Because the sound of fundamentals is considered a horrible sound.
3. Which of the following composers sought to obtain a nonpercussive sound from the piano in his compositions?A. GlassB. DebussyC. EllingtonD.Ives3. Which of the following composers sought to obtain a nonpercussive sound from the piano in his compositions?A. GlassB. DebussyC. EllingtonD.Ives
one way i know of is because all good composers know that turtles like skittles
one way i know of is because all good composers know that turtles like skittles
Paraphrase
Bach. "Back to Bach" is the theme of the neoclassical movement.
3. Which of the following composers sought to obtain a nonpercussive sound from the piano in his compositions?A. GlassB. DebussyC. EllingtonD.Ives3. Which of the following composers sought to obtain a nonpercussive sound from the piano in his compositions?A. GlassB. DebussyC. EllingtonD.Ives
one way i know of is because all good composers know that turtles like skittles
one way i know of is because all good composers know that turtles like skittles
Paraphrase
Bach. "Back to Bach" is the theme of the neoclassical movement.
Ludwig van Beethoven, Frédéric Chopin, and Franz Liszt are famous composers known for their piano music. These composers have created some of the most iconic and influential piano compositions in classical music history.
Both Beethoven and Brahms were German composers and concert pianists. Both of these composers are considered as innovated in musical forms regarded to orchestra. Compositions of these two were for gigantic orchestras in comparison to symphonies of Mozart, Haydn etc.
Some famous male pianists include Mozart, Beethoven, Chopin, and Rachmaninoff. These composers are renowned for their piano compositions and virtuosic performances.
yesThey are usually quite specific about which instruments (and how many of each) are used in their compositions.
Although Judy seemed to be attracted to composers (she had an affair with Johnny Mercer while engaged to David Rose), she is not credited with any musical compositions.
Opus (Latin 'work') numbers are assigned to the compositions of many composers as they are published and/or composed. They may provide a fairly reliable indication of when a work was written, but there is a lot of variation in how they have actually been used. Many composers' works have no opus numbers, or randomly-allocated numbers. Often their compositions have been analysed and catalogued by other people in chronological, or some other logical, order, and those catalogues may take the name of the cataloguer. Hence, for example, Mozart's compositions have Köchel numbers, Haydn's have Hoboken (or Hob) numbers, and Schubert's have Deutsch numbers.
Well-Tempered Clavier (two books), J. S. Bach Le Tombeau de Couperin, Maurice Ravel Pictures at an Exhibition, Modeste Moussorgsky