he used much humor but elements of poetry he used were mostly alliteration, rhyme, and rhyme scheme
S.E. Hinton fits into the 1960s and 1970s literary time periods, known for her coming-of-age stories that resonate with young audiences. She captured the angst and struggles faced by teenagers during this era, addressing themes of identity, rebellion, and societal expectations.
A story fits into historical and literary traditions in English by drawing on and being influenced by the cultural, societal, and literary elements of the time in which it is written. This may include referencing historical events, incorporating literary techniques popular in a particular era, or engaging with themes that have been explored in previous works. By situating a story within these traditions, it becomes part of a larger conversation that extends beyond the specific narrative.
The poem is about how we should look to the world of innocence that children inherently understand, but we as adults forget in the hustle and bustle of everyday life. The poem is written in rhyme in the following pattern: aabbba (although he uses slant or half-rhyme), then cdeeed and eeed. The feet are 434443, 434443, 4443. The reason there aren't more "feet" is because he uses anapaestic combinations rather than iambic or trochaic. "blows black" is an alliteration, "peppermint wind" is a metaphor, as are "asphalt flowers", "chalk-white arrows".
He's the Twistable Turnable Squeezable PullableStretchable Foldable Man.He can crawl in your pocket or fit your locketOr screw himself into a twenty-volt socket,Or stretch himself up to the steeple or taller,Or squeeze himself into a thimble or smaller,Yes he can, course he can,He's the Twistable Turnable Squeezable PullableStretchable Shrinkable Man.And he lives a passable lifeWith his Squeezable Lovable Kissable HugablePullable Tugable Wife.And they have two twistable kidsWho bend up the way that they did.And they turn and they stretchJust as much as they canFor this Bendable FoldableDo-what-you're-toldableEasily moldableBuy-what you're-soldableWashable MendableHighly DependableBuyable SaleableAlways availableBounceable ShakeableAlmost unbreakableTwistable Turnable Man.Try sayin' that five times fast!
Simple comfort fit
it is neither actually. (: it doesn't fit in any literary devices.
The name Rachelle can be transliterated into Korean as 라셸 (Ra-shel). Korean names are often phonetic representations of foreign names, so the pronunciation is adapted to fit the Korean language's sounds.
so he can sort out thing of south africa
Adam and Eve do not really fit into any scientific or historic era, because the biblical story runs counter to the facts known to scientists and historians. They could be said to belong in a biblical era.
Oliver Twist can be effectively analyzed through a Marxist literary criticism lens, as it explores themes of class struggle, poverty, and social injustice in 19th-century England. The novel highlights the exploitation of the poor and critiques the societal structures that perpetuate inequality. Additionally, a Victorian-era lens can be applied to examine the moral and social values of the time, particularly regarding childhood innocence and the responsibilities of society towards its most vulnerable members.
William Faulkner fits into the Modernist literary period, which took place roughly between 1900 and 1945. Faulkner's works often displayed experimental forms and themes related to the complex nature of human experience.
"Shrink to Fit" is a term commonly used in psychology or self-help to describe the process in which individuals adjust their behavior or mindset to fit within certain standards or expectations. It does not refer to specific characters in a defined literary work.