Figures show a combination of ideal beauty and naturalistic detail and proportion is the sentence that correctly describes the Classic Greek relief sculpture in the Parthenon frieze.
Classical Greek sculpture is simple, balanced, and restrained. The expression of a figure is genrally solemn. The aesthetic principle in classical Greek sculpture was one of refinement, balance, and simplicity.
They used the nude as a subject matter, depicting its beauty and strength.
Greek sculpture during the classical period is characterized by its emphasis on naturalism, proportion, and the idealized human form. Artists sought to capture not only physical beauty but also the expression of emotion and movement, leading to a sense of realism in their works. Notable sculptures from this era, such as those by Phidias and Polykleitos, exemplify the balance and harmony of the human body, reflecting the cultural values of the time. Overall, classical Greek sculpture represents a pinnacle of artistic achievement, blending aesthetic beauty with philosophical ideals.
Verism sculpture differs significantly from classical Greek sculpture. While classical Greek art emphasizes idealized beauty and proportion, verism focuses on realistic and often unflattering depictions of subjects, particularly in Roman portraiture. This style highlights individual characteristics and age, reflecting a cultural appreciation for wisdom and experience, in contrast to the Greek ideal of youth and perfection. Thus, while both styles are important in their respective contexts, they convey different artistic values and intentions.
The Greeks did, but so too did the Romans who copied them.
The sentence that describes a convention of Classical Greek sculpture is figures show a combination of ideal beauty and naturalistic detail and proportion. Classical sculpture refers loosely to the forms of sculpture from ancient Greece andÊancient Rome.Ê
Classical Greek sculpture is simple, balanced, and restrained. The expression of a figure is genrally solemn. The aesthetic principle in classical Greek sculpture was one of refinement, balance, and simplicity.
Greek sculpture influenced the Romans from the 2nd century BC. Prominent 1st century BC and 1st century AD Romans such as Cicero and Pliny the Elder greatly admired the innovative work of classical Greek sculpture artists, such as Polykleitos. However, the Romans did not produce much sculpture based on the classical Greek model. Their sculpture was predominantly portraiture (see below) until , from the 1st century AD, the Romans adopted Hellenistic sculpture, which took sculpture to a different level, as a model for their own sculpture. Prior to the influence of Greek sculpture, Roman sculpture was portraiture sculpture (busts). Their portraiture sculpture is regarded as the best sculpture of this kind ever produced.
Ruurd B. Halbertsma has written: 'Beeldhouwkunst uit Hellas en Rome' -- subject- s -: Classical Sculpture, Greek Sculpture, Rijksmuseum van Oudheden te Leiden, Roman Sculpture, Sculpture, Sculpture, Classical, Sculpture, Greek, Sculpture, Roman
beauty standards change over time; what's in today could be out tomorrow.
Figures were modeled after Classical sculpture.
They used the nude as a subject matter, depicting its beauty and strength.
Greek sculpture during the classical period is characterized by its emphasis on naturalism, proportion, and the idealized human form. Artists sought to capture not only physical beauty but also the expression of emotion and movement, leading to a sense of realism in their works. Notable sculptures from this era, such as those by Phidias and Polykleitos, exemplify the balance and harmony of the human body, reflecting the cultural values of the time. Overall, classical Greek sculpture represents a pinnacle of artistic achievement, blending aesthetic beauty with philosophical ideals.
iconic
Verism sculpture differs significantly from classical Greek sculpture. While classical Greek art emphasizes idealized beauty and proportion, verism focuses on realistic and often unflattering depictions of subjects, particularly in Roman portraiture. This style highlights individual characteristics and age, reflecting a cultural appreciation for wisdom and experience, in contrast to the Greek ideal of youth and perfection. Thus, while both styles are important in their respective contexts, they convey different artistic values and intentions.
Severe Style, the high classical style, fourth century style.
Figures were modeled after Classical sculpture.