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He did not write 12. He wrote 27. 12 in Op. 10, 12 in Op.25 and "Trois Neaveux Etudes". The first two sets are the most popular and the last is considerably easier than the 24 preceding it. Composers write etudes in the Romantic period as a way to show off their virtuosity and they are also short and expressive lyric or character pieces. They also often focus on one technical aspect, like double thirds, arpeggios, large intervals, etc. Chopin and Liszt are the more popular etude composers who transferred the etude from a dry exercise to an expressive device. Those etudes are favourites among virtuosos like Horowitz, Ashkenazy, Richter, Pollini and Ruberstein.

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