Akhentaten was Pharaoh of the Amarna period named after the capital he created. During this period artwork was created more naturalistically most depictions of Akhentaten showed a bit of belly, the facial features were also very distinct (this is very unlike the earlier ideal royalty depictions of previous pharaohs)
Proportion of Egyptian Art such as profile view, hierarchical scale, and register lines
The answer is Ptah. (I'm glad I could help.)
Traditionally, the figures of humans were drawn in profile but with one eye and both shoulders shown frontally. The largest figure shown on tomb paintings was that of the occupant - regardless of the actual height of the deceased. Ancient Egyptian art is characterized by the use of simple lines and simple shapes to create the concept of order and balance. Horizontal and vertical reference lines were used by artists in order to maintain correct proportions of the images. This art style resulted in somewhat stilted forms which were caused by a lack of perspective. This art style was used for thousands of years. The only change was during the transient Armana art period.
A guide from the Egyptian Museum said that some of the artifacts were in storerooms, but most were on display. He also said that in total, they had about 120,000 Egyptian artifacts, that's the largest collection of Egyptian artifacts found anywhere in the world.
im am pretty sure that Greek art was influenced by Egyption art
Thutmose was an ancient Egyptian sculptor known primarily for his work during the reign of Pharaoh Akhenaten in the 14th century BCE. He is particularly famous for creating a lifelike bust of Nefertiti, Akhenaten's queen, which is considered one of the masterpieces of ancient Egyptian art. Thutmose's techniques and attention to detail exemplify the artistic innovations of the Amarna period. His workshop was located in Amarna, the capital established by Akhenaten.
Egyptian art evolved over time, reflecting changes in rulers, society, and cultural influences. It began with stylized, symbolic representations in the Predynastic period, then developed into more naturalistic and detailed forms during the Old Kingdom. The Amarna period introduced a more intimate and expressive style under the rule of Akhenaten, while the Ptolemaic period saw the incorporation of Greek artistic elements.
The reign of Akhenaten (around 1353-1336 BCE) marked the development of a more naturalistic style of Egyptian art, diverging from the traditional rigid forms. This period, known as the Amarna Period, featured more relaxed poses, expressive facial features, and intimate family scenes, reflecting a shift towards individualism and realism. The art from this era emphasized the sun god Aten, aligning with Akhenaten's religious reforms, which further influenced artistic representation and themes.
The Amarna Period, which lasted from approximately 1353 to 1336 BCE, was marked by significant religious and artistic changes in ancient Egypt under Pharaoh Akhenaten. Akhenaten shifted the worship from traditional polytheism to the exclusive worship of the sun disk, Aten, leading to the establishment of a new capital at Amarna. This period also saw a distinctive artistic style characterized by more naturalistic and expressive forms, moving away from the rigid conventions of earlier Egyptian art. The changes were largely reversed after Akhenaten's death, with a return to traditional religious practices and art forms.
Gay Robins has written: 'Reflections of women in the New Kingdom' 'Proportion and style in ancient Egyptian art' -- subject(s): Ancient Art, Art, Ancient, Art, Egyptian, Composition (Art), Egyptian Art, Proportion (Art) 'Beyond the Pyramids' 'Egyptian Statues (Shire Egyptology)' 'Egyptian painting and relief' -- subject(s): Ancient Art, Art, Ancient, Art, Egyptian, Egyptian Art
Clinton Crawford has written: 'Recasting ancient Egypt in the African context' -- subject(s): African influences, Art, Egyptian, Civilization, Curriculum change, Egyptian Art, Egyptian language, Multiculturalism, Study and teaching
The latest theory is Marfan's Syndrome. An inherited genetic disorder which mirrors perfectly the aesthetic art work, and the physical abnormalities of Akhenaten.
The capital city that was set up for a royal court resembling an Egyptian city is Akhetaten, originally known as Amarna. Established by Pharaoh Akhenaten in the 14th century BCE, it was designed as a center for the worship of the sun god Aten and featured distinctive architecture and urban planning that reflected Egyptian ideals. The city was characterized by its temples, palaces, and gardens, all aimed at creating a divine and royal atmosphere. Akhetaten is notable for its unique departure from traditional Egyptian art and religion during Akhenaten's reign.
Akhenaten was significant for his revolutionary shift in ancient Egyptian religion, as he introduced the worship of a single deity, Aten, the sun disk, moving away from traditional polytheism. This radical change not only altered the religious landscape but also influenced art and culture during his reign, leading to a distinct style known as Amarna art. His reign marked a brief period of religious and artistic experimentation that had lasting effects, despite the restoration of traditional beliefs after his death. Akhenaten's legacy also paved the way for later religious developments in the region.
Cyril Aldred has written: 'Jewels of the Pharaohs' -- subject(s): Ancient Jewelry, Jewelry, Jewelry, Ancient 'Egyptian art in the days of the Pharaohs, 3100-320 B.C' -- subject(s): Antiquities, Art, Egyptian, Egyptian Art, History 'Egyptian art' -- subject(s): Art, Egyptian, Egyptian Art 'New Kingdom art in Ancient Egypt, during the eighteenth dynasty, 1590-1315 B.C' 'Akhenaten, Pharaoh of Egypt (New Aspects of Antiquity)' 'A Coloring Book of Tutankhamun' 'Ancient Egypt in the Metropolitan Museum Journal, Volumes 1-11 (1968-1979)' 'Les Egyptiens au temps des phararons' -- subject(s): Histoire, Civilisation 'Tut-Ankh-Amun and His Friends' 'Ancient Egypt in The Metropolitan Museum \\' 'Egypt to the end of the Old Kingdom' -- subject(s): Civilization, Antiquities, History 'Tutankhamun's Egypt' -- subject(s): Civilization 'New Kingdom art in ancient Egypt during the eighteenth dynasty, 1570 to 1320 B.C' 'Tutankhamen's Egypt' 'Egyptian Art'
Amenhotep IV, later known as Akhenaten, imposed a controversial religious change by promoting the worship of a single deity, Aten, the sun disk, effectively introducing monotheism in place of Egypt's traditional polytheistic beliefs. This shift was accompanied by significant changes in art, culture, and the capital, which he moved to Akhetaten (modern-day Amarna). His wife, Nefertiti, played a prominent role in this religious transformation, often depicted alongside him in art. The changes were met with resistance and largely reversed after Akhenaten's death.
Richard Fazzini has written: 'Images for eternity : Egyptian art from Berkeley and Brooklyn' -- subject(s): Art, Egyptian, Egyptian Art