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Three of Wolfgang Amadeus Mozart's symphonies are No. 25, No. 29, and his final one, No. 41, or the Jupiter Symphony.
Beethoven's Symphony no. 9 in D Minor is also known as the "Choral Symphony" because it was the first to incorporate voice as one of the instruments.
Most likely, yes ... without instruments one would hear nothing at all ... and in that case, it would be a work of John Cage. And of course the question must be asked: to which Symphony #9 are you referring? Beethoven? Mahler? Dvorak? Bruckner? Shostakovich, Mozart, Hovhaness, Dittersdorf....etc...
Because it is the conductor for the symphony of parts in a computer - it times and relates data from this part, transfers out data from this one, pulls in from this one.... It's probably closer to a traffic cop than a heart.
It's interesting that this question has been posed, because there is a startling similarity between the beginning of the third movement of the Beethoven and the beginning of the finale of the Mozart. Check it out and you'll see that it's actually the same tune (i. e., the same intervals), only in different keys and rhythms. It involves only the first two measures, and I've heard that Mozart and Beethoven met once and acknowledged the similarity, but it's unknown whether it was intentional (on Beethoven's part, of course) or merely coincidental. Beethoven's 5th came out long after Mozart's death. And there isn't too much similarity in the styles. Mozart's work is essentially Classical and Beethoven's is essentially early Romantic. There really is no comparison.
That is in a minor key
Jupiter, Symphony No.41
Three of Wolfgang Amadeus Mozart's symphonies are No. 25, No. 29, and his final one, No. 41, or the Jupiter Symphony.
Mozart has had many amazing symphonies. such as his last and most famous one #41 aka Jupiter.
Charles Ives wrote four numbered symphonies, and two more, one titled A Symphony: New England Holidays; the other was Universe Symphony, which remained unfinished.
just one, Symphony No.9
One cannot categorize something as subjective as music into subsections of best and worst. However, Symphony 94 (aka surprise symphony) is looked fondly upon as are all 12 of the London Symphonies and the Paris Symphonies to a lesser extent. For significant Sturm un Drang influences, Symphonies 44 and 45 are excellent. And of course, Haydn's final masterpiece, Symphony 104 is highly regarded as one of his best.
No, that would be Haydn. It's formal name is the Symphony No. 94 in G Major, one of the twelve "London Symphonies".
Most symphonies have four movements, although composers are free to give their symphonies as many or as few movements as they like. The classical symphony as perfected by Haydn and Mozart almost without exception consisted of four movements. Beethoven connected the third and fourth movements of his 5th Symphony. Since that time it has varied more. For instance, Samuel Barber's first symphony is in one continuous movement with four differing sections. Cesar Franck's is probably the most famous three-movement symphony.
The Suprise Symphony is Franz Joseph Haydn's Symphony No. 94. The famous "Suprise!" part is the second movement, but like all symphonies it has four movements in all.
It's the one by the same composer that was published immediately following the publication of his Symphony #49. Very few composers ever wrote that many symphonies.
There are actually a few London symphonies, Vaughan Williams wrote one and Haydn also had a set of twelve symphonies called London symphonies, though his symphony No. 104 is particularly known as the London symphony.