In the years since the London tube bombings, popular depictions of British Asians have been increasingly `othered' at best, and stereotyped as dangerous terrorists at worst. Asian self-representation continues to be a critically-needed intervention. East London's Asian electronic music scene serves as a means to represent the voices of young urban British Asians, attempting to bring them from peripheral alterity and render them visible in mainstream British popular culture. The music, which blends synthesized electronic music with South Asian musical stylings, has brought musicians from both the South Asian diaspora and the subcontinent to perform in `Banglatown', East London. These regular globalized performances of the scene, an aspect rarely investigated, have challenged locally bounded British Asian identities.
The Asian Today was created in 2005.
Asian Correspondent was created in 2009.
Asian Survey was created in 1961.
Asian Barbastelle was created in 1826.
Asian arowana was created in 1844.
Asian Tour was created in 1995.
An Asian Minor was created in 1981.
Asian Affairs was created in 1914.
Asian Perspectives was created in 1957.
Asian Invasion was created in 2006.
Asian whiting was created in 1983.
Asian Age was created in 1994.