he doesn't
Mary Shelley ends chapter 13 of Frankenstein on an apparently optimistic note to create contrast and build suspense. It serves as a momentary respite before the impending tragedy and horror that follows in the story. By introducing this sense of hope, Shelley heightens the impact of the inevitable darkness that will soon unfold.
Harper Lee may have ended part 1 after chapter 11 to create suspense and tension in the narrative, leaving readers eager to find out what happens next. It could also serve as a natural breaking point in the story, providing a moment for reflection on the events that have unfolded so far. Additionally, by ending part 1 at this point, Lee may be signaling a shift in the story's focus or introducing a new thematic direction in part 2.
Chapter 75 in "Life of Pi" is intentionally short to create a sense of urgency and suspense as the story builds toward its climax. The brevity of the chapter helps to enhance the impact of the events that unfold in that section of the book.
Chapter 3 intensifies suspense by revealing new details that escalate the conflicts introduced in Chapter 1. It further develops the tension between the characters involved in the conflicts and hints at potential consequences or resolutions that heighten anticipation for future developments. The chapter sets the stage for the conflicts to unfold in unexpected and dramatic ways, keeping readers engaged and eager to see how everything will unfold.
Danger is a situation that can be used to create suspense in a short story. If you have someone in the story in danger, it will add suspense to the story.
In Chapter 6 of To Kill a Mockingbird, Harper Lee creates tension through the children's nighttime escapade to the Radley property. The suspense builds as Scout, Jem, and Dill creep through the yard, fearing detection by Boo Radley or Mr. Nathan Radley. The oppressive silence of the night, combined with their heightened anxiety and the potential for danger, amplifies the tension, culminating in a moment of panic when they hear a mysterious noise and must flee. This atmosphere of uncertainty and fear effectively immerses readers in the children's perspective.
Moving the action of a story into darkness can create tension, mystery, and suspense. It adds an element of danger and uncertainty for the characters, while also symbolizing inner turmoil or conflict. The darkness can also heighten emotions and help to build a sense of unease or urgency in the plot.
Alcott likely begins the chapter with character dialogue to immediately draw the reader into the scene and establish the characters' personalities and relationships through their conversation. Dialogue can also create suspense or tension, setting the tone for the rest of the chapter.
Having suspense is to create a waiting and a wonder of something to come.
how does the use of point of view create suspense in a passage
when you create suspence e.g. in a movie the music may create suspense
To create suspense for the reader