They only spoke to each other a few times, but he thinks about her all the time.
Mangan's sister asks the narrator to go to the bazaar since she cannot attend. The narrator has feelings for Mangan's sister, and going to the bazaar becomes significant to him as a way to impress her and potentially win her affections.
The narrator in "Araby" by James Joyce is distracted by his infatuation with Mangan's sister. His feelings for her consume his thoughts and actions, leading to his inability to focus on anything else. This distraction drives the story forward as he navigates through his unrequited love and disillusionment.
If you will notice the narrator does not have a name either. It is part of the brilliance of James Joyce. There is a reason neither of these characters have names. The questioin doesn't really have an answer - Joyce lets the reader decide why the characters have no names, what their names might be, and then are able to apply their own thoughts and feelings attacted to them.
The conflict in "Araby" by James Joyce revolves around the narrator's unrequited love for Mangan's sister and his disillusionment with the bazaar. The conflict is not resolved as the story ends with the narrator feeling a sense of deep disappointment and loss.
In "Araby" by James Joyce, innocence represents the narrator's youthful idealism and romanticized view of the world, while experience symbolizes the harsh realities and disappointments of adulthood. The contrast between innocence and experience is central to the narrator's journey of disillusionment as he navigates the complexities of desire and reality in his pursuit of his crush, Mangan's sister. Ultimately, the story explores the loss of innocence and the awakening to the complexities and disappointments of life.
The narrator in the story "Araby" by James Joyce is an unnamed young boy who reflects on his experiences and emotions surrounding his infatuation with his friend Mangan's sister and his visit to the Araby bazaar. He provides insight into his thoughts and feelings as he navigates the complexities of desire and disappointment.
I would say it is when Mangan's Sister and the narrator first talk, as before that happens, the story is just describing the narrator's every day life as seen when he says "This happened morning after morning. I had never spoken to her, except for a few casual words, and yet her name was like a summons to all my foolish blood."
The main character in "Araby" by James Joyce desires to impress and win the affection of the sister of his friend. He yearns for a romantic connection and sees her as a symbol of beauty and escape from his mundane surroundings.
The resolution of the short story "Araby" by James Joyce occurs when the protagonist, disappointed by the unattainable love he feels for Mangan's sister, realizes the emptiness of his pursuit and feels a sense of disillusionment. He comes to understand the reality of his situation and the limitations of his romantic ideals.
The bazaar seems to represent one's ability to choose one's destiny. As the bazaar contains many stalls, life contains many choices. Making a choice, or entering a particular stall, affects what you can buy, or what further choices you can later make. The narrator of the story, so obsessed with the image of Mangan's sister, can no longer make choices for himself; in his conversation with Mangan's sister, his responses are automatic, as is his agitation with his uncle's tardiness, etc. It follows that, upon arriving at the bazaar, the narrator finds only one shop to be open; this represents the fact that, before he can move on with his life, the narrator must make one single choice: pursue Mangan's sister more seriously (with less timidity and "foolishness"), or forget the affair. The narrator does not choose to buy anything at the stall; perhaps he has chosen to abandon his love for Mangan's sister. This would serve to explain the emotions described in the last sentence of the chapter and would be logical in the context of the narrator's promise to the girl at their only true meeting.
In James Joyce's "Araby," the narrator finds comfort in images crafted by his own fantasy. His idealization of a busy, diverse, and exotic araby and his fixation with Mangan's sister are both shattered when he comes to terms with reality. The araby did not live up to his expectation and he is disillusioned by reality's failure to satisfy his previous outlook.
A narrator, presumably older, relates an incident from when he was young. He tells how he grew up on a dead-end street, which they refer to as a "blind street" in Dublin. He lives with his aunt and uncle and harbors a secret infatuation for his friend Mangan's sister. He does not talk to the girl, but watches her from his parlor in the mornings so that he can leave his house at the same time she leaves from hers and follow her as they walk to school. One day, she asks if he is going to Araby, a fair that will be held in their city. She cannot attend. He promises to bring her back something from the fair. He spends too much money for the train ride there and on the entrance to bring her anything. You can hear an audio summary at the related link.