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Speaker: first person, mirror

Audience: those who look into the mirror

Speaker: The mirror says that it's not judgmental and it just reflects everything it sees

Purpose: despair of loneliness and emptiness, of relationships come and gone, with none bearing the fruit of a soul- satisfying true love

Imagery in poem: poem uses personification for the mirror is talking and is given human characteristics. Mirror is also referred to like a lake

With the beginning of the second stanza, the poem takes on a much darker tone. The change is abruptly signaled by the presentation of a different type of mirror: the reflective surface of a lake. Plath has good reason to use water imagery in these final lines, since it provides the same reflective qualities as the mirror, but also suggests depth, coldness, the unknown, and the threat of death by drowning. A mirror is unlike a person because it does not lie.

The closure is an example of the type of sudden, unexpectedly violent, imagery for which Plath's poetry is famous. The lake imagery is developed, as the mirror becomes a grim reminder of the woman's own lost youth; it is she, the poem suggests, who had been the "young girl" who was "drowned" in the lake. Here the lake seems to represent time: it is time that has "killed" the young girl and turned her into an "old woman." Plath then employs a rather shocking metaphor, comparing the woman's reflection to "a terrible fish" rising from the depths of a lake: her face has been made grotesque by the passage of time. A terrible fish rising can be the death of the person or of aging.

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