of phantom of the opera?
Andrew Lloyd Webber's Musical Phantom of the Opera-At the end, the Phantom lets Christine go. Christine and Raoul actually leave the Phantom's lair together in the boat. The Phantom is left in his lair and is sitting in his throne and throws his cape over himself. When the mob enters the Phantom's lair they lift the cape but only his mask is there. The end.
Did Patrick Williams do his own singing in the Phantom of the opera?
Patrick Williams was not in the Phantom of the Opera on stage or film. If you mean Patrick Wilson, yes he sings his role as Raoul.
What is the Phantom of the Operas real name?
The phantom of the opera's real name is Erik, but if you mean his real real name then its Gerard Butler.
Which came first- The Phantom of the opera or Sweeney todd?
Films wise- The Phantom of the Opera 1925 with Lon Chaney.If you mean historical Sweeney Todd in fiction has been around a long long time as far back in the Victorian penny dreadful The String of Pearls (1846-1847)Gaston Leroux's Phantom of the Opera 1910.If you mean rock opera Phantom of Paradise 1974 which was the first musical made into a film.In Stephen Sondheim's 1979 stage musical, Sweeney Todd: The Demon Barber of Fleet Street.In Andrew Lloyd Webber's 1988 stage musical Phantom of the Opera with Michael Crawford as the Phantom.
Who was a famous opera singer early on?
That depends on what you mean by "early on".
Is phantom of the opera a non school movie why or why not?
Not really good for school, I mean, there's a lot of murder and passion. And obviously, the Phantom is "not handsome".
What is the incident in the Phantom of the Opera?
If by "incident" you mean plot, that's easy. La Carlotta (the star) quits and Christine Daae gets her big debut. She was receiving lessons from a man in the shadows. Her father, now deceased, said he would send her an angel of music. She believes this voice is her angel, but it is the Phantom. Raoul, an old friend of Christine's gets close to her again. He still has deep feelings for her. The Phantom, however, also had feelings for ms. Daae. The Phantom had grown up in the Opera House. It was his playground as a child, and the outlet for his musical soul in his later years. But, because of his horrible disfigurement, he dared not show his face. This Opera House was his entire world. He knew nothing of the world beyond. He wanted to help Christine's career take off, in hopes it would make her love him, despite his appearance. But she loved her childhood sweetheart, Raoul. The Phantom went crazy, kidnapping Christine. But, in the end, realizes she'll be much happier with Raoul, and lets them go, and disappears into oblivion. Years later, when Christine is dead. Raoul goes to her grave, and finds Erik has left a black rose upon her tombstone.
What is the longest running play in roadway?
If you mean Broadway (which I think you do) it's The Phantom of the Opera, The Lion King is at a close second
