he used much humor but elements of poetry he used were mostly alliteration, rhyme, and rhyme scheme
S.E. Hinton fits into the 1960s and 1970s literary time periods, known for her coming-of-age stories that resonate with young audiences. She captured the angst and struggles faced by teenagers during this era, addressing themes of identity, rebellion, and societal expectations.
A story fits into historical and literary traditions in English by drawing on and being influenced by the cultural, societal, and literary elements of the time in which it is written. This may include referencing historical events, incorporating literary techniques popular in a particular era, or engaging with themes that have been explored in previous works. By situating a story within these traditions, it becomes part of a larger conversation that extends beyond the specific narrative.
"Where The Sidewalk Ends" by Shel Silverstein contains various types of figurative language, including similes, metaphors, personification, and imagery. Similes are comparisons using "like" or "as," metaphors make direct comparisons without using those words, personification attributes human qualities to non-human entities, and imagery creates vivid mental images through descriptive language. Silverstein's use of these literary devices enhances the poetic and imaginative nature of the collection.
He's the Twistable Turnable Squeezable PullableStretchable Foldable Man.He can crawl in your pocket or fit your locketOr screw himself into a twenty-volt socket,Or stretch himself up to the steeple or taller,Or squeeze himself into a thimble or smaller,Yes he can, course he can,He's the Twistable Turnable Squeezable PullableStretchable Shrinkable Man.And he lives a passable lifeWith his Squeezable Lovable Kissable HugablePullable Tugable Wife.And they have two twistable kidsWho bend up the way that they did.And they turn and they stretchJust as much as they canFor this Bendable FoldableDo-what-you're-toldableEasily moldableBuy-what you're-soldableWashable MendableHighly DependableBuyable SaleableAlways availableBounceable ShakeableAlmost unbreakableTwistable Turnable Man.Try sayin' that five times fast!
Simple comfort fit
it is neither actually. (: it doesn't fit in any literary devices.
so he can sort out thing of south africa
The name Rachelle can be transliterated into Korean as 라셸 (Ra-shel). Korean names are often phonetic representations of foreign names, so the pronunciation is adapted to fit the Korean language's sounds.
Adam and Eve do not really fit into any scientific or historic era, because the biblical story runs counter to the facts known to scientists and historians. They could be said to belong in a biblical era.
Oliver Twist can be effectively analyzed through a Marxist literary criticism lens, as it explores themes of class struggle, poverty, and social injustice in 19th-century England. The novel highlights the exploitation of the poor and critiques the societal structures that perpetuate inequality. Additionally, a Victorian-era lens can be applied to examine the moral and social values of the time, particularly regarding childhood innocence and the responsibilities of society towards its most vulnerable members.
William Faulkner fits into the Modernist literary period, which took place roughly between 1900 and 1945. Faulkner's works often displayed experimental forms and themes related to the complex nature of human experience.
"Shrink to Fit" is a term commonly used in psychology or self-help to describe the process in which individuals adjust their behavior or mindset to fit within certain standards or expectations. It does not refer to specific characters in a defined literary work.