Since the mold absorbs water, if you want to get a good pour don't let the mold too wet. One excellent indication is how heavy it is because the thing is waterlogged. Sitting it empty in your kiln room is one way to get it dry. DO NOT cook the thing! But a hot dry environment is the best way to keep your molds useable. I wouldn't pour in the same mold more than three times before letting it dry up some. If you pour too much at a time, you lose the fine detail because the plaster deteriorated. If it's a very popular mold, try getting two.
The plaster mold is very, very dry. When you pour, the clay slip is mostly water and the plaster mold sucks up the moisture quickly, creating a coating inside the mold. It's like pouring gravy onto a sponge...the water is absorbed, but the solids stay on top of the sponge if you leave it long enough. It's the same way with a plaster mold..it's a sponge. That's the reason you watch the pour opening and pour out the excess when it is the thickness you need. The plaster will continue to absorb until the clay pulls away from the mold naturally, yet it is still green.
To build a model pyramid out of plaster of Paris, coat the inside of an ice cube tray with petroleum jelly. Pour plaster of Paris inside and allow to dry. Once dry, place the blocks in a square pattern, gluing them together with plaster of Paris. Stack another row atop the bottom row, insetting each row to form a pyramid shape.
I pour liquid paper mache into a plaster mold to cast a model which I then paint in either acrylic or oil paint. I adhere the cast, painted model to a wooden board upon which a scene in acrylic or oil paint has been painted. The cast model blends with the background scene and seems to emerge from the background. I sometimes enclose the finished work in a shadowbox. To see examples of some relief paintings I have created go to www.cameoqueen.com/.
If you mean pitcher as in a jug, then I think it could be pour. Knife is to cut as pitcher is to pour.
Make sure the second pour wax is 10 degrees hotter than the temperature of the original pour.
Buy some concrete or plaster of paris. Mix and pour in a small square baking pan (one you don't use for baking is best). Coat the mold with cooking spray or vaseline and when the plaster starts to set up, press the paw into it-you could probably even do stepping stones with the right mold.
The plaster mold is very, very dry. When you pour, the clay slip is mostly water and the plaster mold sucks up the moisture quickly, creating a coating inside the mold. It's like pouring gravy onto a sponge...the water is absorbed, but the solids stay on top of the sponge if you leave it long enough. It's the same way with a plaster mold..it's a sponge. That's the reason you watch the pour opening and pour out the excess when it is the thickness you need. The plaster will continue to absorb until the clay pulls away from the mold naturally, yet it is still green.
To build a model pyramid out of plaster of Paris, coat the inside of an ice cube tray with petroleum jelly. Pour plaster of Paris inside and allow to dry. Once dry, place the blocks in a square pattern, gluing them together with plaster of Paris. Stack another row atop the bottom row, insetting each row to form a pyramid shape.
Lost wax casting. You make something out of wax, jewelry or something similar and attach one or more strips that will act like tubes when the wax is melted out of the mold. You put the piece in a metal container of the right size and pour plaster around it. After the plaster sets, you heat it so that the wax will run out. After this, you melt metal, gold or silver and pour it in the mold or there is a centrifugal caster that forces the molten metal into the mold and gives a better casting. With the mold hot from melting the wax out and the hot metal, you put it in water and the plaster blow off of the piece.
Lost wax casting. You make something out of wax, jewelry or something similar and attach one or more strips that will act like tubes when the wax is melted out of the mold. You put the piece in a metal container of the right size and pour plaster around it. After the plaster sets, you heat it so that the wax will run out. After this, you melt metal, gold or silver and pour it in the mold or there is a centrifugal caster that forces the molten metal into the mold and gives a better casting. With the mold hot from melting the wax out and the hot metal, you put it in water and the plaster blow off of the piece.
You take an 'impression' of the teeth, using a soft, pliable substance. This creates a 'mould' into which you pour liquid plaster. The Plaster sets, allowing you to remove the mould - leaving you with an exact copy of the teeth.
you can pour this easily when its liquid, so it can be use to make simple decorative items using moulds. when you take them out of the mould, it is solid after a few hours, then can be painted etc.
Precious Hands GEL amount of water:1 cup of water Put hands in gel and wait Min. PLASTER amount of water: 1/4 cold cup of water 1/2 cup of plaster pour plaster over mold wait
Get a tray of sand and print your hand in that then pour the plaster of Paris on top of the sand print. Wait till dry then brush the sand off.Try putting playdough (bought or home-made) into the bottom of a suitable size container lined with cling film, make the impression of your hand in the dough then pour in plaster of Paris. Allow to dry completely then remove from container (the cling film makes this easier), remove dough and 'voila'! Paint and/or varnish if desired.
Get a mould and plaster. Pour water into the plaster and mix. Pour the plaster into the mould and wait for it to dry. Once it is dry carefully take the plaster out of the mould and paint. Note:To get air bubbles out of the wet plaster, gently hit the mould.
you pour it into a star mold, surprisingly enough.
a mold is what you pour materials into to make a cast