Roman republican sculpture was sculptural portraiture (busts) which was highly realistic in a "warts and all" manner. It highlighted the signs of age of statesmen because age was associated with wisdom. It also represented the republican ideas of dignitas, integritas et gravitas. With rule by emperors the Romans adopted the full bodied statues of the Hellenistic style of the Greeks. At this point Romans and Greek sculpture became pretty much the same. The emperors were depicted as being young and the vigour of youth was often presented as a leadership quality. Statues also became idealised and mythologised in imitation of the statues of the Hellenistic rulers.
The statues of Classical Greek sculpture represented the human body in a realistic and faithful. It also started paying more attention to posture and movement. Hellenistic statues (both Greek and Roman) increased the detail of their depiction of the human body, particularly the musculature. They also took the study and depiction of movement further, taking it to a new level. Hellenistic sculpture also developed the ability to reproduce human emotions with great intensity. A prime example of this is the acute intensity of the pain, the extreme torsion of the body and the great detail of the muscles of Laocoon in the statue called Laocoon and His Sons. This statue has been seen as "the prototypical icon of human agony" in Western art,
Artists followed a set of rulles to achieve ideal proportion
They glorified it.
They recognised what a body looked like.
Their goal was to help people with their psychological problems
The perfect beauty.
Leonardo was interested in the structure and musculature of the human body. In his time period dissecting a human body was very illegal and against the rules of the Church. He chose to dissect cadavers in order to see the structures of the body so he could better portray the human form. As a scientist he was also very interested in how things work.
Directors use different types of camera angles and shots to portray mood. These angles include high angles and low angles. The shots that are used are closeups of the face, mid shots of body language and facial features and long shots of full body language and facial features. By using these angles and shots the director can capture mood of a human and portray it in the in the way they want it.
Honestly, Leonardo Da Vinci didn't admire anyone he admired the human body. He was an anatomist and wanted to perfect the human body through his works. If you look at a lot of his notes you can see him scetching out the body. So I hope that answered your question. I love Leo, he never left a drawing unfinished.
Their goal was to help people with their psychological problems
renaissance artist portray the human body by showing bone structure becuz they studied anatomy...meaning they would look at dead bodies without heads, and study their structure. Leonardo da vinci and Michelangelo which were famous artists and sculptures of the renaissance time did this for their paintings and sculptures.
In the Classical period, Greek art portrayed the human body as perfect and life-like. Later, during the Hellenistic period, Greek sculptors changed to portray the human body as realistic, including adding blush to the cheeks and color to the eyes.
The perfect beauty.
Greek artists favorite subject was the human body.
The Renaissance contributed by their creation of water colors, portray the human body more realistically.
The human body is beautiful in many different ways, which is why artists try drawing it in their own way.
For a long time only in profile. And to make eyes more beautiful they painted no eylashes.
Leonardo was interested in the structure and musculature of the human body. In his time period dissecting a human body was very illegal and against the rules of the Church. He chose to dissect cadavers in order to see the structures of the body so he could better portray the human form. As a scientist he was also very interested in how things work.
The natural perfect naked human body! They loved to sculpt the ideal human with their hands! Notice Michelangelo's work, as well as DaVinci
Directors use different types of camera angles and shots to portray mood. These angles include high angles and low angles. The shots that are used are closeups of the face, mid shots of body language and facial features and long shots of full body language and facial features. By using these angles and shots the director can capture mood of a human and portray it in the in the way they want it.
Martial Artists do not have supernatural powers, however, they can, after years of training, push the human body to limits that people might call "unnatural".