It is NOTHING LIKE SPOKEN THEATER except it tells a story. It is all sung (usually in Spanish, Italian, or French) and is a few hours long in traditional operas. Operettas can be preformed in minutes.
To slightly alter what Western ballerina said: musical theater is a story with songs thrown in, where as an opera is a song with a story thrown in. I am a musical theater nerd at an opera nerd school (one of the reasons I am transferring lol). the type of voice used in opera is a very more trained voice. you don't have to have as much vocal training to be in musical theater.To tell you the truth I know people in MT that have gone very far with little to no training, but any opera performer has years and years of training. For the most part if you can sing opera you can sing at MT (there are always exceptions so that is not always true) but you can't necessarily be an opera singer with only a MT background. hope this helped.AddendumWhere a musical contains spoken dialogue, opera dialogue is always (almost) sung. Additionally, to add to the foregoing answer (and to risk offending some opera buffs), acting is perhaps a more important element in a musical where much of the "acting" in an opera is a function of communicating with the voice. The musical can be looked upon as a further evolution of opera, operetta etc.Opera [Opera = work]. Opera is a drama to be sung with instrumental accompaniment usually with scenery and in costume. It may include recitative or spoken dialogue, but the essence of opera is that the music is integral and is not incidental as in a 'musical' or play with music.Musical [theatre] is a form of theater combining music, songs, spoken dialogue. Usually the play [musical] is interrupted by songs or such like.So basically 'opera' is music drama and 'musical' is a play [drama] with music interludes.But like all thing to do with music there are variants.Correction to AddendumThere are several musicals that have no spoken dialogue (e.g., Les Miserables, Phantom of the Opera and Evita).
Opera comique, a French genre of opera, typically features spoken dialogue alongside musical numbers. It originated in the 18th century and often includes light-hearted or comedic themes, contrasting with the more serious nature of grand opera. The term can also refer to specific works, such as those by composers like Jacques Offenbach, which blend humor and musical artistry. Overall, opera comique serves as an accessible and entertaining form of musical theater.
Please rephrase - the question is unclear.Music is a part of opera. Opera is a stage play in which all the dialogue is sung with musical accompaniment. The difference is that opera needs music but music doesn't need opera.
it depends on if you like opera or not. if you like cooler opera music and have some romance and drama in it, then yes. It would be good.
A general answer to a very open and general question is - Popularity coupled with public acclaim.
A book musical is a type of musical theater that tells a cohesive story with a structured plot, characters, and dialogue. It differs from other forms of musical theater, like revues or jukebox musicals, because it has a central storyline that connects the songs and dances into a unified narrative.
American musical theater is a theatrical form that combines songs, spoken dialogue, and dance to tell a story, often reflecting the cultural and social dynamics of American life. Originating in the early 20th century, it evolved from vaudeville and operetta influences, leading to iconic works by composers like George Gershwin, Rodgers and Hammerstein, and Stephen Sondheim. Musicals often explore themes of love, struggle, and identity, making them a vibrant and influential aspect of American culture. Notable examples include "West Side Story," "Hamilton," and "The Phantom of the Opera."
Sarah Brightman is known for her crossover style that blends classical, pop, and musical theater elements, often referred to as "classical crossover." She gained fame for her roles in productions like "The Phantom of the Opera," which showcases her ability to combine operatic vocals with contemporary musical styles. Brightman's work often features a mix of original compositions and adaptations of classical pieces, appealing to both opera enthusiasts and a broader audience.
Opera originated in Italy in the late 16th century as a form of musical theater that combined singing, instrumental music, and drama. It evolved from earlier traditions of musical storytelling, such as madrigals and intermezzi, with the aim of creating a new form of art that expressed human emotions more profoundly. The first opera, "Dafne," was composed by Jacopo Peri in 1598, and the genre gained popularity through the works of composers like Monteverdi and Handel, who established the conventions of the form. Over time, opera incorporated elaborate staging, orchestration, and diverse musical styles, leading to the rich and varied art form we know today.
Chinese musical theater, particularly forms like Peking opera, plays a crucial role in the broader context of Asian theater by blending music, drama, and acrobatics to convey rich cultural narratives. Its unique aesthetic and performance techniques have influenced various regional theatrical traditions, fostering a deeper appreciation for storytelling through artistic expression. Furthermore, it serves as a cultural bridge, preserving historical narratives while adapting to contemporary themes, thus ensuring its relevance in modern society. Overall, Chinese musical theater enriches the diversity and complexity of Asian performing arts.
It is defined as - a declamatory speech-like singing used esp. in opera or oratorio for advancing the plot and/or a passage or part of a musical score given in this form.or: a number from an opera that moves the story along
Opera originated in Italy during the late 16th century, specifically in Florence. The Florentine Camerata, a group of intellectuals and musicians, played a key role in the development of opera as a new form of musical and dramatic expression. The first recorded opera, "Dafne" by Jacopo Peri, was performed in Florence in 1598. Italy remains a central hub for opera production and performance to this day.