Rhyme can add a musical touch to verse, but it often becomes boring. To the modern ear it can be strained, and can sound trite and antiquated. Other elements of form and prosody capture the poet's intentions without the distractions of rhyme.
There are few things worse than a precious rhyme forced into to a poem through the use of mangled and unnatural language. It is like badly formed chord changes in a song, put there because one must at all costs arrive at a desired note or harmony. Rework it or find another destination.
There are poets of the highest level who use and have used rhyme, but they are not great poets because they use rhyme. They know how to use rhyme because they are great. Few can make that claim, and fewer still should go down the rhyming road, unless they aspire to be Hallmark Greeting Card writers.
It is to suit and synchronise with rhyme, rhythm and tune that poets write short fast lines in a poem. Moreover, that way they can pack up and send away more ideas, imageries and notions in a single poem. The best example is Shelly's To A Skylark.
As an Ending Rhyme, yes.
Walt Whitman was famous for not using rhyme in his poetry. He preferred free verse, which allowed him to break away from traditional poetic structures and express his ideas in a more organic and open manner. Whitman's innovative use of free verse was a hallmark of his poetic style.
my uncle Joan is friends with had a headland but when I saw him I turned away
Yes.
Yeaa
Yes.
Yes.
Yes
Yes.
Yes, eye and away are a slant rhyme also hands and sands, sea and me, and along and appointed.
better not turn Him away then