they either warm or cool the mood
Dominance is not Prominence or Contrast. Dominance has to do with how much area is covered by the characteristics of Shape, Direction, Color, Color, Value, Texture and Size. For example, a painting may have a gray dominance, but hold a bright, saturated color for contrast to hold the eye at the center of interest. Dominance is necessary for contrast and unity and is achieved through repetition and/or size. For a painting to have "Shape Dominance" one need only look at the character of the shapes which overwhelm the picture space, be they geometric, or organic. While unity is the goal to achieve in a painting (or novel, or poem, or music) a dominant theme must be present, which lends itself to the outcome in overall mood (or emotional content) of the art.
abstract realism
Kanji SATO was a prolific artistic painter of with mainly oils. It is known that during the 1960's he was painting exquisite and detailed large works of sea water with ships, usually with a dark overcast mood. Mr. Sato changed his theme somewhat and the mood during the early 1970's to bright works that included landscapes, often with people and Japanese buildings and temples. He supplemented his income by working on international ocean-going ships as an engineer and electrician, which he was very good at doing. He had a kind and helpful nature and was generous to so many. Many of his maritime and landscape works in oil were presented to friends, as well as to the headquarters of many companies. He was a proud member of the All Japan Seaman's Union, which has been always very concerned about their seafaring members and their families. When Japanese shipping companies "down-sized" by sending the crewing jobs "off-shore" for cheaper and more exploitable workers in Southeast Asia (Singapore, initially), it became economically challenging for Japanese officers and crews to continue other skills when on vacation from their shipboard jobs --Kanji Sato was one of them. If he has deceased, he will be sorely missed. (updated 9/22/2012 edd_morris@hotmail.com).
Derived from the word "sate" it could be interpreted as someone that wants to completely satisfy another person by means of their desire or appetite, etc.or it means when your mate stops you from having sex with someoneexample;person 1: did you do her?person 2: ugh no some prick walked in and ruined the mood. frickin satist
There is a substantial tradition of American Impressionism from the turn of the 20th century with artists like Theodore Robinson, who developed a close relationship with Monet at Giverny. Most of the Americans who had absorbed the style in Paris returned to the Northeastern U.S., often working in colonies. Several of these were along Long Island Sound at Cos Cob and Old Lyme, Connecticut and Shinnecock in Eastern Long Island. Long Island also figured in the birth of the artist Manhattan Arts magazine describes as "the best Impressionist painter of our century," Patrick Antonelle. Appropriately, Antonelle was born as the resurgence of interest in Impressionism swept the American art scene in the 1950s, and he has spent his life as an artist dedicated to the Impressionist mission of catching the moment in light, directly on the canvas. His work is authentic Impressionism, using subtle tone to create depth and light play that both builds volume and makes the whole world equally insubstantial. His signature is his cityscapes of New York, its parks and buildings - he considered architecture as a career - but his structures shimmer with the same atomic identity as trees and leaves on the ground. Like the French Impressionists, he follows the changes in natural light, with the strongest contrasts among the seasons: luxuriant summers, golden autumns, winters that reveal the underlying design of nature and fresh, transforming springs. The mood created by his handling of light is calm and the tremendous discipline of his technique contains his radiant palette. [You might want to refer to http://www.sunflowerfineart.com to view images of Autumn, Central Park; Glory of Spring; Gramercy Park Summer, etc.] It is tempting to compare Antonelle's shimmering light with the 19h century pointillists and their small dots of pure color, but Georges Seurat, credited with the invention of pointillism, focuses on people with nature as a frame, whereas Antonelle's people are nearly lost in the natural world. Seurat's famous Sunday Afternoon on the Island of La Grande Jatte and Antonelle's Gapstow Bridge dramatically illustrate the difference as Seurat's figures take center stage and Antonelle's painting is much closer to the Rousseauvian romantic image of humankind as a small player within nature. Steeped in New York's artistic education at the School of Visual Arts, the Brooklyn Museum Art School and the Art Students League, Antonelle goes back to the time of French Impressionism as well as its technique when he places New York's Flatiron Building in 1906 in Nocturnal New York or fills Fifth Avenue with horse drawn buggies and vintage cars in Winter on Fifth Avenue. Most of his images, though, are timeless and more concerned with the changes of the natural world than those man has imposed. The small figures in his landscapes could be anytime, although he has placed himself inside some of his creations. The following he commands includes, suitably, former New York mayors Edward Koch and Rudolph Giuliani, Frank Sinatra, Liza Minelli, Leonard Bernstein and Ivana Trump. Corporations from The New York Stock Exchange and the New York Hospital for Special Surgery to Deutsche Bank, Apple Computers and Citicorp are also collectors. Recently Antonelle has added European landscapes to his subjects, paying tribute to Monet's house and garden in a lovely piece in the process. The light of Tuscany, in particular, is a natural for him, and in some of his floral landscapes it is impossible to tell where the images originated; they are universal, using light and color to evoke life wherever it exists.Patrick Antonelle is represented and published by: SUNFLOWER FINE ART 172 Seventh Street Garden City, NY 11530 516-747-7406
yes just like colors also affect our mood.
Colors affect a person's mood because they can evoke psychological and emotional responses based on individual experiences and cultural associations. For example, warm colors like red and orange may stimulate feelings of passion or energy, while cool colors like blue and green may evoke a sense of calm or relaxation. Additionally, the psychological impact of colors can vary depending on personal preferences and past experiences.
Yes, different colors can affect your mood. Research suggests that warm colors like red and yellow can evoke feelings of joy and energy, while cool colors like blue and green can promote calmness and relaxation. Personal associations with colors can also influence mood.
yes it does sometimes. itt depends
Some colors are considered warm because they evoke feelings of warmth, energy, and excitement like red, orange, and yellow. Cool colors, like blue, green, and purple, are associated with calmness, serenity, and relaxation. These distinctions are based on how colors are perceived and how they affect our emotions and mood.
Pieces of art with a depressed mood tend to use dark colors, or "lifeless" colors. Those would be greys or neutrals. "Cool" tones also give a sad mood. Looking at a color wheel, blue and its surrounding colors would be the cool tones.
There are three primary types of light colors: warm (such as red and yellow), cool (such as blue and green), and neutral (such as white). These colors can affect our perception of the environment by influencing our mood, energy levels, and visual clarity. Warm colors can create a cozy and inviting atmosphere, while cool colors can evoke a sense of calmness and focus. Neutral colors provide a balanced and natural feel. The choice of light color can impact how we perceive and interact with our surroundings.
Yes, room color can affect human mood. Colors like blue and green are often associated with feelings of calm and relaxation, while bright colors like red and yellow can evoke feelings of excitement or energy. It's important to choose colors that support the mood or atmosphere you want to create in a room.
The mood is terrifying.
It is a movement during the 20th century that broke the laws of art. They used bright and bold colors, and was emotional and made you in the mood of the painting.
Warm colors such as red, orange, and yellow are often associated with feelings of energy, warmth, and positivity. These colors can evoke emotions like excitement, happiness, and passion. Using warm colors in a space can create a welcoming and vibrant atmosphere that can uplift mood and increase energy levels.
Different colors can affect people's moods in different ways. Some people may feel happy and uplifted when they see bright and warm colors like yellow or orange, while others may feel calm and relaxed when surrounded by cool colors like blue or green. It ultimately depends on individual preferences and associations with certain colors.