Islamic art
The black figure technique
The human figure and motion.
The most celebrated example of Arcadian art is Nicolas Poussin's painting "Et in Arcadia Ego." Created in the 17th century, this work embodies the idealized pastoral beauty of Arcadia, depicting shepherds discovering a tomb with the inscription "Even in Arcadia, there am I," suggesting themes of mortality and the fleeting nature of life. Poussin's use of classical composition and serene landscape reflects the ideals of harmony and balance characteristic of the Arcadian vision. The painting has become a symbol of the intersection between art, philosophy, and the idealized countryside.
The Calf Bearer, or "Moschophoros," is considered an anomaly in Greek sculpture because it represents a departure from the typical idealized human form prevalent in the Archaic period. Unlike many contemporary statues that emphasized athleticism and beauty, the Calf Bearer exhibits a more realistic and somewhat less idealized representation, highlighting the interaction between the figure and the calf it carries. This blend of naturalism with a focus on everyday life and human emotion illustrates a shift towards more relatable themes in art, setting it apart from the prevailing artistic conventions of its time.
Much of early Christian art in the Roman Empire where their religion was under much persecution and poverty, the artwork can be described as idealized. Idealized, meaning they were depicted as thought out to be, rather than what they really were (which is realism, the opposite of idealization).
Pastoral Art
Islamic art
Cesare Borgia, an influential figure in the Italian Renaissance, is believed to have been the model for the portrayal of a white Jesus in historical art and depictions. Artists during this time often used prominent figures as models for their religious paintings, and Borgia's striking features were thought to embody the idealized image of Jesus. This practice contributed to the widespread representation of a white Jesus in European art.
A figure of romance refers to a character, situation, or setting commonly found in romantic literature or media. These figures often embody idealized traits such as beauty, passion, or unattainability, contributing to the romantic atmosphere of the story.
Denise Most Gerson has written: 'Go figure!' -- subject(s): Human figure in art, Exhibitions, Gods in art, Lowe Art Museum
The main subject of Greek art during the classical period was the human form, particularly idealized figures that emphasized harmony, proportion, and beauty. Artists aimed to capture the idealized essence of the human body in sculpture and pottery, showcasing the importance of balance and symmetry in their works.
Olmecs believed they were descendents of jaguars
An increasing amount of realism was portrayed in sculptures, revealing the flaws of the subject rather than an idealized version of the subject that was common in the Archaic period.
The figure depicted as Jesus seated on the throne in religious art and symbolism is known as the "Christ Pantocrator."
The black figure technique
The human figure and motion.