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The light. And he used the camera obscura. Vermeer was criticized for exaggerating the perspective of his interior settings until eyes accustomed to reality as seen through the camera lens recognized that his perspective was in fact accurate. When the painter is very close to the nearest object in his composition, for example, only 2 feet from it, an object of equal size that is 4 feet from his eye will be depicted, correctly, as half the size of the first. Vermeer arranged his objects to achieve such contrasts. The effect of this practice is to make the voids in a sense tangible. The space is built up along with the objects in a construction of cubic solidity.

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15y ago

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