Sophocles
Wrong, it's Thespis.
The first actors in theatre were referred to as "thespians," a term derived from Thespis, an ancient Greek playwright who is often credited as the first actor. He is believed to have introduced the concept of a single performer stepping out from the chorus to portray a character, thus creating dialogue and drama. This innovation marked the transition from choral performances to individual performances in theater.
It is in the words of the chorus leader and the prophetthat the playwright finds a role in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, ancient Greek theater aims to entertain and instruct. The chorus of Theban elders assumes the main role of entertainment in the play through its dancing and singing. The main role of instruction is assumed by the chorus leader as well as any oracle or prophet. Instructors represent the playwright in presenting certain takeaway themes to the audience.
Thespis emerged from the chorus as the first actor. Aeschylus added the second actor and decreased the chorus to twelve from fifty. Sophocles added the third actor and increased the chorus to fifteen. From that point, the number of actors and size of the chorus became frozen as the rules for the tragic competition.
The founder of drama is often attributed to the ancient Greek playwright Thespis, who lived in the 6th century BCE. He is known for being the first person to step out of the chorus and engage in dialogue, effectively creating the role of the actor. This innovation laid the groundwork for the development of theatrical performances and drama as an art form.
One of Thespis's plays is titled "The Women of Argos." Thespis is considered the first known playwright in ancient Greece and is credited with introducing the concept of an actor stepping away from the chorus to deliver lines, effectively creating dialogue in theatre. His works, while not preserved in their entirety, laid the foundation for the development of drama and performance art in Western culture.
The leader of the Greek chorus, often referred to as the "Coryphaeus," serves as the main spokesperson and facilitator for the chorus, guiding their movements and dialogue. This character typically engages directly with the other characters in the play, providing commentary, insights, and reflections on the unfolding events. Additionally, the Coryphaeus helps to interpret the chorus's collective thoughts and emotions, shaping the audience's understanding of the narrative.
Drama in European culture began with the ancient Greek Festival of Dionysus, to honor the god of wine. The singing and dancing chorus of the dithyramb emerged as a dramatic monologue under Thespis, who is considered the first actor and the first playwright; and as dialogue when Æschylus added the second actor. Drama also developed independently in Africa, the Middle East, India, China, and Japan, at different times.
Drama in European culture began with the ancient Greek Festival of Dionysus, to honor the god of wine. The singing and dancing chorus of the dithyramb emerged as a dramatic monologue under Thespis, who is considered the first actor and the first playwright; and as dialogue when Æschylus added the second actor. Drama also developed independently in Africa, the Middle East, India, China, and Japan, at different times.
Thespis, an ancient Greek playwright, is often credited with inventing acting by introducing the concept of a solo performer who could step away from the chorus to portray distinct characters. Around the 6th century BCE, he began using dialogue and monologues, allowing for more personal and dramatic storytelling. This innovation marked a shift from traditional Greek chorus performances to more narrative-driven theater, laying the groundwork for future dramatic arts. Thespis's contributions are so significant that the term "thespian" is derived from his name, highlighting his role in the evolution of acting.
1. Painted backgrounds 2. 3rd actor 3. increased chorus to 15
It started with dancing and singing to the gods at an altar in a forest glade. It then was performed in a city in front of an altar, with singing and dancing. Then an announcer was introduced to comment as the singing and dancing went on. Then a second actor was introduced, then a third, with the singing and dancing performed by a chorus, with the rest of the people becoming an audience, and the altar becoming part of a stage on which actors and chorus performed.
They were the narrative part. Initially the plays were sung and danced in forest glades. Then it went to a stage and an actor was introduced, then two and then three. The chorus remained to provide continuity and represent groups of people.