Paraphrase
3. Which of the following composers sought to obtain a nonpercussive sound from the piano in his compositions?A. GlassB. DebussyC. EllingtonD.Ives3. Which of the following composers sought to obtain a nonpercussive sound from the piano in his compositions?A. GlassB. DebussyC. EllingtonD.Ives
Five music composers during the Renaissance period include Giovanni Gabrieli, William Byrd, Pierre de La Rue, Josquin De Prez, and Thomas Tallis. Famous compositions of these artists are the Sonata pian'e forte, Ave verum corpus, O Salutaris Hostia, Mille Regretz, and If Ye Love Me, respectively.
one way i know of is because all good composers know that turtles like skittles
one way i know of is because all good composers know that turtles like skittles
Because the sound of fundamentals is considered a horrible sound.
3. Which of the following composers sought to obtain a nonpercussive sound from the piano in his compositions?A. GlassB. DebussyC. EllingtonD.Ives3. Which of the following composers sought to obtain a nonpercussive sound from the piano in his compositions?A. GlassB. DebussyC. EllingtonD.Ives
The Gabrielis, Andrea and his nephew Giovanni, worked in Venice, Italy during the late Renaissance period. They were influential composers and organists, known for their contributions to polychoral music and instrumental compositions.
Five music composers during the Renaissance period include Giovanni Gabrieli, William Byrd, Pierre de La Rue, Josquin De Prez, and Thomas Tallis. Famous compositions of these artists are the Sonata pian'e forte, Ave verum corpus, O Salutaris Hostia, Mille Regretz, and If Ye Love Me, respectively.
IDONOTKNOW :))
one way i know of is because all good composers know that turtles like skittles
one way i know of is because all good composers know that turtles like skittles
Because the sound of fundamentals is considered a horrible sound.
Desprez and Palestrina.
Flanders
vertical
Toufic SUCCAR
Religion had a significant impact on Renaissance music, as much of the period's early compositions were deeply intertwined with the church and its liturgical practices. Sacred music, particularly masses and motets, flourished during this time, with composers like Josquin des Prez and Palestrina elevating spiritual themes through intricate polyphony. The use of plainchant and the development of choral music reflected the era's focus on divine worship, while the humanist ideals of the Renaissance also began to influence secular music, blending sacred and worldly elements. Overall, religion shaped both the content and context of music, creating a rich tapestry of sound that mirrored the spiritual landscape of the time.