Start in C major, parallel minor is C minor, relative major is E-flat major, parallel minor is E-flat minor, enharmonic respelling is D-sharp minor (which has 6 sharps).
E Minor is the relative minor to G Major.
G-flat major scale has the most with 6 flats: b-flat, e-flat, a-flat, d-flat, g-flat, and c-flat.Of course, one could argue that other scales have more flats (such as C-flat major, F-flat major, B-double-flat major, etc), but these scales are typically notated as their enharmonic equivalent (e.g. A major instead of B-double-flat major).
A minor
The relative major key of Gb minor is Bbb (double-flat). However to make life easier, one could just say the minor key is F# minor and then the relative major would be A.
G# minor
The relative major is determined by two steps: counting three half steps higher and writing as an enharmonic equivalent using the name of three white notes above. In this case, three half steps higher yields A#/Bb. Counting three notes higher gives B. Therefore the key signature is equivalent to that of B flat major.
D-flat major. It's the enharmonic equivalent.
The parallel minor is a minor key with the same tonic as a major key, while the relative minor is a minor key with the same key signature as a major key.
Parallel keys in music theory are major and minor keys that share the same tonic note, while relative keys are major and minor keys that have the same key signature.
Diminished fourth - enharmonic to major third.
G sharp (enharmonic A flat).
Diminished fourth - enharmonic to major third.
A major scale and its relative minor scale share the same key signature.
F♭ major is a theoretical key, since the B note requires a double flat to keep the TTSTTTS major scale formula straight (in this case T = tone, S = semitone).The scale goes as follows:F♭, G♭, A♭, Bbb (double-flat), C♭, D♭, E♭ and F♭.Bbb is the enharmonic of A♮.The relative minor of this scale would be D♭ minor and the enharmonic equivalent is E major (with the significantly simpler key signature of four sharps).
The relative minor key shares the same key signature as its major counterpart but starts on a different note, while the parallel minor key has a different key signature than its major counterpart.
No. Parallel key signatures share the same tonic, or starting note. Relative minor/major are the scales that share a key signature.
That would be the relative major or minor (example: C major and A minor).