I wasn't familiar with this piece until I looked it up. It is a chair, a life-size photo of that chair, and an enlarged dictionary definition of the word "chair." If your gallery is displaying this work, you don't get the chair, the photo or the definition; you get a copy of the definition, a drawing explaining how to set it up, and instructions to get a chair, photograph it and blow the photo up to full size, create the poster with the definition on it (all of which is much easier now that we have big inkjet printers, than it was when Kosuth devised this piece) and hang it in a certain fashion.
Kosuth asks, is a concept valid if its realization changes every time it's executed?
My feeling of this piece is, it only displays its full power as a collection, perhaps in a book or a web page. If you see one installation of One and Three Chairs you think, "so what?" In isolation, this is a very boring work. Only when you see how a number of people have executed Kosuth's concept does this make sense.
What the artist included in his or her art, and where it has been put
Set designer and painter
Walter Joseph Phillips
Van der Weyden
There is usually one and the same answer to those questions 'Why did XXX become an artist?' Because they felt they had the talent and the urge. It is as simple as that!
Joseph Delaney - artist - was born in 1904.
Joseph Delaney - artist - died in 1991.
J.M Turner or Joseph Turner. The Artist was a famous landscape artist.
What the artist included in his or her art, and where it has been put
admiral joseph mason reeves , son- artist joseph mason reeves jr.
Joseph Kosuth
View of point
Visual weight
He's from Gary, Indiana.
Set designer and painter
Walter Joseph Phillips
If you mean *who* was a Colonial artist, there were many. John Foster, Joseph Lamson and John White were a few. Even Paul Revere was an artist.