n visual perception, figure-ground is a type of perceptual organization in vision that involves assignment of edges to regions for purposes of shape determination, determination of depth across an edge, and the allocation of visual attention [1]. Figure-ground is a critical process in perception because of its profound consequences for shape perception. It is a common textbook topic in general psychology and perception courses. The Gestalt psychologist Edgar Rubin is credited with popularizing the issue of figure-ground organization and it is therefore often associated with Gestalt Psychology more broadly. Figure-ground organization is probably best known by the faces-vase drawing that Rubin described[2] [3]. This drawing exemplifies one of the key aspects of figure-ground organization, edge-assignment and its effect on shape perception. Notice in the faces/vase drawing below, the perceived shape depends critically on the direction in which the border (edge) between the black and white regions is assigned. If the two curvy edges between the black and white regions are assigned inward then the central white region is seen as a vase shape in front of a black background. No faces are perceived in this case. On the other hand, if the edges are assigned outwards, then the two black profile faces are perceived on a white background and no vase shape is perceived.
The figure to ground relationship in photography is important because it helps create a clear and impactful composition. By distinguishing the main subject (figure) from the background (ground), the viewer's attention is drawn to the subject, making the image more visually engaging and effective. This relationship adds depth and visual interest to the photograph, enhancing its overall impact and storytelling.
Figure-ground in art refers to the relationship between the subject (figure) and the background (ground) in a composition. It involves how these elements interact to create perception and meaning, with the figure often standing out against the ground. This concept helps artists manipulate visual focus and can influence the viewer's interpretation of the artwork. Effective use of figure-ground can enhance depth, contrast, and overall impact.
rhythm
This characteristic is known as "figure-ground relationship." It refers to the way positive shapes (the figures) are perceived against the surrounding negative spaces (the ground). By repeating positive shapes, designers can create a dynamic interplay between figure and ground, enhancing visual interest and clarity in a composition. This technique is often used in art, design, and architecture to guide viewer perception and emphasize certain elements.
This is an example of the gestalt principle of figure-ground relationship. This principle describes how we perceive objects (figures) as distinct from their surroundings (ground). Photographers can manipulate this relationship through composition, lighting, and focus to ensure that the subject stands out and captures the viewer's attention. By effectively utilizing this principle, they can guide the audience's perception and emotional response to the image.
The identity transformation.
Sediment composition.
The cast of Figure-Ground - 2011 includes: Allan Kulakow as The Father
If the ground shakes when they walk, they have a large figure proportion.
The perception of an object as distinct from its surroundings is called figure-ground perception. This visual perception principle helps us distinguish the main object of focus (figure) from its background (ground).
Good question!
Figure it out.