El Greco showed Mannerist views through his extension and distortion of bodies.
Mannerism can be divided into two areas.
The 1st (to which El Greco belonged) was characterized by distorted bodies and less attention to the body (attention that the Renaissance payed A LOT of)
A prime example of this would be Madonna with a Long Neck by Pontormo.
El Greco demonstrates this perfectly in The Burial of the Count Orgaz, in which the heavenly sphere is extended while the earthly sphere is not extended.
By not extended the lower sphere, he shows Late Renaissance ideas. He only used the Mannerism concept of extending to show the divine-ness of the Heavens.
The 2nd sphere is one of relative seriousness. El Greco showed no characteristics from this period.
It's important to note that all throughout art history, one period clashes with the other.
Renaissance focused intensely on perspective and the human body, then Mannerism had no perspective and messed up proportions of body, THEN Baroque went back to perspective and depth and went back to a naturalistic view of the body.
El Greco used both characteristics form late Renaissance and mannerism through his extending of bodies.
He had a chaotic composition (characterizing Mannerism)
He had distorted bodies in Upper sphere of Burial of Count Orgaz (mannerism), but he incorporated Renaissance natural bodies in the earth sphere to emphasize diviness. So as far as distorting bodies goes, he wasn't for either side.
El Greco painted elongated figures in ambiguous space.
Mannerist painters departed from High Renaissance painting conventions by breaking the principles of design and color that had been put in place during the High Renaissance. Mannerist paintings often feature elongations of the human figure.
Mannerist paintings had dramatic perspective.
The Last Supper by Jacopo Robusti Tintoretto was a reimagining of the famous piece of the same name by da Vinci.
Michelangelo was primarily a sculptor (e.g. the David statue) during the High Renaissance, but he is also famous for his paintings in the Sistine Chapel in the Vatican.
Italian High Renaissance.
He became associated with the Italian Renaissance Movement making paintings with the characteristics of the Late Renaissance. He used the Mannerist style to make his painting.
Mannerist paintings had dramatic perspective.
bending the rules of Renaissance art.
Mannerist paintings had dramatic perspective.
Mannerist painters departed from High Renaissance painting conventions by breaking the principles of design and color that had been put in place during the High Renaissance. Mannerist paintings often feature elongations of the human figure.
Genre was one of Brueghel's main subjects for paintings.
the characteristics of the renaissance in Italy are, painting and sculpting and the elements of paintings in the Italian renaissance are, color, shape, space, texture, tone and value
Mannerist paintings had dramatic perspective.
Balance and harmony.
Grace
Grace
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