Want this question answered?
How the surface looks or feels: smooth, rough ...
Elizabeth Ockwell is a famous artist who mainly draws in perspective her style is: she draws in pen which most artists never do, in her perspective work she adds more colour to the area in which the vanishing point instead of around the front which is the close up part and where the colour is normally stronger. The human figure rarely appears in her watercolors and etchings of Paris, Rome, Venice and Vienna. She walks through famous rooms and town squares until she feels that she has to 'go no further for the perfect view'.
Um... Miro didn't kill Artkin, it was the soldiers who stormed the bridge... I don't know where you got that idea from. ^He only feels like he was the cause of it, grabbing Kate instead of calling out to warn him
Ruth Piper is a reactor and information gatherer. She enjoys and feels the minutiae and constantly shifting landscape of daily life and relationships. Home page on the internet: see link below. She's this amazing artist who paints in an abstract style. Her work is amazing and she's gots her own website so check it out! I've heard that she was born on the 2nd of December 1967. It's hard finding facts about her. Ruth Piper is a figurative artist. Her oil paintings are online at (see discussion page).
What any "neo"-classicism depends on most fundamentally is a consensus about a body of work that has achieved canonicstatus (illustration, below). These are the "classics." Ideally-and neoclassicism is essentially an art of an ideal-an artist, well schooled and comfortably familiar with the canon, does not repeat it in lifeless reproductions, but synthesizes the tradition anew in each work. This sets a high standard, clearly; but though a neoclassical artist who fails to achieve it may create works that are inane, vacuous or even mediocre, gaffes of taste and failures of craftsmanship are not commonly neoclassical failings. Novelty, improvisation, self-expression, and blinding inspiration are not neoclassical virtues. "Make it new" was the modernist credo of the poet Ezra Pound; contrarily, neoclassicism does not seek to re-create art forms from the ground up with each new project. It instead exhibits perfect control of an idiom.Speaking and thinking in English, "neoclassicism" in each art implies a particular canon of "classic" models. Virgil, Raphael, Nicolas Poussin, Haydn. Other cultures have other canons of classics, however, and a recurring strain of neoclassicism appears to be a natural expression of a culture at a certain moment in its career, a culture that is highly self-aware, that is also confident of its own high mainstream tradition, but at the same time feels the need to regain something that has slipped away: Apollonius of Rhodes is a neoclassic writer; Ming ceramics pay homage to Sung celadon porcelains; Italian 15th century humanists learn to write a "Roman" hand we call italic (based on the Carolingian); Neo-Babylonian culture is a neoclassical revival, and in Persia the "classic" religion of Zoroaster, Zoroastrianism, is revived after centuries, to "re-Persianize" a culture that had fallen away from its own classic Achaemenean past. Within the direct Western tradition, the earliest movement motivated by a neoclassical inspiration is a Roman style that was first distinguished by the German art historian Friedrich Hauser (Die Neuattische Reliefs Stuttgart 1889), who identified the style-category he called "Neo-Attic" among sculpture produced in later Hellenistic circles during the last century or so BCE and in Imperial Rome; the corpus that Hauser called "Neo-Attic" consists of bas reliefs molded on decorative vessels and plaques, employing a figural and drapery style that looked for its canon of "classic" models to late 5th and early 4th century Athens and Attica.
texture
That's really a question for your husband, but some thoughts may be that: he is concerned about finances, he feels he is too old, he is concerned about bringing another child into the world in it's current uncertain state, he is concerned about a genetic problem, he feels he has enough to handle without adding another child, he is concerned about overpopulation.
Texture
Yes, texture is a qualitative property of a solid that describes how it feels to the touch or how rough or smooth its surface appears. Texture is subjective and can vary from soft and smooth to hard and rough.
texture
it did not have a have one
Texture
rough
How the surface looks or feels: smooth, rough ...
It feels like gas
The feel, appearance, or consistency of a surface, substance, or fabric refers to its texture. Texture can be described as smooth, rough, soft, hard, bumpy, etc., depending on how it feels to the touch.
"Surface characteristics" merely describe the way a surface of a how the surface of a painting or sculpture looks or actually feels--rough, smooth, etc.