Sir Phillip Morton is a horrible, shallow man. He only wants to gain more power and obtain more land. He takes advantage of his low power under the throne of the Queen Elizabeth and so with that '' Sir '' in front of his name he thinks he can do whatever he pleases. shameful
In the book Cue For Treason, Sir Philip Morton is the man that is trying to hunt down Peter and Kit.
When the Desmond's acted like police officials, and had Kit and Peter to act as though they had be caught by them. This was to draw in Sir Philip Morton, resulting, in his capture. And then, after this, Peter and Kit found out that Shakespeare's play had been moved up two days. I believe that is the climax.
enotes
the theme is that the story is cued and is treased for the sake of treason.
Mr. Norman
Sir David Vicars is the one Peter and Kit call the yellow gentleman, he stole the script to communicate with Sir Phillip Morton, and plot to kill the Queen. Shakespeare calls him a playhouse pirate.
No, Sir Philip Morton is not a governor in "Cue for Treason." He is a wealthy landowner and a member of the Queen's inner circle, but not a governor.
The redhead in the novel "Cue for Treason" is Sir Philip Morton's daughter, Mary. She plays a significant role in the story as a friend and ally to the main characters, Peter and Kit.
Sir Philip Morton is portrayed as arrogant in "Cue for Treason" through his disdainful treatment of others, especially those he deems beneath him. He belittles and mocks the actors in Peter's troupe, showing his superiority complex. His condescending behavior and unwavering belief in his own importance make him come across as arrogant.
she told him the truth, that sir philip morton was there and that they were going to be married before she left him and she couldnt let him see her
Geoffrey Trease wrote Cue for Treason.
In chapter 15 of the book "Cue for Treason," the key characters introduced include Sir Philip Morton, his daughter Judith Morton, and the acting troupe members led by Peter Brownrigg, Kit Kirkstone, and the mysterious "Jem." Sir Philip Morton plays a crucial role in the plot as a nobleman with political ambitions, while Judith becomes an important figure in Peter's life. The members of the acting troupe also play a significant part in the unfolding events as they find themselves caught up in matters of espionage and political intrigue.
because, in the story it is based on the theatre, there fore " cue " and treason meaning a violation of trust and or betrayal, so if you read the book you will see that, there is a lot of treason . so hence the title cue for treason meaning a cue for betrayal The story is set in Elizabethan England when the ultimate treason would be an attack upon the Queen herself. The two young heroes of the story, Peter Brownrigg and Kit Kirkstone (Katharine Russell disguised as a boy) uncover a plot to assassinate Elizabeth - that is the Treason. A sub-plot involves Peter, and later Kit, escaping from the vengeance of Sir Philip Morton over Morton's ruthless plans to dispossess Peter's family, and others, of their farms. They escape by joining a troupe of travelling players, and through that employment they make their way to London and meet Shakespeare and Richard Burbage, so eventually warning the Queen of her danger. And there you have the Cue of the title.
Kit Kirkstone shows bravery throughout "Cue for Treason." One notable act is when she helps Peter Brown escape from Sir Philip Morton's men by distracting them and leading them away from Peter's hiding spot. Additionally, Kit bravely confronts Sir Philip Morton himself, challenging his corrupt actions and standing up for what is right.
When the Desmond's acted like police officials, and had Kit and Peter to act as though they had be caught by them. This was to draw in Sir Philip Morton, resulting, in his capture. And then, after this, Peter and Kit found out that Shakespeare's play had been moved up two days. I believe that is the climax.
Geoffrey Trease
enotes
"Though I have the weak body of a woman, I have the heart and stomach of a man!" Queen Elizabeth, p.279