The flat sign looks like a lowercase 'b' so you put the symbol in front of a note which you want to be lowered.
This is a real example: (♭♩)
Gb, Ab, Bb, Cb, Db, Eb, F, Gb
G flat, A flat, B flat flat, C flat, D flat, E flat, F natural and G flat.
B flat, E flat, A flat, D flat, G flat, C flat, F flat. It's the opposite order to that of the sharps in a key signature.
b flat, c, d, e flat, f, g, a, b flat
Assuming there is an E flat in the key signature, a very common reason why a composer or songwriter would choose to write an F flat instead of an E natural is because you already have the E flatted in the key signature. For example, lets take the key of Ab Major (four flats), in this case it would make more sense to write an F flat than alter the E flat so you don't have to constantly naturalise and flatten the E - which would make the written music full of unnecessary accidentals and difficult to read. Even in C major (all naturals), for example if you wanted to add more expression when modulating to the dominant by raising the third and fourth degrees of the scale, you would use C, D, E♯, F♯ and G. You could write C, D, F, F♯ and G, which is okay, but it would look a lot neater if you used the E♯. It is for this reason why double sharps and double flats may be used instead of the usual natural, and also why "white notes" having enharmonics come in very handy.
It is A flat.
There is such a thing as a double-flat.
a desk
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In conclusion,plateaus are flat
lower case "b"
I would definitely try to write the scale in B. If you were to write it in C flat then you would end up having to use accidentals that are not very common called double flats.
Because he wanted to!
In Beef Flat
The notes are G, B flat, and D. In any order.
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No, you'll have to write the accidental for the A natural.