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you dont necessarily have to, its just the most popular form

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Why epic theater is called by this name?

because its epic


How has epic theater influenced theater today?

losaapaloozas


What is the greek word for epic?

The Greek word for "Epic" is "έπος".


How epic teater is different from traditional theater?

an epic theater was used for plays and poems. are theaters now are recorded movies.


How and in what context is the word 'epic' used in form and content of 'epic theater'?

Epic theater, also known as theater of alienation or theater of politics, is a theater movement arising in the early to mid-20th century, inextricably linked to the German playwright Bertolt Brecht. Though many of the concepts involved in epic theater had been around for years, even centuries, Brecht unified them, developed the style, and popularized it. It is sometimes referred to as Brechtian acting, although its principles apply equally to the writing and production of plays. Brecht later favored the term 'dialectic theater', to emphasize the element of argument and discussion.


How has epic theater affected other genres?

Many of the theatrical devices first used in "epic theater" have become integrated into theater in general. Epic theater was the first movement to experiment in-depth with the use of technology like film, and Brecht, the most famous practitioner of "epic theater" often used placards to introduce the action of a scene. This is also common in many different genres. Most importantly, the "epic theater" was the first major movement after Stanislavski to seriously go against realism and method acting without freaking out and becoming something crazy like Dadaism or futurism. It also influenced, and was itself influenced by, propaganda and agitation, particularly in Soviet Russia.


Similarities of medieval and greek theater?

There are several similarities between medieval and Greek theater: Performance space: Both medieval and Greek theater were performed in outdoor amphitheaters. The Greek theater was typically built into hillsides, while medieval theaters were often erected in the courtyards of castles or churches. Chorus: Both forms of theater made use of a chorus, a group of performers who sang and danced in unison and provided commentary on the action of the play. Masks: Both Greek and medieval theater made use of masks to signify different characters and emotions. Religious themes: Both forms of theater often incorporated religious themes and motifs into their plays. Greek theater frequently explored the relationship between mortals and the gods, while medieval theater often focused on biblical stories. Spectacle: Both forms of theater made use of spectacle to entertain audiences. Greek theater often featured elaborate costumes and set pieces, while medieval theater employed pageantry, processions, and special effects to create a sense of wonder. Overall, while there are many differences between these two forms of theater, there are also several key similarities that connect them.


What has the author Malcolm Davies written?

Malcolm Davies has written: 'The epic cycle' -- subject(s): Epic poetry, Greek, Greek Epic poetry, History and criticism


What are the differences of greek theater and modern theater?

Greek theatre did not have woman, modern theatre does have women.


What is the ancient Greek word for theater?

the word theater in ancient greek means ear-hearing


What has the author A Hoekstra written?

A. Hoekstra has written: 'Epic verse before Homer' -- subject(s): Criticism and interpretation, Epic poetry, Greek, Greek Epic poetry, Greek language, History and criticism, Metrics and rhythmics 'The sub-epic stage of the formulaic tradition' -- subject(s): History and criticism, Oral tradition, Rhetoric, Ancient, Oral-formulaic analysis, Epic poetry, Greek, Hymns, Greek (Classical), Gods, Greek, in literature


What areas of theater did Bertolt Brecht contribute to?

Bertolt Brecht contributed to the movement known as epic theater. Epic theater was a movement that stated that a play should cause the viewer to have a moment of self-reflection rather than identifying with the characters in the play.